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08-10-2009, 09:09 PM
| | Registered User | | Join Date: Apr 2007 Location: Fredericton, Canada | | Good albums for learning to play "behind the beat"
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Hello, my band has recently begun preproduction for our new album and I think that I may need some advice. Haha. Our producer talked to myself and the drummer after a short room recording session, and as we played back the songs listening for detail, one thing that our producer kept repeating was that we had to learn how to start playing "behind the beat."
Both the drummer and myself have musical backgrounds in punk rock and intense heavy metal, and because of this we are inclined to play almost sitting forward and constantly on top of the beat, but where this album is a pop/rock/acoustic project I need to learn to quit head banging through riffs and just play in the pocket.
If anyone has any studio, playing or even anecdotal advice for me at this point then I would be extremely appreciative. I'm mostly interested good album examples of this kind of playing but any advice would be awesome. Our producer suggested Parliament, but I was hoping to get some good hip-hop albums as well and not just funk.
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08-10-2009, 09:20 PM
| | Registered User | | Join Date: Sep 2008 Location: Co.Monaghan,Ireland | | | Voodoo by D'Angelo is a good one with Pino
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08-10-2009, 09:43 PM
| | Registered User | | Join Date: Apr 2007 Location: Fredericton, Canada | | | Thanks I will look into it.
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08-10-2009, 09:52 PM
| | Registered User | | Join Date: Sep 2003 Location: Los Angeles / West Hollywood | | | I'd reccommend pretty much anything Dr Dre is involved in. Especially the old 90s The Chronic an Dre 2000. He is a master of behind the beat. Also you can't go wrong with 70s funk type stuff. George Porter and The Meters (like Best of the Meters) are prime examples of laying back and letting the groove take over. | 
08-10-2009, 10:01 PM
| | Registered User | | Join Date: Jun 2009 Location: lodi california | | | I don't know if this is what you're looking for, but alot of swing records feature basslines that are behind the beat. Check out "BAM BAM BAM" by the ray brown trio. It's a great album just for the bass playing, whether you like jazz or not. | 
08-10-2009, 10:11 PM
| | Registered User | | Join Date: Dec 2006 Location: toronto canada | | Quote:
Originally Posted by earthlypunk I don't know if this is what you're looking for, but alot of swing records feature basslines that are behind the beat. Check out "BAM BAM BAM" by the ray brown trio. It's a great album just for the bass playing, whether you like jazz or not. | Really?, Ray is usually on top of the beat when he plays, he pushed so hard, I'll have to check this out. I usually have never thought of Ray Brown as behind the beat or in general that many swing records. but for behind the beat you should definitely check out the D'angello album
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Last edited by neal davis : 08-10-2009 at 10:21 PM.
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08-11-2009, 03:48 AM
| | | Sting/The Police, He is a master at playing behind the beat.  | 
08-11-2009, 04:02 AM
|  | Unprofessional TalkBass Contributor | | Join Date: Dec 1999 Location: Brighton, England, UK, Europe | | Quote:
Originally Posted by neal davis Really?, Ray is usually on top of the beat when he plays, he pushed so hard, I'll have to check this out. I usually have never thought of Ray Brown as behind the beat or in general that many swing records. but for behind the beat you should definitely check out the D'angello album | I agree with you - many Jazz horn players will lag behind the beat - but bass players, almost never - they are driving the music forward and giving it momentum!
Actually - I tend to think that for a bass player, it is not desirable to be behind the beat. Right in the middle - is great, in the pocket as they say. But for a bass line to have forward momentum and sound "tight", I wouldn't want to be behind the beat.
Vocalist and horn players can be behind the beat - but bass players need to be in the middle, or everything can really drag... 
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08-11-2009, 05:21 AM
|  | Registered User | | Join Date: Mar 2004 Location: Metro St. Louis | | Quote:
Originally Posted by Bruce Lindfield I agree with you - many Jazz horn players will lag behind the beat - but bass players, almost never - they are driving the music forward and giving it momentum!
Actually - I tend to think that for a bass player, it is not desirable to be behind the beat. Right in the middle - is great, in the pocket as they say. But for a bass line to have forward momentum and sound "tight", I wouldn't want to be behind the beat.
Vocalist and horn players can be behind the beat - but bass players need to be in the middle, or everything can really drag...  | That is the whole point of music like D'Angelo. It is laid back, but not dragging, because the pulse of the music is designed that way.
Raphael Saadiq and Toni Tony Tone would be another person or group to check for that fell also.
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08-11-2009, 05:23 AM
|  | Unprofessional TalkBass Contributor | | Join Date: Dec 1999 Location: Brighton, England, UK, Europe | | | Yes - but I am saying that the OP probably doesn't want to be aiming to play behind the beat, but rather in the centre, in the pocket!
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08-11-2009, 06:50 AM
| | Registered User | | Join Date: Sep 2003 Location: Cincinnati OH | | | NRBQ - Joey & Tom lay it back but have a great groove.
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08-11-2009, 06:50 AM
| | Registered User | | Join Date: Jan 2005 Location: London, England | | | I still have no clue what any of this means.
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08-11-2009, 06:52 AM
| | Registered User | | Join Date: Sep 2003 Location: Cincinnati OH | | Quote:
Originally Posted by Kink Rimson I still have no clue what any of this means. | I'm not sure either, but I think he's referring to more of a swingy feel as opposed to metronomic.
But it really should be the producer's job to provide examples of what he's talking about....
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Last edited by nysbob : 08-11-2009 at 06:55 AM.
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08-11-2009, 07:05 AM
|  | Unprofessional TalkBass Contributor | | Join Date: Dec 1999 Location: Brighton, England, UK, Europe | | But bass players who swing, are almost invariably playing ahead of the beat in Jazz!! 
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08-11-2009, 07:16 AM
| | Registered User | | Join Date: Dec 2008 Location: Boston | | Quote:
Originally Posted by BassXgirl George Porter and The Meters (like Best of the Meters) are prime examples of laying back and letting the groove take over. | Ya pretty much everything meters is good for you purpose... | 
08-11-2009, 07:22 AM
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08-11-2009, 09:42 AM
| | Fueled by chocolate | | Join Date: Jun 2008 Location: Montreal, Canada | | | Just 'cause you're playing behind the beat doesn't mean you're not in the pocket. There are different kinds of pockets. Me'shell Ndegéocello is another one to check out. Try her album "Comfort Woman". In fact, pay attention to her keyboard lines - she'll often play these super laid-back. Also, check out "Ug" by Mr. Scruff (from the album Trouser Jazz). The bass line in that has a behind-the-beat feel to it (just go to iTunes and listen to the excerpt - you'll hear what you need to hear). It can be difficult to play "behind the beat" if you're used to playing on top of, or ahead of, the beat - so don't be too hard on yourself if it takes some doing to get to where the producer is happy. Good luck. Oh, and + 1 on Voodoo. "Didn't Cha Know" by Erykah Badu is another one to have a listen to. | 
08-12-2009, 09:35 AM
| | Registered User | | Join Date: Aug 2005 Location: St. Louis, MO | | Quote:
Originally Posted by rational baze Voodoo by D'Angelo is a good one with Pino | Pino is the man! Pino = Versatile...Maybe some day I'll be half as complete a player as he is... http://www.youtube.com/watch?v=ygCeB...03B530&index=0
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08-12-2009, 09:38 AM
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Originally Posted by rational baze Voodoo by D'Angelo is a good one with Pino | end of thread. | 
08-12-2009, 10:01 AM
|  | Registered User | | Join Date: Apr 2007 Location: Nashville | | Quote:
Originally Posted by Bruce Lindfield But bass players who swing, are almost invariably playing ahead of the beat in Jazz!!  | No doubt you're right, but dude is playing pop/rock, and depending on the feel of the tune, it is really important for the bass and drums to sit back behind the beat-especially for the mid tempo stuff.
I would definitely reccomend playing along with Track 13 of Dre's "2001". I could not possibly type that track name here on this forum, and it IS one of the MOST explicit sets of lyrics ever, so be cool with that, but Mike Elizondo (I assume) and co. laid it way way back on that.
For a pop/rock laid back setting, I would suggest "Round Here" by the Counting Crows, or any of the John Mayer stuff-the later the better. | | Thread Tools | Search this Thread | | | |
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