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10-30-2008, 08:27 AM
| | Registered User | | Join Date: Jul 2008 Location: austin texas | | | PLEASE DONT STRING ME ALONG
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10-30-2008, 08:31 AM
|  | Registered User | | Join Date: Nov 2007 Location: Portland | | | Type? Flats probably. it's really up to you fellah, you could wrangle the tone of the old blues devils with rounds and a treble knob doing an imitation of an old newspaper press on your high end,but you wil probably be more satisfied with flats.
as for which flats, that is totally up to you. it's about taste.
If you need a suggestion, d'addario flats are fairly well reguarded around here.
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10-30-2008, 08:40 AM
|  | that video LIES | | Join Date: Aug 2004 Location: Northern California | | I concur w/flats as a good choice for your situation, but rounds can work well too. I have SS rounds on my 73 P & like it; it's my 'classic rock' bass. 
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10-30-2008, 08:42 AM
|  | Yeah, I've got the moves like Jagger. | | Join Date: Oct 2006 Location: G.R. MI | | | Flats are the natural choice for a precision.
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Originally Posted by BassChalice Everybody pay attention to Phalex now! | Quote:
Originally Posted by champbassist My cat breath smelling a cat's odor is eating. | Quote:
Originally Posted by hover He's got the Moo OO OO OO OO OO OO OObs like Jagger.... | | 
10-30-2008, 09:54 AM
|  | Registered User | | Join Date: Jul 2004 Location: Fort Collins, Colorado | | | I agree, for a classic P tone, flatwounds are the way to go.
My top suggestions:
- Labella Deep Talkin' Flats
- D'Addario Chromes
I've used both a lot, and they last well and sound great. Also kind to the fingers.
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10-30-2008, 10:01 AM
| | Registered User | | Join Date: Apr 2008 Location: Palm Harbor, Florida | | | I have flats on my jazz right now, and I enjoy them.
But the truth is that you need to discover what you like for yourself. It can take years for a string instrument player to find "their perfect strings". It is all about personal taste, and you will quickly find that (especially bassists) are very picky about our tone. Hell, even when you find what you like, you will probably go through phases of loving/hating certain tones.
I personally can't stop switching back and forth between flats and rounds.
NOW: all that aside, if you are looking for a specific type of sound, you can describe it to us and hopefully we can point you in the right direction, but we can't tell you what YOU will like the most.
Have a nice day =D
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G&L L2000;Squier CV 60s P;Acoustic B200; "Music is the mediator between the spiritual and the sensual life." - Beethoven, Ludwig Van | 
10-30-2008, 10:13 AM
| | Registered User | | Join Date: May 2007 Location: Nashville | | | Unfortunately you'll find a surprising percentage of bass players who have no idea of gear, what they gear they have does, or how to get adaptive sounds out of their gear. I'm always surprised when I meet bass players who are playing their basses, amps, etc simply because someone told them to, or the band makes them.
:: sigh ::
Currently I'm in a situation string-wise where I like how the Top end of my basses sound with flats, but not currently digging how the low E and B strings sound with flats. I'd like a bit more life out of the low strings rather than 'thud' or 'brump'. I'm determined to find what I need via EQ'ing though.
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10-30-2008, 10:42 AM
| | Registered User | | Join Date: Aug 2007 Location: Boston, MA | | | Thomastik-Infeld Jazz Flats are my personally favorite, I also enjoy Marcus Miller Fatbeams, both on the opposite end of the sound spectrum but I've found with good eqing they can fit in anywhere.
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10-30-2008, 11:58 AM
|  | Endorsing Curmudgeon: Mal's Kitchen Cruelties ... | | Join Date: Jun 2002 Location: Columbia River Gorge | | | ooo. I can't live with flats alone. If it were 1 bass in the stable - it would have to be rounds. I can EQ some thump into a decent round wound, I can't EQ harmonic's into a flat that doesn't have them though ...
Your sting choice is also somewhat dependant on your rig, your ears and your technique - we really can't decide for you...
I would suggest you try a lower end, lower cost round. D'Addarrio XL's maybe - they aren't a real zingy string. Give those a shot for maybe $20 ? When they die off in 6 months, try a flat. Maybe the GHS Brite Flat's - not a high cost string. Farily brite for a flat.
After experiencing those two sets you'll be in a better position to make an educated determination for yourself.
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10-30-2008, 12:31 PM
|  | Yeah, I've got the moves like Jagger. | | Join Date: Oct 2006 Location: G.R. MI | | Quote:
Originally Posted by 4Mal Maybe the GHS Brite Flat's - not a high cost string. Farily brite for a flat. |
Brite Flats really are awesome. They feel really bad at first but after a few hours of play time they get really nice.
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Originally Posted by BassChalice Everybody pay attention to Phalex now! | Quote:
Originally Posted by champbassist My cat breath smelling a cat's odor is eating. | Quote:
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10-30-2008, 03:28 PM
|  | Registered User | | Join Date: Sep 2007 Location: Chicago | | | LaBella Deep Talkin Flats FS | 
10-30-2008, 03:35 PM
| | Registered User | | Join Date: Mar 2004 Location: Chicago, IL | | | If for whatever reason you choose not to go with everyone elses opinion on flats, an EXCELLENT roundwound choice would be DR Nickel Lowriders.
tom | 
10-30-2008, 09:30 PM
| | Registered User | | Join Date: May 2008 Location: West Memphis/Marion area, AR. | | | Flats do sound good on a P. I have TIs on mine, and I love them. On my Fretless P I have a set of Fender Nylon Tape wounds which sound really cool. I have also used nickels, stainless, tapewounds-you name it. All have had qualities I like. In the end, it will just have to come down to what YOU like. Granted, bass strings are expensive to experiment with.
If you are just going to use it to play at church, rounds would probably fit most styles played there. Flats would sound good with Sothern Gospel, however.
If the majority of your playing is going to be with your blues and country outfits, I'd go with flats. | 
10-31-2008, 02:33 AM
| | Registered User | | Join Date: Dec 2007 Location: NY, NY | | Quote:
Originally Posted by 4Mal ooo. I can't live with flats alone. If it were 1 bass in the stable - it would have to be rounds. I can EQ some thump into a decent round wound, I can't EQ harmonic's into a flat that doesn't have them though ... | I find that the harmonics from flats are fuller and richer than their roundwound counterparts. However most of them are much harder to pull off as your fingering must be that much more precise as you're in contact with more of the string surface.
My 2 cents 
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