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  #1  
Old 03-24-2010, 12:57 PM
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Upright sounding flats for fretless

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I know no string will make me sound exactly like an upright but I'm trying to get something similar. I'm rehearsing with a violinist and a drummer, kind of a folk group. I play a squire modified fretless with Dimarzio model J's. I was thinking of getting those rotosound True 88 nylon strings but I thought I'd ask your opinions first. Would the nylon wrap sound 'off' on the ebanol board? I know I like chromes but there a little bright and I'd like to try something new and a little more old school for this certain ensemble I'm playing with.
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Old 03-24-2010, 01:01 PM
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Try some nylon tapewound flats.
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Old 03-24-2010, 01:07 PM
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You could try TI Jazz Flats, too. They've been making UB strings for 80 years.

While you're at it, try lowering your pickup hight a little bit to achieve more of an upright kind of sound, and play right over the end of the fingerboard.
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Old 03-24-2010, 07:38 PM
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I own two electrics and two uprights and they all use TI strings. Jazz flats are good strings.
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  #5  
Old 03-24-2010, 07:44 PM
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+1 for TI Flats
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Old 03-24-2010, 07:47 PM
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Quote:
Originally Posted by JehuJava View Post
+1 for TI Flats
What he said....and the guys before him.
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  #7  
Old 03-24-2010, 08:48 PM
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I would recommend LaBella Tapes, GHS Precision flats, or TI Jazz Flats. By the way, stick some foam like what comes in camera cases (or even better, a disposable diaper) between the strings and body next to the bridge and retune. Helps give it that upright thud and quick decay. A little reverb doesn't hurt either.
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Old 03-25-2010, 03:05 AM
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Jazz flats are usually a good bet, although they can also go towards a more middy and growly sound. For tapewounds, I found the LaBellas much too zingy - the trubass 88s had a more upright kind of sound.
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Old 03-25-2010, 09:35 PM
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Quote:
Originally Posted by fretlessguy View Post
I would recommend LaBella Tapes, GHS Precision flats, or TI Jazz Flats. By the way, stick some foam like what comes in camera cases (or even better, a disposable diaper) between the strings and body next to the bridge and retune. Helps give it that upright thud and quick decay. A little reverb doesn't hurt either.
a diaper? really?
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Old 03-26-2010, 06:53 AM
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Yep. No joke.I'd like to claim credit for it, but I stole the idea some years ago when I was reading an article about Tony Levin in Bass Player. He was doing sessions on Peter Gabriel's SO CD when he needed a certain bass tone with short decay, so he took one of his daughter's pampers and stuck it under the strings by the bridge. I cannot remember the name of the particular track, but it was the duet he did with Kate bush as I recall. Granted, I wouldn't want to use the trick playing live, but I have done it in some studio work and it sounded really...upright-ish.
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