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  #1  
Old 06-01-2009, 02:55 PM
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Hello guys, I'm looking for some strings that can help me get a tone somewhat similar to Flea's or Larry Graham's tone. I know a lot of it has to with technique, but strings are one step in the right direction! Lemme know what you've messed around with!
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Old 06-01-2009, 02:56 PM
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what bass would they go on?
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Old 06-01-2009, 03:03 PM
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Originally Posted by Geddyleefan30 View Post
Hello guys, I'm looking for some strings that can help me get a tone somewhat similar to Flea's or Larry Graham's tone. I know a lot of it has to with technique, but strings are one step in the right direction! Lemme know what you've messed around with!
Flea has some GHS signature models that are supposed to be great...but I've never used them before.

For slap, get some D'Addarios or DR Hi-Beams. Most people will say to get light gauge but I do ok with regular gauge and prefer them for how much more thump I can get when I slap the E. Make sure you have a/some punchy cab(s) too...that can have a LOT to do with your tone as well
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  #4  
Old 06-01-2009, 03:03 PM
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I haven't completely decided. I'm gonna swap em around. Either a Fender J Bass ( Squire ), a Tradition B-100, or and old johnson bass I got my hands on for kicks... most likely the Fender or Tradition though.
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Old 06-01-2009, 03:07 PM
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Originally Posted by Geddyleefan30 View Post
I haven't completely decided. I'm gonna swap em around. Either a Fender J Bass ( Squire ), a Tradition B-100, or and old johnson bass I got my hands on for kicks... most likely the Fender or Tradition though.
Flea has his own GHS Flea Boomers. This, or Marcus Miller's signature strings.
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Old 06-01-2009, 03:10 PM
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Pretty much any quality, round wound, stainless steel strings will do it. DR, Sadowsky and Fodera are good examples...
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Old 06-01-2009, 03:32 PM
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Strings don't matter in the least. Find a set you like, and you should be able to slap on them no matter what they are. I have slapped just fine on every single type of string I ever used, including flatwounds. Roundwounds are the typical slap string, but the brand or metal formula, or even the type of winding, doesn't matter in the least.
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Old 06-01-2009, 03:45 PM
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(...)the brand or metal formula, or even the type of winding, doesn't matter in the least.
Matters if you want to simulate Flea's tone... Can't cope it with flats... At all...
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Old 06-01-2009, 03:51 PM
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Matters if you want to simulate Flea's tone... Can't cope it with flats... At all...
Don't know about that...Flea spent 6-7 years with a Jazz Bass strung with flats.
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Old 06-01-2009, 03:53 PM
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Don't know about that...Flea spent 6-7 years with a Jazz Bass strung with flats.
Hmm.. never knew that.
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  #11  
Old 06-01-2009, 03:56 PM
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DR "Fat Beams" MM-45 (45 65 85 105). I tried GHS, Rotosound, Fender, and Dean Markley. Fat Beams hands down sound the best playing Slap and Finger style.
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Old 06-01-2009, 03:57 PM
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FWIW, IMO, YMMV - I find hex core string to slap better than round cores.
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Old 06-01-2009, 04:00 PM
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Don't know about that...Flea spent 6-7 years with a Jazz Bass strung with flats.
Alright, if I had mentioned Graham you'd found something similar to say. Forgot you're never wrong. Never mind...
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Old 06-01-2009, 04:06 PM
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Alright, if I had mentioned Graham you'd found something similar to say. Forgot you're never wrong. Never mind...
Oh, don't be such a sourpuss! I've been wrong plenty and I've admitted it every time. I just happen to think slapped flats sound excellent and I'd like to see more of it.

But yes, Flea's most well-known slap tones have been done on rounds.
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Old 06-01-2009, 04:09 PM
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IME and IMO, I have really come to love the tone of the blue label Sadowsky stainless steel rounds. They're not as rough to the touch as High Beams or the black label Sadowsky strings but they have a unique brightness that really has a lot of thump and pop when you start slapping. IMO, the tone I get from the blue labels makes it much more effortless to get a nice slap tone than a traditional set of stainless steel strings.
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Old 06-01-2009, 04:11 PM
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I concur with the comments that, generally speaking, a full-roundwound string on the lighter side of the gauge line, are what you want rather than a specific type.

I opted to go for the Ernie Ball "Pink" Superslinkies, (0.45-0.100) and they work for me. But I'm sure others would as well.
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Old 06-01-2009, 04:14 PM
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Originally Posted by Geddyleefan30 View Post
Hello guys, I'm looking for some strings that can help me get a tone somewhat similar to Flea's or Larry Graham's tone.
BTW, I think there are other considerations as well: the type of bass, pickups, tone settings, you-name-it.

The reason these discussions continue to be had here, is that there are so many variables.

Would that "what type of string should I...?" would provide the whole answer.
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  #18  
Old 06-01-2009, 04:16 PM
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Oh, don't be such a sourpuss! I've been wrong plenty and I've admitted it every time. I just happen to think slapped flats sound excellent and I'd like to see more of it.
That's cool. I just can't seem to understand the answer "any string will do it" when someone asks for advice for a very specific tone like Graham's or Miller's...
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Old 06-01-2009, 04:20 PM
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That's cool. I just can't seem to understand the answer "any string will do it" when someone asks for advice for a very specific tone like Graham's or Miller's...
Graham's most well-known stuff was done on tapewounds. He uses rounds now but he's on record saying that he can slap on anything and get his sound.

However, in this case, you are correct and I am wrong. See? I'm not afraid to admit it.
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  #20  
Old 06-01-2009, 04:44 PM
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Larry Graham used to use GHS on his basses, starting with flats (Sly & The Family Stone stuff) then moving to Boomers, according to the only interview I read with him where he talked about that stuff. It was an old Guitar Player (before there were any bass mags) interview, so the information is quite dated. And Flea did use that Jazz Bass with flats for at least one album and tour (I don't know about "6-7 years" because I don't pay that much attention to him.

But pretty much any good roundwound will get you there. The instrument's electronics, the amp settings, and the way you physically play the bass are going to have a much greater affect on the ultimate sound in this case than the strings.

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