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  #41  
Old 10-23-2012, 03:23 PM
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Join Date: Feb 2008
I've had the S.F. Solos (tuned concert) on my Cleveland hybrid for 6 weeks or so.

Now there's a slight penalty for the lighter strings; acoustically, they _sound_ a little light.

But I don't care! They're easy to play; just the right brightness for me; and have just the right amount of sustain and growl for me (i.e, not a lot of either).

They amplify just the way I want them to. (And the only time I play acoustically is to practice.)

So I'm sold!
It's nice to no longer feel driven to experiment with strings, and just think about playing. :^)
  #42  
Old 11-11-2012, 04:23 PM
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Location: Evergreen, Colorado
I'm predominantly an arco player and have tried most of the arco friendly, and hybrid sets over the years. Currently running with superflexible (3/4) G/D/A over a spiro mitt extended-E. Last night at a noisy gig with my classical bass trio (wine/chocolate tasting event), I was impressed how the superflexible strings sing and project in the upper register.
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  #43  
Old 11-12-2012, 01:13 AM
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I have already posted here that I think the tension and thickness of the Superflexible D is way to high compared to the other strings. .052 .074 .079 .107 is the gauge which means the D and A only differ 5.
I Don't understand at all why they make it this way but I always replace my D for a Spirocore weich D. It works.
But I was thinking about replacing my Superflexible D with a Superflexible solo D which is 064 gauge which seems more normal and more in line with the other strings. Is the tension of the Superflexible solo D about the same as say a Spirocore D?
  #44  
Old 11-12-2012, 07:45 AM
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Join Date: Dec 2003
Location: Tarpon Springs, FL
Quote:
Originally Posted by Les Fret View Post
I have already posted here that I think the tension and thickness of the Superflexible D is way to high compared to the other strings. .052 .074 .079 .107 is the gauge which means the D and A only differ 5.
I noticed this when I first installed the strings, but I'm used to this now and the heavier D string doesn't bother me. It's certainly more bowable than any Spirocore D I've ever tried.

- Steve
  #45  
Old 11-12-2012, 03:47 PM
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Quote:
Originally Posted by Steve Boisen View Post
I noticed this when I first installed the strings, but I'm used to this now and the heavier D string doesn't bother me. It's certainly more bowable than any Spirocore D I've ever tried.

- Steve
It bothers me a lot. Especially when playing (jazz) pizzicato. The transition from one string to the other doesn't feel natural anymore. I am hoping that the solo Superflexible D is about the same tension as a 'normal' D string. So I hope someone can give me some insight on that.
  #46  
Old 11-12-2012, 05:36 PM
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Join Date: Dec 2003
Location: Tarpon Springs, FL
Quote:
Originally Posted by Les Fret View Post
It bothers me a lot. Especially when playing (jazz) pizzicato. The transition from one string to the other doesn't feel natural anymore.
Oh no, now it will probably start to bother me too. I was just looking at my bass and the A and D strings do look identical.

- Steve
  #47  
Old 11-13-2012, 09:50 AM
kwd kwd is offline
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I noticed the G/D diameter, tension thing but it doesn't bother me. Have you considered a higher tension, larger diameter G string? I love the D and the G is acceptable to me.

I got a new bass in early September. The instrument had SFs on it when I brought it home. Of course, I couldn't resist doing repeated string experiments with strings from my drawer and one purchased set. After all of that madness I'm back to SFs and I am sticking with them. My bass has a 42 1/2" scale and is on the darker side of the tone spectrum. For this bass the SFs live in a sweet spot for arco and pizz. Arco on my other bass with SFs was like fingernails on a chalkboard.
  #48  
Old 11-15-2012, 02:08 AM
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Quote:
Originally Posted by kwd View Post
I noticed the G/D diameter, tension thing but it doesn't bother me. Have you considered a higher tension, larger diameter G string?
No the G string is not the problem here. It is the D string that is much too thick compared to the other strings. I like all the other strings.
  #49  
Old 11-15-2012, 09:55 AM
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Join Date: May 2009
OK, remember that SF's come in both 3/4 and 4/4. If a player is put off by the tension of the D string of the 3/4 set, then the 4/4 D string can always be substituted in its place, because the 4/4 D string has a bit less tension than the 3/4 D string, when strung on the same bass.
  #50  
Old 11-15-2012, 10:18 AM
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Join Date: Dec 2003
Location: Tarpon Springs, FL
That 3/4 or 4/4 thing that is unique to Thomastik strings always confuses me. Another alternative in the the string purchasing labyrinth.

- Steve
  #51  
Old 11-16-2012, 12:25 AM
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Quote:
Originally Posted by iiipopes View Post
OK, remember that SF's come in both 3/4 and 4/4. If a player is put off by the tension of the D string of the 3/4 set, then the 4/4 D string can always be substituted in its place, because the 4/4 D string has a bit less tension than the 3/4 D string, when strung on the same bass.
Is that so? never knew that a 4/4 set has less tension than a 3/4 set (?). And it is not only the tension but also the thickness/gauge of the D string that bothers me. So changing to a 4/4 string will not help me.
  #52  
Old 11-16-2012, 06:47 AM
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Quote:
Originally Posted by Les Fret View Post
Is that so? never knew that a 4/4 set has less tension than a 3/4 set (?). And it is not only the tension but also the thickness/gauge of the D string that bothers me. So changing to a 4/4 string will not help me.
Yes, it can be confusing. Here's the deal: T-I lists the tension of their 4/4 strings as being measured on a 110cm mensure, but as we know, many of them also fit on a 3/4 bass. So, to get what the "real" tension is on most 3/4 basses that have 106cm/41 3/4 inch mensure, and since tension varies as the square of the mensure, then take the listed tension for the 4/4, multiply it by the fraction 106^2/110^2, and you get what the tension of the string is when strung on a 3/4 bass.

It just so happens when you do this math on a SF 4/4 D string, it comes out a little lighter than the listed SF 3/4 D string. It also explains why Spiro S42 Weich G strings are so twangy for some, not for others. And we'll leave for another day how slack a 4/4 solo string really is when strung on a 3/4 at orchestra pitch.

I do see your point in the larger diameter of the D string, however. I also prefer progressive string diameters, so it would probably bother me as well if I used SF strings.
  #53  
Old 11-17-2012, 02:45 AM
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Indeed very confusing

Quote:
Originally Posted by iiipopes View Post
I do see your point in the larger diameter of the D string, however. I also prefer progressive string diameters, so it would probably bother me as well if I used SF strings.
This is exactly what I mean. Progressive string diameters is a must for me. Especially for pizz playing. That is why I don't understand that they choose (almost) the same gauge for the D and A string. Makes no sense to me.
  #54  
Old 11-17-2012, 09:04 AM
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Join Date: Dec 2003
Location: Tarpon Springs, FL
Quote:
Originally Posted by Les Fret View Post
That is why I don't understand that they choose (almost) the same gauge for the D and A string. Makes no sense to me.
The Superflexible (aka Rope Core) set has been around a long time and pre-dates the Sprirocore set. One reason for the gauges could be to mimic the still common gut strings where the plain D was often the same diameter as the wound A.

Just a theory.

- Steve
  #55  
Old 01-01-2013, 12:27 PM
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Join Date: Dec 2003
Location: Tarpon Springs, FL
Okay, now the thick D string is starting to bug me
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