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11-08-2008, 10:48 AM
| | Registered User | | Join Date: Sep 2006 Location: South Florida | | | Thumpy roundwounds for a 5er?
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hey all; I'm a reggae bassist, and i've come to the conclusion that i really NEED a B string so for christmas i'm asking for a cheapie SX 5 stringer; anyways i know i'll need some new strings and i already have 3 4 stringers(2 jazz, 1 fretless P) with flats and i kind of like rounds too;
I play reggae and typically the thought around here is "p or j bass, no tone, or treble with flats" but thats not the truth, i want this to be my more "modern" setup; lots of reggae bassists play 5 or 6 stringers with rounds these days... any suggestions? I tried some DR's before, and they were nice once i broke them in, but someone once told me i'd probably like Nickle Rounds more.
thanks,
sam
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Reggae music is the healing of the nation.
Set-up: Aguilar GS112NT, Genz 6.0 + Lakland 55-01 = riddim machine
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11-08-2008, 11:16 AM
| | Registered User | | Join Date: Jan 2006 Location: NY | | Quote:
Originally Posted by Drifta I tried some DR's before, and they were nice once i broke them in, but someone once told me i'd probably like Nickle Rounds more.
thanks,
sam | Which DR's did you try? Hi Beams? Those are stainless steel wrapped on a round core. If you liked the tension of those strings but want a warmer tone, try the nickel wrapped "Sun Beams" from DR. If you'd like a string with a little more tension, then try the DR Lo Riders in nickel. | 
11-08-2008, 11:29 AM
| | Registered User | | Join Date: Jan 2007 Location: Los Angeles | | I highly recommend DR Nickel Lo Riders for what you're talking about. I play lots of dub and reggae styles too---half my basses have flats, the others have the DR's. They're very warm, and to me come outta the pack feeling sort of broken-in. Nice and stiff too (which I'm guessing you might like). I have them on my L2500, medium-high action, and I get a very very nice round thump (plus I hardly ever change 'em  | 
11-08-2008, 11:48 AM
| | Registered User | | Join Date: Sep 2006 Location: South Florida | | Quote:
Originally Posted by pbass2 I highly recommend DR Nickel Lo Riders for what you're talking about. I play lots of dub and reggae styles too---half my basses have flats, the others have the DR's. They're very warm, and to me come outta the pack feeling sort of broken-in. Nice and stiff too (which I'm guessing you might like). I have them on my L2500, medium-high action, and I get a very very nice round thump (plus I hardly ever change 'em  | i'll give those a try. to be honest, tension doesn't bother me.. I got Fender flats on one jazz,(high tension) and Ti jazz's on the other one, I think i tried either the sunbeams or fat beams? it was definately SS, had a bit too much zing but i really liked them broken in it just still had a bit too much zing and i only had one bass at the time.
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Reggae music is the healing of the nation.
Set-up: Aguilar GS112NT, Genz 6.0 + Lakland 55-01 = riddim machine
| 
11-08-2008, 12:04 PM
| | Registered User | | Join Date: Jan 2006 Location: NY | | Quote:
Originally Posted by Drifta I think i tried either the sunbeams or fat beams? it was definately SS, had a bit too much zing but i really liked them broken in it just still had a bit too much zing and i only had one bass at the time. | Fat Beams only come in stainless steel, and Sun Beams only come in nickel. | 
11-08-2008, 12:35 PM
| | Registered User | | Join Date: Jan 2007 Location: Los Angeles | | Quote:
Originally Posted by Drifta i'll give those a try. to be honest, tension doesn't bother me.. I got Fender flats on one jazz,(high tension) and Ti jazz's on the other one, I think i tried either the sunbeams or fat beams? it was definately SS, had a bit too much zing but i really liked them broken in it just still had a bit too much zing and i only had one bass at the time. | Yeah, I hear ya--I tried the SS Lo Riders and it was waaaaayyy too much zing. The nickels are quite different---I'll wager you'd dig 'em!
I appreciate your comments about what reggae players are using these days. It really can be just about any bass. I too like to err on the old school side most of the time (in my case usually a P with old flats) but I've been digging the extra versatility I'm getting with my fiver w/rounds for these genres(especially hybrids of reggae, dancehall, hip hop, whatever--it's such a melting pot these days). And really digging having the B string, not just for the low notes, but for the round and wooly notes higher up the neck. Thumb/palm-mute thumping on a nice heavy B string higher up the neck is a wonderful thing . . | 
11-08-2008, 03:19 PM
| | Registered User | | Join Date: Sep 2006 Location: South Florida | | Quote:
Originally Posted by pbass2 Yeah, I hear ya--I tried the SS Lo Riders and it was waaaaayyy too much zing. The nickels are quite different---I'll wager you'd dig 'em!
I appreciate your comments about what reggae players are using these days. It really can be just about any bass. I too like to err on the old school side most of the time (in my case usually a P with old flats) but I've been digging the extra versatility I'm getting with my fiver w/rounds for these genres(especially hybrids of reggae, dancehall, hip hop, whatever--it's such a melting pot these days). And really digging having the B string, not just for the low notes, but for the round and wooly notes higher up the neck. Thumb/palm-mute thumping on a nice heavy B string higher up the neck is a wonderful thing . . | exactly! i started off learning classic reggae, ska etc etc before i knew what tone was, i had flatwounds and i just had no clue about anything, lately tone has started to matter -- even playing dub and classic roots i'm turning the treble up a tad and just altering my sound way differently than i used to, but also I play a lot of dancehall like you said its such a melting pot.
I goto many a reggae shows -- one of the best i went to recently was Julian marley, he played down in miami, went to see him they had two guys alternating on bass/rhythm guitar. Young kid looked like he was 18 years old was laying it down mostly when Julian was playing his fathers songs and roots songs on a original 70s Jazz bass through ampeg fridge -- then what appeared to be his father or something, older dude switched from rhythm to a 6 string round-wound equipped bass for the newer modern songs/dancehall style and whatnot
I'll take your word on the Lo-Riders.  anyone else feel free to give me some other suggestions though 
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Reggae music is the healing of the nation.
Set-up: Aguilar GS112NT, Genz 6.0 + Lakland 55-01 = riddim machine
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11-08-2008, 05:57 PM
| | Registered User | | Join Date: Oct 2008 Location: USA | | Quote:
Originally Posted by pbass2 I highly recommend DR Nickel Lo Riders for what you're talking about. I play lots of dub and reggae styles too---half my basses have flats, the others have the DR's. They're very warm, and to me come outta the pack feeling sort of broken-in. Nice and stiff too (which I'm guessing you might like). I have them on my L2500, medium-high action, and I get a very very nice round thump (plus I hardly ever change 'em  | +1
They are definitly stiff! They are stiffer than Ken Smith steels!
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11-09-2008, 07:56 AM
| | Registered User | | Join Date: May 2008 Location: West Memphis/Marion area, AR. | | | GHS Compressed strings. You would have to order the B string seperately. The perfect compromise between the thump of a flat and the feel of a round. | | Thread Tools | Search this Thread | | | |
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