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02-23-2008, 03:21 PM
| | Registered User | | Join Date: Aug 2005 Location: NEW JERSEY | | | What are the brightest flatwound strings?
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Basically, I want to get rid of that *sqwalk squeak wick wick* noise!
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02-23-2008, 03:36 PM
| | | | i think the steve harris (iron maiden) sig. strings could be it.... | 
02-23-2008, 03:50 PM
|  | Drunk on power... and beer | | Join Date: Sep 2007 Location: Co. Kerry, Ireland. | | | Thomastic Jazz Flat are about as bright as flats get, the Steve Harris ones aren't that bright, and get the thump happening fairly quick.
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02-23-2008, 04:01 PM
| | Registered User | | Join Date: Apr 2007 Location: Virginia | | The Steve Harris strings (Rotosound SH77) are bright, but only for a while. They are large strings too. You can try the Rotosound RS77 Monel flats also. They are the same as the SH77's but in a smaller guage. I have a few sets of these lying around with only 8 hours of play on them.
Those are the strings that I use (SH77), but I only use them for two shows each. I replace my strings every two shows.
Anybody interested in Steve Harris sig strings that have about 8 hours of play on them?  | 
02-23-2008, 04:06 PM
| | | | for 10€ shipped, yes :-) | 
02-23-2008, 05:41 PM
| | Registered User | | Join Date: Nov 2007 Location: Bronx, NY | | | Fender tapewounds? At least on my brother's Ibanez they were kind of bright...
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02-23-2008, 07:55 PM
| | | Quote:
Originally Posted by WayneS The Steve Harris strings (Rotosound SH77) are bright, but only for a while. They are large strings too. You can try the Rotosound RS77 Monel flats also. They are the same as the SH77's but in a smaller guage. I have a few sets of these lying around with only 8 hours of play on them.
Those are the strings that I use (SH77), but I only use them for two shows each. I replace my strings every two shows.
Anybody interested in Steve Harris sig strings that have about 8 hours of play on them?  | Damn, only 2 shows? are you a guitarist? 
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02-23-2008, 08:32 PM
| | Registered User | | Join Date: Aug 2007 Location: Mid Hudson Valley, NY | | | I find LaBella tapewounds plenty bright.
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02-23-2008, 11:10 PM
|  | I'd kill for a Nobel Peace Prize! | | Join Date: Feb 2004 Location: Ottawa, Canada | | | I would second the TIs. IMHO they are much more like smooth roundwound strings than flat wounds. | 
02-24-2008, 12:01 AM
|  | Less barking, more wagging! | | Join Date: Jul 2006 Location: San Diego, CA | | | Thomastik-Infeld Jazz Flats I'm satisfied with the brightness and clarity of TI JazzFlats. I have 'em on a fretless Pbass and two different active fivers. I crank the treble all the way down on my active basses because the TIs provide such abundant highs.
I seem to recall a recent thread with clips, in which Chromes sounded even brighter than TIs to my ears over high-quality headphones.
Some have said they find the string tension too low on the TI flats, but I find TI tension neither remarkable nor objectionable. | 
02-24-2008, 12:14 AM
| | Registered User | | Join Date: Oct 2005 Location: Sydney, Australia | | | GHS Briht Flats are pretty bright.....
But they sounded really mid scooped to me, no real character | 
02-24-2008, 12:37 AM
|  | I'd kill for a Nobel Peace Prize! | | Join Date: Feb 2004 Location: Ottawa, Canada | | Quote:
Originally Posted by Jazzdogg I'm satisfied with the brightness and clarity of TI JazzFlats. I have 'em on a fretless Pbass and two different active fivers. I crank the treble all the way down on my active basses because the TIs provide such abundant highs.
I seem to recall a recent thread with clips, in which Chromes sounded even brighter than TIs to my ears over high-quality headphones. | Where the chromes new? New chromes might be brighter. | 
02-24-2008, 01:13 AM
| | Registered User | | Join Date: Feb 2002 Location: UK | | | Has to be Rotosound 77's. I tried TI JazzFlats and they were smooth but not bright IMHO | 
02-24-2008, 02:24 AM
|  | Looking for Opportunities to Create Harmony | | Join Date: Sep 2004 Location: Vancouver, BC Canada | | | I put a set of chromes on my bass and went straight to the gig. I had to turn my tone pot almost all the way down. WAY too bright for my taste, but then I prefer thumpy.
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02-24-2008, 09:01 AM
| | Registered User | | Join Date: Jan 2007 Location: New Jersey | | | I would have to agree that the chromes sound the brightest
of any flats I have tried.
The others being Fender and TI . | 
02-24-2008, 02:04 PM
|  | Registered User | | Join Date: Jul 2007 Location: Portland OR | | | I'm liking the Chromes, they're more to my liking for rock (compared to the beautiful but quite mellow TI flats). My next step is to try some half rounds or ground wounds. I don't quite want the piano-like bell tones of a roundwound, will be trying some intermediate steps. | 
02-24-2008, 02:27 PM
| | Dry and Heavy | | Join Date: Oct 2004 Location: Swiss Alps | | | By far the Chromes.
The clank goes away quickly, but they stay flat bright.
Brite flats aren't really flats, I think, and tapes are definitely brighter, but the attack and sustain are unique. | 
02-24-2008, 02:31 PM
| | Registered User | | Join Date: Sep 2005 Location: Boca Raton, Florida | | | + 1 for the Chromes
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02-24-2008, 04:18 PM
| | Registered User | | Join Date: Apr 2007 Location: Virginia | | Quote:
Originally Posted by Human Bass Damn, only 2 shows? are you a guitarist?  | Heh, nope! I love the way they sound, but that awesome sound doesnt last long. No big deal though... I take $40 out of the music pay and buy them. | 
02-24-2008, 05:15 PM
| | Registered User | | Join Date: Jun 2002 Location: Allen, TX | | | I have had both chromes and TI jazz flats on the same bass back-to back. Chromes are brighter.
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