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Originally Posted by arielk Incidentally, I've never heard the Stooges; |
Ummm...How about Iggy Pop !?!?
The Stooges were a commercial flop in the late '60s, a "Psychedelic Rock" band (Now regarded as
THE prototypical Punk band,) whose raw emotive style clashed greatly with the slick, hippy-folk that dominated pop music at the end of that decade. However, those who did hear them were often inspired to start bands, and it was because of the Stooges that we have The Ramones, Sex Pistols, The Clash, Nirvana, and
The Rise and Fall of Ziggy Stardust (David Bowie, having seen The Stooges, was so taken with the power of Iggy's performance that he assimilated Iggy's persona to create Ziggy Stardust.)
The Stooges Fun House takes a place on many "greatest" lists of Rock and Roll, (you know, Rolling Stones Greatest 100, etc.) and is cited as a favorite by the likes of Henry Rollins, Kurt Cobain, Jack White, Nick Cave, and musician/engineer Steve Albini.
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Originally Posted by arielk was Fun House poorly produced, according to y'all? |
Not at all! Sorry, didn't mean to imply that Gallucci did anything other than a stellar job at producing that record (my favorite Stooges album and one of my top 5 albums of all time!)
Iggy was, (and still is,) known for being quite the prickly-puss!
At that time Don Gallucci was a staff producer for Elektra Records, assigned to work with The Stooges (probably seen as drawing the short straw.) Because of Iggy's anti-establishmentarian hatred for anyone wearing a suit, he really never warmed up to Gallucci.
But what Don did was help create a great album, primarily by staying out of the way and letting the band play in the studio as though it was a live gig (ala Steve Albini.) Rather than tracking and overdubbing, he reconfigured the studio as though it were a live stage, set the band up to play together and captured their whole sound.
I have read about the session in multiple interviews, articles and book excepts, and it is my impression that Don's methods were crucial to making the final product as great as it is.
It is likely that the typical record producer would have messed it up, probably never getting a record out of The Stooges (with the majority of the members deep into drugs, on top of Iggy's mental issues) and typical production techniques would have killed the primal groove that this group needed.
Don did experiment with dubbing some organ over "Down in the Street," and that might have been something that pissed Iggy off, but that version didn't make it onto the record, and in Don's defense I think his organ dub sounds pretty good!