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  #1  
Old 11-21-2005, 08:12 PM
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Has anybody ever put together an "Equal Tension" string set?

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By which I mean, that all the strings, when tuned to pitch, have a roughly equal tension across the neck.

I'm thinking of putting the following gauges on my 5 string:
.040-.055-.070-.095-.130.
The highest tension on any string is 35.3 lbs. The lowest is 33.7 lbs.

Tension measurements are from D'Addario.

Any thoughts?
  #2  
Old 11-22-2005, 09:44 AM
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Equal tension on ERBs

This is a frequent topic of conversation at extendedrangebassist.com

Getting an equal tension set over 7+ strings can be quite challenging.

There are a number of different schools of thought on this...what feels best? what sounds best?

A lot of it comes down to your own personal tastes and playing style.
  #3  
Old 11-22-2005, 12:42 PM
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Do they have equal flexibility?
  #4  
Old 11-22-2005, 01:04 PM
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Quote:
Originally Posted by pickles
Do they have equal flexibility?
That's one of the other factors that was floating around when I first started to ponder this. The root question is "How do string companies determine what gauges go in a set?".

Relative volume between strings?
Subjective feel/flexibility?
Tradition?
Or, more likely, some hybrid of these, and other factors.

I'm going to try my "Equal Tension" set (sometime in the near future), and report back. In the meantime, I hope to get some feedback from other players, especially folk playing 6 or more strings.
  #5  
Old 11-22-2005, 01:50 PM
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Ritter did the opposite. Their strings are tensioned to be looser on the highs, so that the string vibrates more to be more equal in volume to the larger strings.

http://www.ritter-basses.com/ritter-...es-strings.htm

P.
  #6  
Old 11-30-2005, 07:55 PM
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how do you calculate string tension? I always wondered why string companies didn't make thicker high strings and thinner low strings to make string tension equal
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Conklin GTBD 7 --> Genx Benz GBE400 --> Dr. Bass Neo 2x15
  #7  
Old 11-30-2005, 08:02 PM
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Location: Gladstone, QLD, Australia
Quote:
Originally Posted by Groundloop
By which I mean, that all the strings, when tuned to pitch, have a roughly equal tension across the neck.

I'm thinking of putting the following gauges on my 5 string:
.040-.055-.070-.095-.130.
The highest tension on any string is 35.3 lbs. The lowest is 33.7 lbs.

Tension measurements are from D'Addario.

Any thoughts?
sounds good to me...I wonder if it'll sound good to you (when you hear it)
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  #8  
Old 11-30-2005, 08:07 PM
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Quote:
Originally Posted by Pneuma
Ritter did the opposite. Their strings are tensioned to be looser on the highs, so that the string vibrates more to be more equal in volume to the larger strings.

http://www.ritter-basses.com/ritter-...es-strings.htm

P.
I agree with this concept, actually...lower notes have a longer node of vibration and as a result, the amplitude would be larger under the same tension...

when it comes to string vibrations, amplitude = volume.

hence, given equal tension, the lower the note the more amplitude...this doesn't necessarily = more perceived volume, however as it takes more sound energy to generate the same amount of sound pressure (air movement) and hence, perceived volume.
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  #9  
Old 12-03-2005, 01:30 PM
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Quote:
Originally Posted by Groundloop
By which I mean, that all the strings, when tuned to pitch, have a roughly equal tension across the neck.

I'm thinking of putting the following gauges on my 5 string:
.040-.055-.070-.095-.130.
The highest tension on any string is 35.3 lbs. The lowest is 33.7 lbs.

Tension measurements are from D'Addario.

Any thoughts?
Where on the D'Addario website did you get these tension measurements? Also, .130 seems way too thick. your thickness goes up by increments of .15 , but then jumps .35 . I would like to know what the specific tension on each string is.
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Conklin GTBD 7 --> Genx Benz GBE400 --> Dr. Bass Neo 2x15
  #10  
Old 12-04-2005, 01:46 AM
Temp Banned (TOS Violation)

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I can't think of a bigger exercise in futility than trying to match tensions. First off, you'll pay much more than just buying a full set. Second, in my humble opinion (apparently you have to add that when you're stating your opinion or people on here will bite your head off because they can't tell just from the statement that it's an opinion), I think diameter makes a much greater difference than tension. I would freak out if I had to jump from a .095 to a .130.
  #11  
Old 12-04-2005, 09:17 AM
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Quote:
Originally Posted by BassManolukas
Where on the D'Addario website did you get these tension measurements? Also, .130 seems way too thick. your thickness goes up by increments of .15 , but then jumps .35 . I would like to know what the specific tension on each string is.
The tension chart is here.

I never said that string companies (or indeed, players) should put sets together based on equal tension, I merely asked if anybody had, and what the results were.

JimmyM. An excercise is only futile if you don't learn anything from the experience. If I put togeteher an equal tension set, and find out that I don't like the feel or sound,well, I've learned something. As for the expense, buying single strings will cost me about $50 CDN. I'm sure a lot of us here have spent more than that at our local pub in an evening.
  #12  
Old 12-04-2005, 10:39 AM
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I have debated this as well. While I love my DR HighBeams (45's) I wonder about doing an "equal tension" experiment as well.
  #13  
Old 12-04-2005, 11:03 AM
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Join Date: Nov 2003
Location: Upstate NY
Quote:
Originally Posted by BassManolukas
how do you calculate string tension? I always wondered why string companies didn't make thicker high strings and thinner low strings to make string tension equal
Easy with the eye-rolling. Because this is exactly backwards. You would have to make thicker low strings and thinner high strings to equalize tension. Generally, G strings tend to be the highest-tension in the set. And here are all kinds of people complaining about differences in gauge feeling wrong.
  #14  
Old 12-04-2005, 12:10 PM
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Quote:
Originally Posted by 7flat5
Easy with the eye-rolling. Because this is exactly backwards. You would have to make thicker low strings and thinner high strings to equalize tension. Generally, G strings tend to be the highest-tension in the set. And here are all kinds of people complaining about differences in gauge feeling wrong.
DA XLs 34" scale are as follows:

45-G-42.8 lbs.
65-D-51.3 lbs.
85-A-48.4 lbs.
105-E-40.3 lbs.
130-B-34.5 lbs.

The interesting thing on the G string is a drop to a 40 drops the tension to 33.7 lbs. The resolution of G string tension is pretty coarse with the standard gauges.

IME I prefer a 45-65-80 (42.8) -100 (36.5) -130 set for a more even feel. The 85 and 105 A and E are noticably harder to play for me. Not sure if it's the thickness or the tension. I also do not like 40 (33.7) and 60 (42.9) G and D strings. They seem "anemic" and difficult to set up without a lot of buzzing. So IME, I would say I prefer lower tension on the thicker strings but YMMV. I have contemplated a custom set of 45-60-80-105 but have never spent the money.

Dave
  #15  
Old 12-04-2005, 04:55 PM
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Quote:
Originally Posted by Groundloop
The tension chart is here.

I never said that string companies (or indeed, players) should put sets together based on equal tension, I merely asked if anybody had, and what the results were.

JimmyM. An excercise is only futile if you don't learn anything from the experience. If I put togeteher an equal tension set, and find out that I don't like the feel or sound,well, I've learned something. As for the expense, buying single strings will cost me about $50 CDN. I'm sure a lot of us here have spent more than that at our local pub in an evening.
I suppose you're right about that, and I guess it IS in the name of science.
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