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  #1  
Old 03-16-2013, 03:46 PM
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Labella flats, extra light - weak low-E?

I thought the E string was relatively weak. Labella sent me a replacement, and it's the same thing. Is that just how they roll or do I have particularly ****** luck?
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Old 03-16-2013, 04:01 PM
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I've never had a problem with a LaBella flat E-string in any of the 3 gauges I've used. I did break one trying to string it thru-body but that's another thread.
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Old 03-16-2013, 04:26 PM
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Do you find the E string sounds different? Or do you find it completely even in tone and output?

I guess it's not that bad when I pluck lightly. I'm a guitarist so I'm used to digging in.
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Old 03-16-2013, 05:03 PM
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Might be the bass itself. I have a 30.5" hollowbody that doesn't physically resonate as much on the E. If the fundamental isn't strong, it shows even with pickups.
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Old 03-16-2013, 06:26 PM
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Quote:
Originally Posted by jscomposer View Post
I thought the E string was relatively weak. Labella sent me a replacement, and it's the same thing. Is that just how they roll or do I have particularly ****** luck?
Same exact thing happened to me on light gauge deep talkin flats. Supposedly they "break in" but I don have the patience for that.
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Old 03-16-2013, 07:24 PM
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Quote:
Originally Posted by bearfoot View Post
Might be the bass itself. I have a 30.5" hollowbody that doesn't physically resonate as much on the E. If the fundamental isn't strong, it shows even with pickups.
It's a 5-string. And the low-B is stronger, too.

I just threw on Circle Ks and the E string is even with the other strings, so it's not the bass.

Could it be my technique? Are flats meant to be played with a light touch, plucked parallel to the body? I'm used to plucking towards the body, usually making the string clank against the last fret.

Quote:
Originally Posted by petrus61 View Post
Same exact thing happened to me on light gauge deep talkin flats. Supposedly they "break in" but I don have the patience for that.

Last edited by jscomposer : 03-16-2013 at 07:59 PM.
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Old 03-17-2013, 04:57 AM
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You are comparing the sound of round wounds to flats.

Flats simply do not resonate like rounds...

But from you hearing the B string is stronger while at the same time not experiencing this with circle K strings... Did you press down on the E string over the bridge saddle to create a witness point? You don't need to do this with the B string since it is tapered, and the circle K strings are all tapered so they will not have this issue... This will cause extra lack of resonance and walker tone.
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Old 03-17-2013, 03:40 PM
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Quote:
Originally Posted by SLaPiNFuNK View Post
You are comparing the sound of round wounds to flats. Flats simply do not resonate like rounds...
That's why I asked about technique. Do flats players typically use a light touch? I can see using a light touch and subconsciously making a subtle adjustment, thereby not really noticing the weakness.

Quote:
Originally Posted by SLaPiNFuNK View Post
But from you hearing the B string is stronger while at the same time not experiencing this with circle K strings... Did you press down on the E string over the bridge saddle to create a witness point? You don't need to do this with the B string since it is tapered, and the circle K strings are all tapered so they will not have this issue... This will cause extra lack of resonance and walker tone.
Damn, you wait till AFTER I changed strings to tell me that? I was 99% sure I did--I even do that on my guitars--but just to take care of that 1% uncertainty, I put the Labellas back on and made sure to press down like you said. Same thing.
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