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01-19-2009, 10:34 PM
| | Registered User | | Join Date: Jan 2009 Location: Toronto | | | how to get more low end
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Hi All.
My Fender Jazz Standard is sounding rather thin in the house mix where I perform regularly. My pups are seymour duncan basslines and i have upgraded the bridge to badass II.
Is there a way to get more low end by changing the strings? I currently play Blue Steel Roundwounds, but I've heard that flatwounds can give you more of a full sound.
Any suggestions would be greatly appreciated. Thank you. | 
01-19-2009, 10:38 PM
| | Registered User | | Join Date: Mar 2008 Location: Los Angeles, CA | | | It depends, you can try out a couple strings to see what you like and don't like. Some people would say that heavier string gauges will give you a deeper sound. My personal favorite strings are DR
Flatwounds are smoother and have less of a high end.
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01-20-2009, 07:39 AM
| | Registered User | | Join Date: Feb 2007 Location: Finland | | Unless you slap a lot, I'd recommend to give flats a chance. I posted a soundclip on the strings I use on my jazz a few days ago in this thread: Pyramid gold flats - soundclip (new link posted)
Unfortunately those strings (Pyramid Golds) are rather expensive over there, but I've always enjoyed a powerful bass in my sound and these give me just what I want. The often praised TI flats remind to some extent of these strings, but I haven't done an a/b test to check out the differences, and I think I won't change switch out the pyramids for something else in a very long time.
The good thing with flats is that you can keep the strings on for ages and they'll still sound good, whereas rounds get old rather quickly. So they're really much more economical than rounds in the long run.
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01-20-2009, 07:58 AM
| | Registered User | | Join Date: Mar 2007 Location: Ontario | | | Judging by what you have bass-wise, I'd first think it was more an EQ issue with the monitor mix rather than a problem that will be fixed by strings (I've used Blue Steels and Duncan Basslines together previously and the sound was great).
I can't say from where I'm sitting, but you may find you're sitting in the mix better by moving slightly to another spot relative to your amp ... I personally find moving a foot in one direction, makes a difference in my perception of the mix. If not, I adjust the EQ.
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01-20-2009, 09:40 AM
|  | OVNIFX EXAR pedals rep for North & Central America | | Join Date: Oct 2005 Location: PDX, OR | | | I'll just repeat my post from your duplicate thread:
Flatwounds present more fundamental, where rounds present more of the upper harmonics. You can also beef up the lows by plucking nearer to the neck, and/or using an external EQ to boost the low mids (like 150 Hz to 450 Hz). Don't boost the low lows, that will just eat up your wattage and muddy up the mix. Bumping the low mids will give your sound a fat bottom in the mix. | 
01-21-2009, 01:17 PM
|  | Registered User | | Join Date: Jul 2004 Location: Fort Collins, Colorado | | | Flats are definitely worth trying.
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01-21-2009, 07:30 PM
|  | Registered User | | Join Date: Sep 2007 Location: Chicago | | Quote:
Originally Posted by Pilgrim Flats are definitely worth trying. | Try flats they cost more but last forever.
My favorites: LaBella FS-Lowest
Thomastik Infeld-Better mids-low tension
DR Hi Beam Flats-Better highs | 
01-21-2009, 07:33 PM
| | Registered User | | Join Date: Sep 2008 Location: PA (school), MD (holidays) | | | what amp/cab are you using?
__________________ “I think there's something wrong with people who name their basses; it's like they're crazy or something. I asked my basses what they thought about it and they all agree with me.” – danomite64 | 
01-30-2009, 07:50 PM
| | Registered User | | Join Date: Jan 2009 Location: South Florida, in the U.S.A. | | | FLATS, I personally use Rotosound Steve Harris series, love um.
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