| I don't recall the exact gauges, but they were closer to a 0.050 to about 0.108. They sounded like Carol Kaye's classic work. She never bought new strings, just got a new Precision. Balanced and stiff when new, nice thump but good definition too.
Folks who keep the same strings aren't going for twang nor bite. Joe Osborn's '60 Jazz bass has had the same set of LaBella flats since shortly after he got the new bass from Fender in 1960. Not at all like the sound Anthony Jackson's after with changing strings every take in the studio, or Squire with changing them every day.
John
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"Without space, music is just noise piling up on itself." TRK
Lakland Owners' Club # 248
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