| I can only speak about Chromes, as they were my first foray into the world of flats. I have had them on my MIM Fender P/J for several months now and their tone has changed enough for it to be noticed, but still fairly similar to their new, out-of-the-package tone. They were surprisingly bright when I first put them on, almost like rounds, but with a lot more fundamental. After about 2-3 weeks of consistent playing, they took on the character that flats are known for, a nice round, thumpy tone with just enough high end. They have stayed that way for several months now.
I believe that Steve Harris changes his strings very frequently and I've heard that Roto 77s have a LOT of high end when they are new. This might be way Steve's flats sound they way they do, which is very unlike most other flatwound tones. They don't stay on his bass long enough to get a "woofy, muddy, old-school" tone. But, if he left them on his bass long enough, they would surely develop that tone after a few days.
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Stuff I use:
Fender Am. Std. Jazz V
Fender MIM P-bass
Markbass LMII
Epifani PS112 (x2)
Spector Club #2; Bongo Club #12; Genz-Benz Club #20; Epifani Club #92; Carvin Club #218 |