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01-16-2013, 09:52 PM
|  | Registered User | | Join Date: Jan 2009 Location: Québec | | Quote:
Originally Posted by AllFourths Well technically all the bass parts on it are from other pieces (mostly 70's funk and jazz), but all the bass samples on MF Doom's "Mmm... Food" album are unbelievable. Usually I think his recontextualizations suit the parts even better, much like Tribe's sampling of Red Clay. http://www.youtube.com/watch?v=cxh4NQ8Fb3g - great high register slippery stuff http://www.youtube.com/watch?v=yZwQSbpOU_k - it's all just roots and fifth, but dang I love that rhythm, and that progression is classy as hell | DOOM , all caps when you spell the name!!! | 
01-16-2013, 10:01 PM
| | | | Funny that you should mention Streetlight. Their version of the Keasbey Nights is the one for me. I never fully appreciated Streetlight basslines until the first time I saw them live though, then it really hit home. That said, Point/Counterpoint from Everything Goes Numb is one of my all time favourite basslines.
The other main albums that have shaped my playing are RHCP - By The Way, Green Day's Dookie and Absolution by Muse.
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Bassist for female-fronted, North Yorkshire-based rock band Viszera.
Lone Wolf Club #54 / There Will Never Be A Venue That Charges ME To Play Club #14
Last edited by tomnomnom91 : 01-16-2013 at 10:03 PM.
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01-17-2013, 01:18 PM
| | Registered User | | Join Date: Oct 2011 Location: Saturn, Solar System | | | james jamerson on
my cherie amour - stevie wonder
(also made me rethink what i like about drums, benny's killing it) | 
01-17-2013, 01:25 PM
|  | Registered User | | | | | Primus, Talas, Jayme Lewis Band
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Spector club #243, Rickenbacker #487, Country Bassist #18
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01-17-2013, 01:34 PM
| | | | Groundation-Each One Teach One
Wailers-To catch a fire
Iron Maiden-Number of the Beast
Primus-Frizzle Fry
Beatles-Abbey road.
I like music where the bass is more than a backing instrument. Makes me sad there is so little love for Reggae on TB. | 
01-17-2013, 01:41 PM
|  | Registered User | | Join Date: Jan 2007 Location: Los Angeles, CA | | | Any of Ornette's early records with Charlie Haden. Harmolodics FTW.
Earlier, it was Jaco's solo record, Stanley's first few records, and VW's "A Show of Hands".
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Now they have banging guitar and no bass and call it rock, but that's not what I call rock.- Little Richard Read my thoughts... WTB- Barge RC-3 | 
01-17-2013, 01:42 PM
| | Registered User | | Join Date: Mar 2006 Location: Buje, Croatia | | | Michael Hedges - Breakfast In A Field - Not much bass on that one, but where used it sure made an impact. Of course, it was the first time I've ever herd Michael Manring.
Like Swimming - Morphine - only because that was how I got introduced to their music, but otherwise I choose Cure For Pain as my favorite Morphine album. | 
01-18-2013, 03:30 AM
| | Registered User | | Join Date: Oct 2011 Location: Saturn, Solar System | | Quote:
Originally Posted by jdelemus Makes me sad there is so little love for Reggae on TB. | i think there is enough love just not enough talk.
speaking about reggae, i add to my list:
survival- wailers, family man in dub - aston barrett, visions - dennis brown, mama africa -peter tosh | 
01-18-2013, 06:40 AM
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Originally Posted by beggar98 Any of Ornette's early records with Charlie Haden. Harmolodics FTW. | Was Ornette even talking about harmolodics when he recorded those quartet albums with Haden? I thought he didn't fully reveal (sic) the concept of harmolodics until the 1970s. | 
01-18-2013, 06:54 AM
| | Registered User | | Join Date: Feb 2012 Location: South West Victoria, Australia | | | Animals by Pink Floyd. The bass work in Pigs (Three Different Ones) really opened my eyes. It's till one of my favourite albums.
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Yamaha BB Club Member #49 | Yamaha BB2000 | Ibanez SR5006E | Fender Deluxe Active Jazz Bass V | Ibanez EWB205WNE | Fender American Deluxe Precision Bass
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01-30-2013, 02:25 PM
| | Registered User | | Join Date: Jan 2013 Location: Virginia | | | Great question.
Bozzio Levin Stevens - "Black Light Syndrome"
Michael Manring - "Thonk"
Esbjorn Svensson Trio - "Somewhere Else Before" | 
01-30-2013, 02:59 PM
| | | | Too late the hero by John entwistle, his playing on that album is some of his finest and his tone was what made me really start wanting to play bass (heard it when it came out in '81 and even at age eleven I knew, I just knew.) | 
01-30-2013, 03:21 PM
|  | Registered User | | Join Date: Feb 2011 Location: NW England | | Having grown up on Geddy and Steve Harris, and thinking that was as good as it got, I was completely floored the first time I played Frizzle Fry. I realised at that point that there was no going back to galloping triplets
Oh...and then I heard Meshuggah. | 
01-30-2013, 03:37 PM
| | | | Joni Mitchell's "Shadows and Light" (great work by Jaco as part of a band).
An Evening with Windham Hill (it's only a few tunes, but it's the first time I ever heard a bass sound like Manring's does on that one). | 
01-30-2013, 04:32 PM
| | Registered User | | Join Date: Jun 2009 Location: Brooklyn and Hudson Valley | | it was different music at different times.
sounds like a cliche now, but Paul McArtney's playing on "All My Loving" was radical at the time. I had grown up listening to walking bass on my father's jazz records, and here was someone doing it on a rock tune. Then his playing on "Revolver" and "Rubber Soul" broke away from convention even more consistently.
after that, Phil Lesh and Jack Casady.
after that, Stanley Clarke's first solo records and Jaco playing with Joni Mitchell.
after that, Chuck Rainey on "Aja."
after that, really listening to Red Mitchell for the first time and understanding he was tuned in fifths.
still hasn't stopped ... 
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01-30-2013, 04:43 PM
|  | mi la ré sol | | Join Date: Mar 2002 Location: Reims, Champagne, France | | | There are many albums that were bass cornerstones for me and severely altered the way I practice my instrument. Amongst others:
Mike Oldfield's Tubular Bells
Jan Garbarek's Legend of the Seven Dreams
Iron Maiden's Killers
Magma's Attahk
The Flecktones' Outbound
Charles Mingus's Money Jungle
Miles Davis's the Man with the Horn
Pascal Mulot's Purple Eyes
Jean Michel Jarre's Zoolook
RHCP's BSS&M (like millions of other bass players)
Each and every one of these albums should be an eye opener for the distinctive bass player.
Jaco's first album didn't do this to me. I listened to it years after I started playing and his ideas had already been diluted here and there. I was amazed but his playing didn't seem so knew. | 
01-30-2013, 04:49 PM
| | | | These are albums that I was singing the basslines to back when I was a middle school and high school timpanist- I would not pick up a bass for another ten years, but they spoke to me.
Extension of A Man- Donny Hathaway
Breakfast In America- Supertramp | 
01-30-2013, 05:13 PM
| | | | One that turned my head was "Whatever and Ever Amen" by Ben Folds Five. It was the snaking bass lines, the use of effects, and the sonic space filling that really made me rethink how bass fits in.
Other than that, Uriah Heep's "Wonderworld" with Gary Thain. Showed me how melodic bass can work in rock. | 
01-30-2013, 05:29 PM
| | | | Miles Davis- '68-'75
Holland and Henderson - live or studio. The way they approach each song, sometimes very dense, grooving and aggressive / other times very spare and funky. Also, they incorporate different tones from wah to distortion. | | Thread Tools | Search this Thread | | | |
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