| Thanks, Linas. I was reading your tutorial, and actually thinking of doing this myself. The bass is an Ibanez Mini-Musician (2 pickup version of the one Sting played at one time), which I am afraid to screw up because it's irreplaceable - having been discontinued for 20+ years. It's a beautiful little, 2-tone natural finished instrument that I had professionally defretted and splined with ebony years ago, then installed Bartolini's in it. Since reading your tutorial, I took sandpaper to it, removing all the rough spots created in the rosewood from years of roundwound strings, then painted the whole thing flat black (to resemble a plain ebony board). I then put a couple of coats of a wipe-on polyurethane which I sanded to a slight sheen with paper, then steel wool. This is nothing like an epoxy job. It looks great, but did not give that epoxy brightness, or glide. I'm also sure it will wear through and need to be redone frequently.
I have a question for you. What is the best way to mask off your neck, and create a "dam" for the epoxy? I wasn't able to tell exactly what you did in the tutorial. This will be extremely critical, since it is a "neck-through" bass, and any spill over/leakage would be a disaster.
Thanks for any light you can shed!
Mark |