| I suppose someone will write a book at some point, the DVDs have already come out.
But even so, it seems players all use very different techniques, and create subtly different sounds. There is no one way to do this.
The technique depends on the sound you want, the style of music, the strings and string height you use, and your natural physical movement.
Some of the techniques seem really weird at first, but they can just suddenly click (haha...).
I started playing slap many years ago, and just tried to replicate the sounds I could hear, move my hand and arm in different ways. I'm still learning new techniques 20years later, and always amazed how a new sound or a new rhythm can suddenly appear in your repertoire.
Practice practice practice!
Annoys the hell outta your household and neighbours mind.
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It is not a 'cello my dear 1937 King Mortone, Lamberts Deluxe; 1938 Kay M-2, Guts/PsychoSlaps; 1968 B+H Excelsior, Guts/SilverSlaps
myspace.com/jump66blues; myspace.com/4stringsking |