Quote:
|
Originally Posted by bcarll Hi to all,
Just inherited a 1998 Fender P Bass made in Japan. Not worth a lot of money but has sentimental value and a real looker. Red in color and great condition always stored in case. I have been playing it for some time now with the strings that came on it and still lots of punch and sounds pretty good for the type of music I play. (Blues and jazz) I believe this will become my main bass and have been wondering what to do to make this a great bass instead of just a good bass. I know new strings and pro setup would be at the top of the list but would new PU's and what ever be advised? This is a great source of info and I've been around around for a few years here at TB and want to say thankyou to all that make this an educational and worthwhile site to visit. So much talent here too!!
bcarll |
This is just my opinion but before you really can make it a better bass, you must know exactly why it's not a great bass now. If there is a problem(s), you should first identify the probs and approach them systematically and fix them.
I would suggest that before you modify anything that you make what you already have as good as possible. A good setup can go a long way towards making it a good bass. A professional setup is a good idea for the first setup. It's lots easier to maintain a good setup than it is to create one so it can be a one time expense. Maintaining good strings is overlooked too often.
Even a great bass is no better than the amp that it's being played through.
There really are at least two definitions of a great bass. One being the boutique basses where all the parts are first rate and installed with precision. The other is a bass that is great for what it is. The second definition fits most basses.
Usually, it is cost prohibitive to make a Japanese Fender into a truly great instrument because you end up with practically none of the original parts. By the time you buy all the premium parts, you can buy a better bass (used) than you end up with.
Again, just my opinion.