|  | 
07-02-2007, 09:13 PM
| | Registered User | | Join Date: Jan 2007 Location: Houston (right now: RIT) | | Instrumentals
Sign in to disble this ad
What do they have to have in order for you to be interested in them?
especially if they are more heavy rock oriented.
i'm asking because my band is planning on playing mostly instrumentals.
thanks for the responses 
__________________
lefty union #75; Texas bassist #22
| 
07-02-2007, 09:39 PM
| | Banned | | Join Date: Feb 2006 Location: West Coast of Canada | | They have to have some sort of structure to them, even if its just a beggining, middle, end type of thing.
Seriously. A really good, although hard to find, example is "Sun Drenched Snow Cave" but Boris/Merzbow. It may be 64+ mins long  but it has structure. 3 definate parts to that song though. What makes in interesting to me is that all the parts are diff lengths, and the fact that they blended a more traditional rock type intro (albeit a long one) into a noise middle, and drone ending, IIRC. Been a while since I've listened to that particular recording
The other thing that interests me about that particular composition is how the 3 parts are different enough to stand on their own, but have enough simmilarities, that together they make one great listen. Not only should you move any of you're pieces through multiple (if even just 2), linked sections, but each section should have a rhythm all it's own on which it can stand solo, if need be, but still be linkable.
Having a good solid set of bass lines is the key to this IMO, and I hope some of this random rambling helps in your situation  | 
07-02-2007, 09:44 PM
| | Registered User | | Join Date: Jan 2007 Location: Houston (right now: RIT) | | well, i don't think we are going for 60 min recordings or live songs
but i agree that structure is important
__________________
lefty union #75; Texas bassist #22
| 
07-02-2007, 09:57 PM
| | Banned | | Join Date: Feb 2006 Location: West Coast of Canada | | Quote:
Originally Posted by ThatGermanDude well, i don't think we are going for 60 min recordings or live songs  | lol, totally  It's only 1 of less than 5 60+ minute recording I have, but it is the best example. Also a great example of time keeping, even without drums or really any audio cues of any kind. But then again, drums as an audio cue become almost useless at 40 eighth notes a min  I imagine it's all visual at that point
You should check it out if you get a chance. | 
07-02-2007, 10:31 PM
| | | | Melody, depth, theory, nice sounding, etc. | 
07-02-2007, 10:42 PM
| | Registered User | | Join Date: Jul 2006 Location: Rockville, MD | | | i really like intstrumentals that tell a story all their own. as if just by listening to a piece you can imagine a scene developing. although this may not be exactly what you are talking about the the first thing that comes to mind is Beethven's Pathetique (i believe its piano sonata 8, Op. 13, first movement). BEAUTIFUL piece. So much emotion. Real emotion, none of this emo sh*t.
then there are songs that are just ridiculous that i love. for example, dream theater's "instrumedley" (from 'Live at Budokan').
if i think of more ill be back...
__________________
I think Bigfoot is blurry, thats the problem. Its not the photographers fault. And thats extra scary to me. Theres a large out-of-focus monster roaming the country-side.
| 
07-02-2007, 10:45 PM
| | Registered User | | Join Date: Oct 2005 Location: The Woodlands, Texas | | | -A strong melody
-A good intro can get people's attention
-also, let each instrument shine a little. Not even a solo necessarily, but at least a cool part in the song where you can stand out or let loose a little.
of course these aren't true for all circumstances. | 
07-02-2007, 10:58 PM
| | Banned | | Join Date: Apr 2006 Location: chicago, IL. | | Quote:
Originally Posted by ThatGermanDude What do they have to have in order for you to be interested in them?
especially if they are more heavy rock oriented.
i'm asking because my band is planning on playing mostly instrumentals.
thanks for the responses  | An actual structure with hooks, and it has to build up and release tension. A main hook/chorus, even though their isn't singing.
I hate listening to some endless jam that is just a band noodleing and a guitarist playing scales constantly.
Some people get that confused. An instrumental is a piece that you actually worked out andknow what you should be playing, a jam is a bunch of guys noodleing and hoping it sounds like something. | 
07-03-2007, 12:43 AM
| | Registered User | | Join Date: Aug 2004 Location: Wellington, New Zealand | | | Check out 'Government Commissions: BBC Sessions 1996-2003 [LIVE]' - by Mogwai. Probably not your thing but they have some amazing instrumentals.
I think i just wanted to bring up this album because i've been listening to it a lot lately, and can't stop raving about it, lol :s | 
07-05-2007, 09:18 PM
| | Registered User | | Join Date: Jan 2007 Location: Houston (right now: RIT) | | | bump?
__________________
lefty union #75; Texas bassist #22
| 
07-06-2007, 10:25 AM
| | Registered User | | Join Date: Jun 2006 Location: Wirral, UK | | | The most memorable instrumentals (classical/folk/rock, whatever) tend to have a strong melody or theme, which is varied upon through the composition, ie. Rush's "La Villa Strangiato" & "YYZ". Allman Brothers "Jessica". I believe it's more important in an instrumental as the need to replace words as something easy and familiar for an audience to comprehend. | 
07-06-2007, 10:33 AM
| | | | Not sure how many would agree with me on this, but try listening to many classic rock songs and just ignore the lyrics. Kansas is a great example of this. Funkadelic's "Maggot Brain" is mostly guitar solo, but a great example of the "parts" DanielTulip mentioned above.
__________________
I mind the whether.
| 
07-06-2007, 10:34 AM
|  | Unleash the Burk | | Join Date: Sep 2002 Location: London UK | | | Zappa's Apostrophe. The most awesome 5 minutes of instrumental music. Period.
__________________
Pics of my gear. Quote: |
Originally Posted by FL Knifemaker you're nothing but a **** stirring troll | Set your expectations accordingly.
| 
07-06-2007, 11:54 AM
| | Registered User | | Join Date: Jun 2002 Location: Edinboro, PA | | | Sounds obvious, and this thread is more or less suggesting it: Listen to tons of instrumentals, figure out what makes them great.
__________________
Mediocre Bassist Club Member #4
| 
07-06-2007, 12:20 PM
| | Registered User | | Join Date: Jul 2006 Location: Rockville, MD | | Quote:
Originally Posted by Matt Till Sounds obvious, and this thread is more or less suggesting it: Listen to tons of instrumentals, figure out what makes them great. | if thats the case, check out "acid rain" by liquid tension experiment.
__________________
I think Bigfoot is blurry, thats the problem. Its not the photographers fault. And thats extra scary to me. Theres a large out-of-focus monster roaming the country-side.
| 
07-06-2007, 08:11 PM
|  | Looking like a born-again. Living like a heretic. Moderator | | Join Date: Mar 2000 Location: California | | | Like Grueber said, a strong melody.
Also, a coherent structure. It's nice when different sections highlight different instruments.
It's also nice if they have an "arc" to them...Starting an idea, playing with it and developing it gradually, eventually reaching an apex and then descending gradually until the end. More than one "peak" is ok, it just depends how long the instrumental is. Very long instrumentals can sound boring after a while...
__________________
Para baixo todo santo ajuda.
| | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |