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  #1  
Old 11-02-2010, 02:50 PM
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that video LIES
 
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Frampton comes alive- fretless on some tracks?

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Specifically, *Show me the way* sounds to me like it could be a fretless- anyone know? Just curious.
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  #2  
Old 11-02-2010, 02:55 PM
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Open up the gatefold LP cover and there's Stanley Sheldon rockin' a fretless P.

That LP still holds up after 35 years!
  #3  
Old 11-02-2010, 02:55 PM
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Sounds that way to me!
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  #4  
Old 11-03-2010, 06:39 AM
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I remember there was a huge bump in the sales of fretless P Basses when that CD came out. I actually bought one of them (not really realizing at the time it was the 'Frampton bass'... the olympic white, black pickguard, maple neck P fretless, if I remember correctly.

Of course, IMO, a fretless P doesn't make a lot of sense (even the name is funny given the 'reason' for the P Bass's development... 'fretless Precision bass')!

Yeah, that album was something when it came out... kind of one of the first 'fake live' recordings, with the crowd noise faked in and most of the tracks massively sweetened in the studio, if I remember correctly. It sounded so good.... then we figured out why

Last edited by KJung : 11-04-2010 at 12:24 PM.
  #5  
Old 11-03-2010, 04:19 PM
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Yeah, great pop rock bass playing -- on a fretless. Pretty busy too, but always right. Good player. He and Fran Sheenan from Boston were great examples of solid musical bassplayers who you noticed without being too flashy or overbearing.
  #6  
Old 11-04-2010, 10:45 AM
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Old 11-04-2010, 11:11 AM
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Stanley Sheldon is a great bassist. Did a lot of fantastic stuff with Tommy Bolin as well. Too bad Frampton jacked him on the $$$ for that record.
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  #8  
Old 11-04-2010, 11:42 AM
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  #9  
Old 11-04-2010, 11:56 AM
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Always loved the bass work on that album. That era of what is now called classic rock featured so many great players that they tend to be considered "par for the course" and get kind of lost compared to the more "bass-centric" bands. You have to be not only a true fan of that genre of rock, but a bass player to pick out the awesome playing. To prove a point, only on TB would anyone read the OP and autmatically hear the bass tone on that album. All most people would think of is that stupid "wha wha wha" noise.
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  #10  
Old 10-13-2011, 09:52 AM
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Stanley's tone on that album is the best sounding tone for me. It's the tone I want to produce with any rig I end up with after I get re acclimated with my bass playing. Show me the way is the track that hits me the most.
My $.02
  #11  
Old 10-14-2011, 08:32 AM
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Originally Posted by KJung View Post
Yeah, that album was something when it came out... kind of one of the first 'fake live' recordings, with the crowd noise faked in and most of the tracks massively sweetened in the studio, if I remember correctly. It sounded so good.... then we figured out why
Really? Although I'm not surprised (Didn't Jackson Browne do that too?), I never noticed, heard or thought about it before. I haven't listened to Frampton Comes Alive straight through in 25 years.
  #12  
Old 10-14-2011, 09:31 AM
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Yup. I remember hearing those songs on the radio for years and then finally getting the album, seeing that picture and... "WOW, he's rockin a fretless on there?!"

Frampton Comes Alive... what a disc. The drum sounds are tragically dated by now but the rest of it still holds up and the songs and playing are top-notch. I'm an especially big fan of what Sheldon does at the end of "Do You Feel Like We Do"... the jam-out section after the talkbox bit.

Last edited by jaywa : 10-14-2011 at 09:34 AM.
  #13  
Old 10-14-2011, 09:39 AM
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Originally Posted by jaywa View Post
Yup. I remember hearing those songs on the radio for years and then finally getting the album, seeing that picture and... "WOW, he's rockin a fretless on there?!"

Frampton Comes Alive... what a disc. The drum sounds are tragically dated by now but the rest of it still holds up and the songs and playing are top-notch. I'm an especially big fan of what Sheldon does at the end of "Do You Feel Like We Do"... the jam-out section after the talkbox bit.
Me too. My brother learned to play guitar to the disc. And I learned a couple of tunes off it at the beginning of my bass journey.

I heard "Do You Feel Like We Do" in it's entirety in the supermarket a couple of weeks ago. Cool to hear it but in a supermarket??? Guess that what happens to great old songs.....
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