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01-11-2012, 01:33 PM
| | Registered User | | Join Date: Jan 2010 Location: Valhalla, I am coming! | | | The "right" strings for a '71 Jazz Bass
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I've got a '71 Jazz Bass; had it for about 6 months. I've tried several different strings trying to find the "right" ones.
So far I've tried:
- Chromes 40-100
- LaBella DTF
- Pyramid flats 760 FL
- GHS Precision flats
- DR Sunbeams
- probably some more I don't remember now
and none of them sounds "right". I know that "right" is highly subjective, but I hope you can tell me what strings you've used on your late '60s/early '70s Jazz Bass.
There's something with the low output pickups from that era that doesn't "match" with the strings I've tried. For instance the LaBella's sounded perfect with my Squier JV, but not that perfect on the '71.
It's the same with my 11lbs '79 P-bass - the Pyramids and GHS sounds really good on that, but the LaBella's didn't.
So, please tell me what strings you've been happy with, and why.  | 
01-12-2012, 01:44 PM
| | Registered User | | Join Date: Jan 2010 Location: Valhalla, I am coming! | | No one with a late '60s/early '70s Jazz that wanna share what strings they're using?  | 
01-12-2012, 01:50 PM
| | Registered User | | Join Date: Aug 2010 Location: Louisville Kentucky | | | Rotosound Swing 66 were what I used with my '73.
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Sean- Fender Precision Bass #823, Fender Jazz Bass #740, Drop Tuned Bassists #11
Boston Red Sox fan.
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01-12-2012, 01:52 PM
| | | | I'm pretty sure most people were playing Roto 66s in the early 70s, personally I like DR Fat Beams or Circle Ks for Jazz basses. | 
01-12-2012, 01:53 PM
|  | Sponsored by Jagermeister | | Join Date: Nov 2002 Location: Seattle / Tacoma | | | With my '69 Jazz, I used MTD stainless for many years, then went to DR highbeams for another many years. Now I'm using R Cocco stainless.
I generally don't like using flats on my Jazzes, but on my P I do. | 
01-12-2012, 01:59 PM
|  | Registered User | | Join Date: Mar 2001 Location: santa maria,california | | | for a round, i love low riders on an old fender. imo, the high mids help round out the sound and fill in the information that the low'ish output pickups dont have. | 
01-12-2012, 04:22 PM
| | Registered User | | Join Date: Aug 2010 Location: Louisville Kentucky | | Quote: |
Originally Posted by Duckwater I'm pretty sure most people were playing Roto 66s in the early 70s, personally I like DR Fat Beams or Circle Ks for Jazz basses. | I had the '73 up until two years ago. I was using the Swing 66 since I first got it in 2001. It's not a '70s thing, it just that I like it.
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Sean- Fender Precision Bass #823, Fender Jazz Bass #740, Drop Tuned Bassists #11
Boston Red Sox fan.
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01-12-2012, 05:34 PM
| | | Quote:
Originally Posted by Catbuster I had the '73 up until two years ago. I was using the Swing 66 since I first got it in 2001. It's not a '70s thing, it just that I like it. | What I mean is that Roto 66s were some of the only rounds available, and a lot of the big bassists were using them them, so it's likely that a lot of people were using them on their Jazz basses in the 70s. | 
01-13-2012, 03:05 AM
| | Dry and Heavy | | Join Date: Oct 2004 Location: Swiss Alps | | | The PUPs shouldn't be any lower output than any other era of passive J. Maybe you need a rewind, or to raise the pickups a bit.
I currently have Sadowsky flats on my '73, it's my Reggae Thump and Growl machine.
In the end every individual bass has it's own voice and some strings will sound better to you than others on it. keep experimenting! | 
01-13-2012, 04:14 AM
| | Registered User | | Join Date: Jan 2010 Location: Maryland, USA | | | Jazz + Hi-Beams = Sonic Heaven
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2004 Fender USA Precision (Butterscotch, maple)
2005 Geddy Neck + '62 RI J Body (3TSB)
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01-13-2012, 08:36 AM
| | Registered User | | Join Date: Jan 2010 Location: Valhalla, I am coming! | | Thanks for the suggestions. I've ordered a set of Lo Riders and a set of Roto 66. Gonna try them first, and then try Hi Beams and the other suggestions after that. Might be expensive in the end, but the bass is worth it. Quote: |
The PUPs shouldn't be any lower output than any other era of passive J.
| IME they are. I haven't tried that many Fenders from that era, but those I've tried have been lower output than newer American or Japanese Fenders. This can of course be pure coincidence, but I think I've read something about it here on TB as well. But I might be wrong. | 
01-13-2012, 02:10 PM
|  | Sponsored by Jagermeister | | Join Date: Nov 2002 Location: Seattle / Tacoma | | | The only way to really tell for sure is measure the output of each pickup with a multimeter. | 
01-13-2012, 05:48 PM
|  | prefers electric miles davis | | Join Date: Apr 2005 Location: Los Angeles, CA | | | i have a 69 jazz, for flats i like TI jazz flats, for rounds i like DR sunbeams. | 
01-13-2012, 06:34 PM
| | Registered User | | Join Date: Oct 2011 Location: Colorado | | | The 66 I had came with whatever flats Fender was using at the time and by the 70's I disliked the sound of Flats on a Jazz Bass. PBass yes but a Jazz no. That's a long time ago but I'm thinking I used Rotosounds at that time. Where I lived the choices were limited.
Today I use GHS Pressure Wounds on a CV Jazz and to me they're perfect for what I want that bass to sound like. Not as zingy or brite as rounds but I still get full tonal range from the bass and they're a very easy string to play. Flats just don't sound good on a Jazz Bass to me so all flats are ignored.
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CV 60's Jazz Bass, GK MB112 Combo
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