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Originally Posted by Cthulhu With the neck horizontal, fretboard facing the ceiling, a "backload" would involve pressure that would straighten the neck or add an additional bow into the neck. In other words, what exactly gets "bowed?" |
In your description -- the bass on its back -- the center of the fretboard is bowed upward toward the ceiling.
In other words, the neck is being bent in exactly the same direction the trussrod bends it, but you are doing the bending, not the trussrod. The object in this instance is to bow the neck to the point that most or all of the internal strain is off the trussrod so that it can be loosened up at the bolt and freed from whatever is sticking to it inside the neck.
You accomplish this by safely supporting the fingerboard at both ends (somehow) and carefully pressing the center of the neck's back upwards toward the fingerboard. There are various plain and fancy methods or rigging something up to do this safely and conveniently.
This works for not only unsticking jammed trussrods, but also for preloading the relief on heavy or otherwise stubborn necks. By actually squeezing the neck bow in manually, you can easily tighten the trussrod to
hold that position. This takes a
HUGE amount of mechanical stress off the trussrod mechanism and makes for more precise and stable neck adjustment.
This is the way a
real tech sets neck relief. Dan Erlewine has made an elaborate bench jig for this procedure. I use a more compact method, but it works fine for me.
The object -- as always -- is to minimize and evenly distribute stresses when doing a potentially damaging task like trussrod adjustment.