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02-13-2010, 04:10 AM
| | Registered User | | Join Date: Jul 2004 Location: Germany | | | Which strings to make your fretless e-bass sound like a double bass ...
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I mainly play jazz standards on my Alembic Orion fretless 5 and would like to sound it a bit more like double bass. It's currently strung with Thomastik JF345 which sounds good. Any other string type / brand recommendations to tweak it more towards double bass ? | 
02-13-2010, 05:39 AM
| | Registered User | | Join Date: Jul 2009 Location: Blackshear, Georgia | | | Maybe tapewounds?
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02-13-2010, 05:48 AM
| | Registered User | | Join Date: Feb 2008 Location: D'Shaw | | | Labella 760N tapes get closest for me.
There are some techniques that help too such as playing at the end of the neck (up on the fingerboard can be even better) and using more of the side of your fingers to pluck. Using a mute can help though I usually avoid them.
I find it also helps to think like an upright player in regards to note selection and position.
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"It's a Crapshoot." The timbre is in the timber. It's a poor craftsman that blames his tools.
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02-13-2010, 06:48 AM
| | Registered User | | Join Date: Apr 2009 Location: England | | | Rotosound Trubass, tape flats.
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British Bassist #94
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02-13-2010, 06:57 AM
| | Registered User | | Join Date: Dec 2003 Location: Hamilton Ontario, (60miles wes | | | Have you experimented with string height? | 
02-13-2010, 07:31 AM
| | Registered User | | Join Date: Jul 2004 Location: Germany | | | I already increased the string action to reduce the mwahh singing and pick the strings on top of the fret board end near the neck PU.
Tapewounds might be a good idea. I guess either La Bellas Black Nylon or Rotosound RS885LD. Despite that in Germany La Bellas are approx. 40% more expensive than Rotosound what is the difference in sound and playability ? | 
02-13-2010, 07:35 AM
| | Registered User | | Join Date: Apr 2009 Location: England | | | I havent actually tried the Labellas (maybe for the same reason as you...cost!) but they are roundwounds under the tape, whereas the Rotosounds are flats under the tape. If you do a search for the Rotosounds you will see a lot of people loving them.
Hope this helps a bit.
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British Bassist #94
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02-13-2010, 11:07 AM
| | Registered User | | Join Date: Feb 2008 Location: D'Shaw | | Quote:
Originally Posted by TheBass Tapewounds might be a good idea. I guess either La Bellas Black Nylon or Rotosound RS885LD. Despite that in Germany La Bellas are approx. 40% more expensive than Rotosound what is the difference in sound and playability ? | Quote:
Originally Posted by Meatrus I havent actually tried the Labellas (maybe for the same reason as you...cost!) but they are roundwounds under the tape, whereas the Rotosounds are flats under the tape. | That could explain why I prefer the Labellas. I find the Labellas have a musical "hollowness" to the tone when plucked up by or over the end of the neck that's more reminiscent of the upright that the Rotos don't have.
IME, Labella tone is more of a "thump" and Roto tone is more of a "thud" and I think the Labellas feel a bit more flexible.
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"It's a Crapshoot." The timbre is in the timber. It's a poor craftsman that blames his tools.
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02-13-2010, 11:59 AM
| | Registered User | | Join Date: Dec 2003 Location: Hamilton Ontario, (60miles wes | | Quote:
Originally Posted by mongo2
IME, Labella tone is more of a "thump" and Roto tone is more of a "thud" and I think the Labellas feel a bit more flexible. | What is interesting is those are two "tones", 'Thump & Thud', are two sounds I don't want my upright bass to make. | 
02-13-2010, 12:18 PM
| | Registered User | | Join Date: Feb 2008 Location: D'Shaw | | Quote:
Originally Posted by Bassmickeyd What is interesting is those are two "tones", 'Thump & Thud', are two sounds I don't want my upright bass to make. | To each their own but I like the "thump" of my upright. Don't want no thud.
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"It's a Crapshoot." The timbre is in the timber. It's a poor craftsman that blames his tools.
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02-13-2010, 12:20 PM
| | Registered User Endorsing Artist: Genz Benz Amplification | | Join Date: Jan 2010 Location: Nashville | | | Flats and a piece of foam under the strings by the bridge. | 
02-13-2010, 06:53 PM
| | Registered User | | Join Date: Feb 2008 Location: D'Shaw | | Quote:
Originally Posted by lowfreq33 Flats and a piece of foam under the strings by the bridge. | I tried a mute for a while, I didn't really take to the tone.
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"It's a Crapshoot." The timbre is in the timber. It's a poor craftsman that blames his tools.
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02-14-2010, 03:53 AM
| | Registered User | | Join Date: Apr 2006 Location: Toronto, Canada | | Quote:
Originally Posted by TheBass Tapewounds might be a good idea. I guess either La Bellas Black Nylon or Rotosound RS885LD. Despite that in Germany La Bellas are approx. 40% more expensive than Rotosound what is the difference in sound and playability ? | GHS also make a black nylon tape wound string. Compare to the LaBella's, the E and A strings sound similar, but the the GHS D and G strings are a bit brighter. This will give you some idea of what the GHS strings sound like. http://www.youtube.com/watch?v=Noxejf1ZF2o
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Mr. Lawrie Mann
Douglas Pisces, Douglas 825 Lined Fretless, Markbass LMII, Bergantino AE112
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02-14-2010, 10:04 AM
| | Registered User | | Join Date: Jul 2004 Location: Germany | | Quote:
Originally Posted by Fajah GHS also make a black nylon tape wound string. Compare to the LaBella's, the E and A strings sound similar, but the the GHS D and G strings are a bit brighter. This will give you some idea of what the GHS strings sound like. http://www.youtube.com/watch?v=Noxejf1ZF2o | I checked your YT video and like your sound. Compared to the rather dead RS88 sound sample on the Rotosound website it's rather what I am looking for. I don't want a completely dead string. A short but full bass attack plus mellow harmonics but no scooped mids is what I want. I guess I'll give GHS a try. | 
02-17-2010, 08:12 AM
|  | Whoa!! | | Join Date: Aug 2005 Location: cincinnati, ohio | | | Just another opinion I've tried several different sets on my old Peavey fretless (but not the Labella's), and the best I've found for copping the upright vibe are D'Addario Half-Rounds, especially for what you're doing. There are others that would give you more versatility, but I think these are a good fit for what you're doing. They let the fretless sound come through without being too modern-sounding.They're a little sticky when you first put them on, but that goes away.
Regards,
flyman
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Regards,
flyman
The bad jazz a cat blows wails long after he has cut out" - Lord Buckley
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