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  #1  
Old 07-23-2007, 12:15 AM
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CBC 30: Guy Tuneh interview and Lonnie Plaxico

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CBC #30 Show Notes - Guy Tuneh and Lonnie Plaxico
Release Date: 7/22/07
Length: 38:37
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Guy Tuneh bio:


Guy Tuneh has been studying in Germany and performing internationally. He is noted for his intense musical involvement and phenomenal performances, combining virtuosity and musicality. Mr. Tuneh has been active as a solo performer, chamber musician, orchestra and opera bassist. Having begun as a violin student at the age of 6, he was drawn to the tone color of the double bass, joining Prof. Michael Klinghoffer's bass studio at the S. Rubin Academy of Music at Tel Aviv University. Later, he continued his bass studies under Prof. Barbara Sanderling at the Hochschule Für Musik "Hanns Eisler" in Berlin, he is now working towards a Solo Artist Diploma with Prof. Wolfgang Güttler at the Hochschule für Musik in Basel. Additionally, he took master classes with Yoan Goilav, Gary Karr and Miloslav Gajdos. His orchestra performances included engagements as a principle bassist with the Berliner Kammeroper, Ensemble "Echo" in the Deutsche Staatsoper Berlin, Theater Erfurt, and most recently with the Solistes Européens Luxembourg. As an orchestra bassist Mr. Tuneh performed under such distinguished conductors as Kurt Sanderling, Zubin Mehta, Sir Simon Rattle, Nicolas Harnoncourt and Christian Thielemann. Winner of a Villa Musica Scholarship, Guy Tuneh has performed all over Germany as a chamber musician and a soloist to great acclaim, and participated in chamber music and solo performances recorded by the SWR (Southwest German Radio). These performances included collaborations with Ulf Rodenhäuser, Guy Braunstein, Christian Altenburger, Wen-Sinn Yang, Martin Ostertag, Hermann Bäumer, and other distinguished musicians.The "Allgemeine Zeitung" described his performance as youthful and exuberant.

Lonnie Plaxico bio:


The middle child in a family of musicians, Chicago-born Lonnie Plaxico inherited a gift for music that was discovered and nurtured early. By the age of twelve he had taught himself to play the electric bass, and he was soon venturing into Chicago's music scene, renowned for its mix of jazz, funk and blues. It was not long before the young musician made his first recording, featuring his family's band. At the age of just fourteen, having already performed alongside several prominent Chicago jazz figures, Lonnie Plaxico turned professional, playing the electric and acoustic bass with equal facility.

In 1980 Plaxico moved to New York and soon began to appear with such artists as Chet Baker, Dexter Gordon and Wynton Marsalis. His first extended tenure was with Art Blakey's Jazz Messengers: between1983 and 1986, lonnie performed on twelve of Blakey's albums, including the Grammy Award-winning, New York Scene. In 1986 he joined Jack DeJohnette's Special Edition, continuing with that group until 1993. Presently, Plaxico is the musical director and featured bassist for Cassandra Wilson; their critically acclaimed and award-winning collaboration has now spanned fifteen years.

Plaxico's recording and performance catalog is equally impressive for its caliber, depth and diversity. He has appeared with such luminaries as Sonny Sitt, Junior Cook, David Murray, Alice Coltrane, Stanley Turrentine, Joe Sample, Abbey Lincoln, and Dizzy Gillespie. Just as noteworthy are his performances with younger artists -- among them Steve Coleman, Rachelle Farrell and Dianne Reeves. lonnie has also recorded with Bill Cosby, Lonnie Liston Smith, Ravi Coltrane and Barbara Dennerlein, as well as his Grammy-winning collaborations with Art Blakey and Cassandra Wilson. He has also recorded five critically acclaimed albums as leader.
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  #2  
Old 07-29-2007, 11:43 AM
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Just curious

Did you conduct this interview over the phone?

Thanks jason
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  #3  
Old 08-05-2007, 09:24 PM
Bass Blogger / Contrabass Conversations host
 
Join Date: Aug 2006
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Phone interview

Hey Rob,

I did this one over Skype, and we had a VERY bad connection, unfortunately. That's the problem with doing these interviews--you can have insanely varying connection conditions, so in this case the audio file was really noisy.

I did what I could with SoundSoap and some other programs, but you can only clean up an audio file so much, so it is comprehensible but not with great fidelity.
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