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"A" string gauge? Why do some string manufacturers seem to have settled on the standard gauge string set with .080 for the A string instead of following the pattern of 45 65 85 105? After experimenting with various sets it seems my preference is for the thicker A (just feels and sounds right) IMHO. Just wondering how the 80 for the A string got into many sets as a standard as 45 65 80 105, seems to make sense for the 40 60 80 100.:confused: |
I think Rotosound started it with their classic Swing Bass set. |
80 and 105 are closer in tension to each other while 85 and 105 the A string is higher in tension. |
.045, .060, .080, .105 should be reasonably equal in tension. The usual .045, .065, .085, .105 set has highest tension in the .065 D, followed by the .085 A. I prefer the balanced tension approach, but if traditional gauges feel good to you, it's your call. |
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And how is with the kind of string gauge I use for the 2 lowest strings? I have a .110 for the E string and a .140 for the B string. Is this close in tension and such? |
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Keep in mind it's not all about the gauge. How they're wound and the size of their windings affects tension as well as scale length. But generally Bigger=higher tension, and the lower you get, the bigger the difference between sizes needs to be to attain equal or near equal tension for a note a fourth lower. My C# is a .232 and my F# is a .172. It's a monstrous leap, but it keeps the tension relatively even. Also, I strongly advise everybody to at least try a balanced set of Circle K's. It feels magical :swoons: |
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That .232 has as much tension on it as a .095 does tuned to E . . . no fat neck required. |
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