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  #1  
Old 01-21-2007, 06:49 PM
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Amazing video - what strings is he using?

http://video.google.com/videoplay?do...=Roman+Patkoló

??

somebody played this on violin in my school last year...bt on bass?? woww...

what strings is he using? super super light gauge? solo strings?
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  #2  
Old 01-24-2007, 11:47 AM
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I don't know why but the video looks sped up to me. Not that its impossible to play that fast but his head movements make me think that its sped up. If not thats very impressive (head moving and bass playing).
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  #3  
Old 01-24-2007, 02:07 PM
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It's hard to say what strings he's using because the windings below the tailpiece are obscured by the stand. But it ain't the strings doing the playing...
Joel Quarrington plays the snot out of that piece with his Dominants tuned in fifths, and I think DaXun has it in his rep as well (and of course he just uses regular solo strings, used to be Helicores but now I think he's got Pirastros).
  #4  
Old 01-24-2007, 02:33 PM
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Originally Posted by natselection View Post
http://video.google.com/videoplay?do...=Roman+Patkoló


what strings is he using? super super light gauge? solo strings?

You can be sure he's using some kind of solo strings, they're the standard in Germany when playing solo.
  #5  
Old 01-28-2007, 08:35 PM
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They look like Permanents to me.
  #6  
Old 01-28-2007, 10:09 PM
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They look like Permanents to me.
What led you to that conclusion?
  #7  
Old 01-28-2007, 10:56 PM
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I agree that they look like permanents but it is hard to tell for sure since the resoultion on the video isn't very high.
  #8  
Old 01-29-2007, 01:05 AM
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He's a bad mofo.

And the bass is also very nice.

Born in 1982 in Zilina, Slovakia, Roman Patkoló had his first double bass lesson at age thirteen at the Zilina Conservatoire. In 1995 he became a First Prize winner of the Slovak National Competition for double bass in Bratislava. Roman has been living in Germany since 1997 where he studied under Prof. Klaus Trumpf (1997-2003) at the University of Theater and Music in Munich. Roman became a scholar of the Anne-Sophie Mutter Foundation in 1998 and is the winner of two international double bass competitions as well as First Prize at ISB International Double Bass Contest in Iowa City (USA), First Prize together with five special prizes at J.M. Sperger International Double Bass Competition, the ARD competition in Munich.
Roman Patkoló is a leader of the internationally renowned virtuoso Bass Sextet Bassiona Amorosa. Roman was a “double recipient” of the European Culture Prize from German President, Mr. Johannes Rau along with recognition as an outstanding soloist and leader of Bassiona Amorosa. Mr. Patkoló has performed as a soloist with many orchestras including the Russian Camerata of Moscow. Placido Domingo has praised his virtuosity and he has worked with the world’s famous musicians and conductors such as Krzysztof Penderecki, Sir Andre Previn, Anne-Sophie Mutter, Maxim Vengerov, Daniel Barenboim, James Levine and Zubin Mehta to name an important few.
In 2004, Roman was selected by Young Artists International for the International Laureates Festival in Los Angeles and performed as a soloist and and as a member of iPalpiti Orchestral Ensemble of International Soloists at the Walt Disney Concert Hall. Currently, Mr. Patkoló combines his solo career with work as a principal in the Zurich Opera. Roman plays an Antonio Gagliano double bass (1725) given to him by Anne-Sophie Mutter Foundation in 2002.
  #9  
Old 01-30-2007, 01:47 PM
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What led you to that conclusion?
Permanents have yellow windings with blue accents.

  #10  
Old 02-10-2007, 07:57 PM
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Originally Posted by Ben Rolston View Post
Not that its impossible to play that fast but his head movements make me think that its sped up.
This guy is the real deal. I've seen him compete in Indianapolis in 2001 and in recitals a couple of times after that and he was absolutely impressive. No speeding up...
  #11  
Old 02-16-2007, 10:27 PM
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bill law

well boys!

I think that we are looking at the real deal here. Of course, use of the bow makes all of that fast articulation possible-but-we are looking at a very special player here-very high level. The piano accompaniment is the measure here-very real time-this is one of those virtuoso late 19th century solo vehicle designed to make our jaws drop (worked didn't it!)

It is common for solo pieces to be done on a light string tuned one whole step higher-don't think that the string gauge is really the trick here-

We should find more info about this player-would seem to be a new young lion.

Best
  #12  
Old 02-16-2007, 10:31 PM
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bill law

Uncletoad has the skinny on this player for us-a Young Concert Artists international winner-they find and support the best young players on all instruments-book concert dates until a point at which their careers take off with standard management-

Let's look for great things from this great young player-

B
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