| Nah, you don't have too much sustain. You have too little technique. It's not a set-up issue with your bass. Learn to damp the strings you're not playing. How? Depends a lot on how YOU play. A typical finger-style player? Use rest strokes so when your plucking finger leaves the A string for example, it rests on the E string. The kills the vibrations on the E string. And use the fingers of the fretting hand to mute strings too.
In his instructional/interview video with Jerrry Jemmott, Jaco Pastorious mentions how it took him a long time to get "Donna Lee" clean sounding. He had to work on muting strings to get the sound out correctly. Spend some time learning Jerry Jemmott lines, and some Rocco Prestia stuff from Tower of Power. If you can play "What Is Hip" with those deadly 16th notes properly articulated, playing a major scale won't be any problem at all.
You can always mute strings to kill sustain, but you can't put more sustain into a bass than it has in the way it's made. In that sense I totally agree that you can't have too much sustain, and that's the way it sounds from the OP's desdcription of the problem. However, if you're talking about trying to cop the dull "thut" of for example McCartney's Hofner, then it's not about muting- it's that the bass just doesn't have sustain. And that's inherent in the way the bass is made. But you can get pretty darn close to that effect with good technique so I wouldn't buy a hollow body like that just for a song or two.
jte
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JTE Spelling, grammar, and punctuation do matter, despite the threats of death by grease fire!
"Without space, music is just noise piling up on itself." TRK
Lakland Owners' Club # 248
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