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  #1  
Old 03-02-2006, 07:29 PM
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What's the deal with flatwounds?

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Hi, this is my 1st post on this board. I'm practicing bass to play out w/my band, been playing guitar- mostly acoustic- for over 20 yrs, electric bass for not long. OK so, I ain't ignorant, I just ain't been educated. I just bought a P-bass, really its a MIM Special with a Jazz neck (maple), Jazz bridge p/u & active electronics. (Don't be knockin' it, because I'm in love) I also have a MIK Hartke w/active p/u's, which actually plays real nice just not nailing the sound I want.

I find that when using the P-bass p/u only, its near the sound I'm looking for. It's got the stock Fender strings on it now, roundwound. I have a set of Rotosounds on the Hartke & a new set of DR Hi-Beams in the box. But based on things I've read, like slaying people 'cuz they "showed up with flatwounds", I'm curious about putting flatwounds on the Fender- what do I gain with flatwounds, what's the deal with them vs roundwounds? FYI, we are (trying to be a good) hard/funk rock cover band- the Clash, Kravitz, INXS, Led Zep, jam-band stuff, reggae etc. I know you'll wanna know what amp I'm using but I'm already too long with this question!!! I have a Hartke kickback for now.
  #2  
Old 03-02-2006, 08:53 PM
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You gain a different sound!

Or loose. It all depends on you.

Everyone told me to forget flatwounds, so I did. Then I bought a fretless. Everyone said use only flatwounds. So I was confused and decided why not try them on the fretted bass.

They were Chromes because they were the only flats in stock. I loved the sound.

What I gain was a flat, classic bass sound, which I was looking for. No noise finger noise which works well with my low action. Longer string life, which might be because I'm happy with the sound.
  #3  
Old 03-02-2006, 09:11 PM
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Flat pluses

+ No finger noise
+ warm bassy tone
+ they thump or have less sustain => more articulate
+ are used in all types of music
+ seem to last a long time compared to round wounds
+ less fret ware

Minuses

- Not much modern bright tone (Entwisle, Squire, Geddy)
- Will not get you a Marcus Miller slap tone
- Hard to get the G string pop or snap
- May be boomy in some rooms
- Not as much sustain
- cost more

Some may debate some of the specifics above. There may be exceptions but the above statements should trend well IMO.

Dave
  #4  
Old 03-02-2006, 09:23 PM
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I'm not that informed on strings other than roundwounds, but is there such thing as a "semi-flatwound" string? Like a string that is physically between a roundwound and flatwound and also has a sound between one of a flatwound and one of a roundwound.
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  #5  
Old 03-02-2006, 10:03 PM
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There's groundwounds, which are roundwound but then ground flat. sposed to be the best of both worlds, never tried them personally...

I think there's also tapewound, half wound etc. i'm sure there's plenty of guys on here who know more about 'em than i do

Oh and by the way, welcome to talkbass!
  #6  
Old 03-03-2006, 04:56 AM
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OK well, cool- Dave you summed it up I think! I'll try 'em but keep the old round set handy. As for lasting longer, I've had the same (round) strings on for a couple months & they're alright. I only slap a little bit in a few songs. Thanks!
  #7  
Old 03-03-2006, 07:35 AM
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There's also compresion wound, round wounds that have been squished by running the strings through rollers. Both Alembic and Fodera offer 'em. They sound like slightly broken in roundwounds, but feel smoother and are suposed to last longer.

~Paul
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Old 03-03-2006, 12:31 PM
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I never have, but I can't see using flatwounds on my fretted bass. I've only had D'addario flatwounds on my fretless, but i'm going to be trying DR hi beams and sunbeams on it this week. I think i'll like one of those two better, since I slap with frets or without.
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  #9  
Old 03-03-2006, 01:24 PM
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Ask Steve Harris. He uses flats on his fretted P-bass. As I have been learning a lot of Iron Maiden songs recently (and I use rounds), I can kinda understand why he uses flats (lots of staccato work on those Maiden tunes, which brings lots string noise).

My first pro bass was a brand new '77 MM StingRay...and it came with flat wounds! It sounded great, and I had the strings on there for about a year. I switched over the rounds because I was going for that piano like tone...still use rounds to this day, and it is my sound. But now I am gassing for a coral pink Lakland Glaub with flats...
  #10  
Old 03-03-2006, 01:35 PM
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Early Zeppelin had flats on it. For a great definition of flat sound check out James Jamerson on Motown songs such as
What's Going On -Marvin Gaye
Home Cookin' - Jr. Walker and the Allstars
and most of the hits that came out of motown.
Also check out Duck Dunn with Booker T. and M.G.'s with Duck Dunn on bass. Both he and Jamerson played pbass's with flats. The sound will fit with most anything. I played funk, jazz, blues, classic rock, country, metal and even punk and flats.
Flats rock.
  #11  
Old 03-03-2006, 01:59 PM
...Bluesin' and Funkin'
 
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Quote:
Originally Posted by Tom Crofts
There's groundwounds, which are roundwound but then ground flat. sposed to be the best of both worlds, never tried them personally...

I think there's also tapewound, half wound etc. i'm sure there's plenty of guys on here who know more about 'em than i do

Oh and by the way, welcome to talkbass!
So which one sounds the most like a roundwound but will wear the fingerboard of a fretless the least?
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  #12  
Old 03-03-2006, 02:02 PM
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Quote:
Originally Posted by Jazzin'
So which one sounds the most like a roundwound but will wear the fingerboard of a fretless the least?
groundwound i think. but don't quote me on that...
  #13  
Old 03-10-2006, 12:04 PM
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Quote:
Originally Posted by Tom Crofts
groundwound i think. but don't quote me on that...
Think your right there - my bass teacher uses groundwounds on his fretless and they look and sound like rounds...

(oops! I quoted you...ah well, at least I backed U up eh?)
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