| Ah, John Deacon. The reason I started playing bass. Wonderful touch, great tone, and truly creative and inspiring melodic basslines.
I believe his studio tone, particularly on the earlier albums had to or even 3 tracks which made it sound so great. Close mic, ambient mic and DI (I think). I seem to remember Brian May stating this on a DVD extra (night at the opera audio DVD possibly?) showing the process of remixing Bohemian Rhapsody for 5.1 surround. He went through the master recording and was isolating various tracks here and there. Really interesting to watch.
On the dirtiness of his tone. I have a 2 channel live sound from my Attitude, and nearly always have a little dirt mixed in to my top end channel. Just sits in the mix that little bit better.
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Attitude II SFG; RBX-JM2; RBX4-A2; Thumb 5 BO; Corvette Std fretless; Tokai T'bird; LMII; MB 121H; Nova Dynamics; Nova Drive; BEQ-50 (x2); LS2; BSW; BBM; Pitch Black; PT Jnr.
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