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  #1  
Old 01-31-2007, 06:06 AM
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Join Date: Jan 2007
Location: UK, South East
Can't be Satisfied

Sorry if this is not strictly bluegrass or rockabilly but is does concern slap bass.

Does anyone know how Willy Dixon gets that hiccuping du-du-de-ca-ta sound on the Muddy Water's tracks 'can't be satisfied' and 'you're gonna miss me'? It's not a triple like I've ever heard........
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  #2  
Old 02-01-2007, 10:50 AM
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Location: central Texas
Not Willie Dixon

It is actually Ernest "Big" Crawford playing bass on those tracks, recorded in 1948.
  #3  
Old 02-02-2007, 02:21 AM
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Is that right? How'd you find that out? What about those slap breaks; are they double handed or what?
  #4  
Old 02-02-2007, 04:33 AM
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Location: Bordeaux, France
Quote:
Originally Posted by ricobasso View Post
What about those slap breaks; are they double handed or what?
I'm not sure if this is what you're talking about, but in those songs, Big Crawford uses a device that was also popular with guys like Wellman Braud, Milt Hinton, etc. Basically, he plays a steady flow of eighths, but in groups of threes: one note and two slaps (except on beat 4). The rhythmic displacement creates the "hiccuping" feeling. I've attached a picture that hopefully explains what I mean.

Timo
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  #5  
Old 02-02-2007, 10:34 AM
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Quote:
Originally Posted by ricobasso View Post
Is that right? How'd you find that out?
Liner notes, "The Aristocrat of the Blues" the Best of Aristocrat Records, Chess 50th Anniversary Collection.

Sorry, I can't help with the slap.
  #6  
Old 02-03-2007, 10:28 AM
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Here are the clips . A sound is worth a thousand words...

I don't think it ties in with the 3 over 4 in the dots. I don't know why but it sounds double handed to me

It's really nice to hear from all you folks out there. Thanks for the help.
Attached Files
File Type: mp3 bigCrawford.mp3 (37.1 KB, 109 views)
File Type: mp3 CaintBe.mp3 (36.0 KB, 79 views)

Last edited by ricobasso : 02-03-2007 at 10:42 AM.
  #7  
Old 02-03-2007, 03:12 PM
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OK, well, I hear what I described above, but with two slaps omitted. The basic accentuation is still the same: open G's on 1, (and of 2) and 4 plus some slaps thrown in to propel the line along. It's very simple to play this with one hand, so I don't know about any double handed stuff...

Again, a picture to clarify what I mean:
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  #8  
Old 02-09-2007, 06:24 AM
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Thanks for that. I have a bg gig this week, so haven't been playing the DB much and haven't really given your suggestion a good try out. Excuses, excuses.... I know.

Maybe it is a case of less is more, but it sounds like there is more going on in the ghost note/half slap department. I'll get back to on this but don't hold your breath....
  #9  
Old 02-10-2007, 04:45 PM
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its done with one hand.
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