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12-04-2011, 09:57 AM
|  | Registered User | | Join Date: Mar 2007 Location: Denver, CO | | | Motown 101
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I'm sure some of you have seen DWBass' epic Funk 101 and Funk 102 threads, which are totally AWESOME (you need to check them out if you're into Funk even a little).
I'm still relatively new to Motown, and those threads have inspired me to start this one in the hopes that my fellow TB'ers can help me expand my Motown horizons. Maybe this thread will inspire others as well! Like the Funk threads, post a link to the song and the name of the bassist.
I'll start things off with a few of my top favs so far: Stevie Wonder - I Was Made To Love Her
Bassist: James Jamerson (maybe just a little cliche, but it's THE Motown song for me! ) Marvin Gaye - What's Going On
Bassist: James Jamerson Marvin Gaye - Mercy Mercy Me
Bassist: James Jamerson The Four Tops - Reach Out (I'll Be There)
Bassist: James Jamerson
5sg.
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Last edited by fivestringgecko : 12-06-2011 at 02:43 PM.
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12-06-2011, 12:39 PM
|  | Hip No Ties | | Join Date: Apr 2004 Location: New York, NY | | Quote:
Originally Posted by fivestringgecko I knew James Jamerson would come up a lot for Motown tracks of course, but I'm kind of struggling to find any other bassists for this genre. I'm starting to wonder if he was the only bass player back then!  | Up until at least 1968 or so? Yeah, Jamerson was Motown bass...
The main reason you're struggling is because of the way in which you're conceptualizing this. Your mental model doesn't fit the reality.
During the heyday of Motown, there was very little, if any, consciousness of Motown the sub-genre (of R&B), apart from Motown the label. It was all just "Motown".
And as I've just implied, at least during the early to mid years, the sound of James Jamerson in many ways was the sound of Motown - the sub-genre and the label...
MM
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12-06-2011, 12:47 PM
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Originally Posted by fivestringgecko | This is also Jamerson (sorry, CK).
Bob Babbitt is another name you should know.
Check out The Dennis Coffey Detroit Guitar Band..."Scorpio", "Taurus", etc.
I believe Babbitt is also on "Inner City Blues", "Tears Of A Clown", & "Signed, Sealed, Delivered".
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12-06-2011, 12:52 PM
|  | Registered User | | Join Date: Mar 2007 Location: Denver, CO | | Thanks for the info guys!
5sg.
__________________ 3Leaf #1 / 5-String #79 / 6-string #68 / Ampeg #763 / Avatar #184 / P&W #223 / Colorado #10 / Cream Pie #11
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12-06-2011, 12:55 PM
| | Registered User | | Join Date: Dec 2007 Location: SF Bay Area North CA | | | What becomes of the Broken Hearted maybe does not have the most memorable bass lines (James Jamerson) but definitely the most clever chord changes ever for a Motown hit. | 
12-06-2011, 01:29 PM
|  | Registered User | | Join Date: Jun 2006 Location: Seattle | | | I kinda of think of Jamerson as motown 201, where as Motown 101 = Stax Records and Duck Dunn's stuff. | 
12-06-2011, 01:34 PM
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Originally Posted by mambo4 I kinda of think of Jamerson as motown 201, where as Motown 101 = Stax Records and Duck Dunn's stuff. | Stax =/= Motown | 
12-06-2011, 01:45 PM
| | Registered User | | Join Date: Feb 2008 Location: south jersey | | |
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12-06-2011, 01:51 PM
| | Registered User | | Join Date: Apr 2000 Location: MI | | | Wasn't "I Was made to Love Her" Jamerson as well?
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12-06-2011, 01:54 PM
|  | Registered User | | Join Date: Feb 2009 Location: Brooklyn Park, MN. | | Quote:
Originally Posted by renobassman Stax =/= Motown | What?????
How can anyone confuse Motown & Stax???????????
Two totally different styles.
Motown= R&B
Stax= Soul
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12-06-2011, 01:57 PM
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Originally Posted by hdracer What?????
How can anyone confuse Motown & Stax???????????
Two totally different styles.
Motown= R&B
Stax= Soul | Yes, I was saying that Motown is NOT equal to Stax.  | 
12-06-2011, 01:57 PM
| | Registered User | | Join Date: Jun 2009 Location: Brooklyn and Hudson Valley | | Quote:
Originally Posted by hdracer What?????
How can anyone confuse Motown & Stax???????????
Two totally different styles.
Motown= R&B
Stax= Soul | if I'm following renobassman's sign language, he agrees with you. =/= means "not equal to" (I think).
EDIT: OK, he beat me to it.
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12-06-2011, 02:46 PM
|  | Registered User | | Join Date: Mar 2007 Location: Denver, CO | | Quote:
Originally Posted by G Wasn't "I Was made to Love Her" Jamerson as well? | Corrected.
You guys have been helpful so far! I've only gotten into Motown just recently, so I'm still studying and searching, etc.
Keep it comin'!
5sg.
__________________ 3Leaf #1 / 5-String #79 / 6-string #68 / Ampeg #763 / Avatar #184 / P&W #223 / Colorado #10 / Cream Pie #11
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12-06-2011, 02:50 PM
| | | | Jamerson was known to have specific styles, personalities, and attitudes for the various Motown artists. He'd play one way on The Four Tops stuff, different for Jr Walker, The Temptations, Marvin, etc. He even used a lot of upright on the Martha & The Vandellas materia like "Heat Wave". | 
12-06-2011, 02:52 PM
|  | Registered User | | Join Date: Feb 2009 Location: Brooklyn Park, MN. | | Quote:
Originally Posted by renobassman Yes, I was saying that Motown is NOT equal to Stax.  | OK, Sorry, I am not to hip on the sign language.
After thinking about it more I should have said,
Motown = R&B Pop
Stax = Soul and blues
A lot of great blues came out of Stax too. 
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12-06-2011, 03:28 PM
| | | Another Jamerson tune...more obscure (& a little "out") than what's always posted around here-
"Outrageous (The Mind Excursion)"- Dennis Coffey Dennis Coffey - Outrageous (The Mind Excursion).wmv - YouTube
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12-06-2011, 03:35 PM
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Originally Posted by hdracer What?????
How can anyone confuse Motown & Stax??????????? | I agree.
I almost choked when I read mambo's post.
About as bad as saying Chicago Blues = St. Louis Blues.
...maybe mambo meant that Dunn's R&B style is more "basic" (101) than Jamerson's R&B style (201).
No doubt there.
Dunn, more or less, stuck to a definitive rhythmic figure whereas Jamerson would take a certain figure/rhythm & improvise/create other figures/rhythms that took on a melodic life of their own.
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No Leo Fender & I'm a drummer...
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Last edited by JimK : 12-06-2011 at 03:39 PM.
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12-06-2011, 06:18 PM
|  | Registered User | | Join Date: Mar 2007 Location: Denver, CO | | As a bassist, I've known about Jamerson for a while of course, but never really explored what the extent of his work actually is. I really appreciate the input from everyone so far and I hope we can keep this thread going. Either I'm not looking in the right place or I just don't see much on Motown around Talkbass, so maybe the thread title is appropriate after all?
To get into it a little deeper (or maybe go "one level up?")... If Jamerson was Motown and Motown is a subdivision of R&B, can you guys recommend some notable bassists/groups that Jamerson/Motown took inspiration from? You know, stuff that has a similar vibe? The improvisational feel that JimK mentioned is what I'm really coming to love about Jamerson's work... are there any other players like him?
Again, I really appreciate the feedback so far and I'm already learning. Feel free to keep the video links coming too!
5sg.
__________________ 3Leaf #1 / 5-String #79 / 6-string #68 / Ampeg #763 / Avatar #184 / P&W #223 / Colorado #10 / Cream Pie #11
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12-06-2011, 06:42 PM
| | | | Jamerson and virtually all The Funk Brothers came from jazz (and some blues) backgrounds. You can hear in their tracks a lot of the jazz influence. Jamerson himself was a Ray Brown disciple.That's what was so unique about them and how they came up with that "Motown Sound". None of them were really influenced by any of the early rockers. | | Thread Tools | Search this Thread | | | |
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