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12-08-2011, 06:53 AM
| | | | Versatile, jack-of-all-trades bass strings?
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I am searching for bass strings that probably don't exist; chameleonic strings that can be manipulated by the pickups...
On my acoustic-electric Ovation balladeer, a simple position switch from bridge to neck playing is a switch from bright tones to muddy thumping tones. This is using Ernie Ball Super Slinkies.
But on my bass, this switch between bridge and neck pickups doesn't do anything. The D'addario roundwound heavy gauges remain obnoxiously bright.
Is the versatile string I'm looking for simply Ernie Ball bass strings, or is my Gibson G3 just bright as hell?
What is the most versatile type of bass string?
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Now I'm feelin' so fly like a G3.
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12-08-2011, 08:21 AM
| | Registered User | | Join Date: Jan 2006 Location: Brookfield, CT | | | There's no 'one answer' to this question. But I'll take a stab at it. Try medium gauge nickel rounds, such as Sunbeams. Still no love? My next step would be Thomastic Jazz Flats (Ti's). Although flatwound, they are known for having a bright, mid-present punch.
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Originally Posted by Lesfunk I have trouble staying in shape because I'm a lazy, fat, piece of crap; not because I'm a musician. | | 
12-08-2011, 07:40 PM
| | | | Blaim your bass rather then the strings. If your getting no significant tonal variation from various pup blends, you need better pups.
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life for its own carnal pleasure. Bass: Jackson JS3. Guitars: BC Rich IT Warlock & BC Rich masterpeice Mockingbird shortscale. Zoom club#2. BC Rich club#26.
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12-08-2011, 07:46 PM
| | Registered User | | Join Date: Jul 2010 Location: Albuquerque NM; Austin TX | | Quote:
Originally Posted by dmusic148 There's no 'one answer' to this question. But I'll take a stab at it. Try medium gauge nickel rounds, such as Sunbeams. Still no love? My next step would be Thomastic Jazz Flats (Ti's). Although flatwound, they are known for having a bright, mid-present punch. | +1. Sunbeams can get pretty "thumpy" for rounds, and TI's get pretty "zingy" for flats. One of these two would probably be your best bet.
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"If it don't groove, it don't matter"
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12-08-2011, 07:48 PM
|  | Registered User | | Join Date: Nov 2011 Location: Louisville, KY USA | | Quote:
Originally Posted by darkstorm Blaim your bass rather then the strings. If your getting no significant tonal variation from various pup blends, you need better pups. | My experience tends to mirror what darkstorm said. Aside from that, my favorite generic strings are Fender roundwound 7150M's. Not particularly good at anything, but will come through acceptably in most respects if I do my part. I've come to appreciate their mundane versatility. 
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12-08-2011, 07:49 PM
| | Registered User | | Join Date: Dec 2007 Location: Grand Rapids, Michigan | | | In my experiences, a nickel roundwound will do just about "anything". Once they get broken in, roll back the tone on your P and thump away. Or, tone all the way up and a pick and you've got a great full, aggressive tone.
Works for me.
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P&W #90. Squier P5 -> GK MB115 Quote:
Originally Posted by Brian_L Note to self: Read whole thread, THEN post. Read whole thread, THEN post...... | | 
12-08-2011, 08:01 PM
| | Registered User | | Join Date: Oct 2011 Location: Colorado | | | I'd try GHS Pressure Wounds, a hybrid that's neither 100% a flat or a round. You're asking for a string whose tonality on your bass can change with the manipulation of the pickups and/or the tone pot and IMO this is a string that will do just that.
When I bought my Jazz Bass it had a set of very dark sounding flats on it. Pickup blend and especially the tone pot seemed to alter the sound very little. After discussing my style and what I was looking for with Jason from BassStringsOline I ordered a set of Pressure Wounds and it was incredible the difference they made on my bass.
I really thought there must have been something wrong with the tone pot when the flats were on there but with the PWounds I found it works fine. In fact the whole bass came alive with tonal variations. These are not really bright strings. If you play slap style you'll find others that will work better. If your a fingerstyle and/or pick player I doubt you'd find a more expressive string.
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CV 60's Jazz Bass, GK MB112 Combo
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12-08-2011, 08:10 PM
| | | | +1
GHS Pressurewounds are the most tonally versatile string I have ever played | 
04-18-2012, 12:05 PM
| | | | Finally got the GHS Pressurewounds. Yes, they are fantastic. Thanks!
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Now I'm feelin' so fly like a G3.
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04-18-2012, 12:09 PM
| | | Good thinking.. 
Last edited by laylawguw : 04-18-2012 at 12:15 PM.
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04-18-2012, 11:50 PM
| | Registered User | | Join Date: Oct 2011 Location: Colorado | | Quote:
Originally Posted by zatan130 Finally got the GHS Pressurewounds. Yes, they are fantastic. Thanks! | Well that took a while, LOL. Glad you're happy with them. Just as Duckwater said, they are the most tonally versatile string I've ever played as well. Nice not to be stuck with just one sound.
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CV 60's Jazz Bass, GK MB112 Combo
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