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  #1  
Old 11-14-2011, 12:26 PM
-=DanAtkinson=-'s Avatar
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http://www.atkinsonbasses.com/storag...o/chilljam.mp3

Recorded that tune yesterday. I did the mixing myself, so the bass is way up front.

Classic P bass + flats tone, and a woeful attempt by me to cop Jamerson's style.

This recording is the first time I played that song. So it's sloppy in parts.

Enjoy!
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  #2  
Old 11-14-2011, 12:36 PM
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Nice! There is nothing like the tone of a P with flats, and you did a great job.
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  #3  
Old 11-14-2011, 12:40 PM
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i dig it
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  #4  
Old 11-14-2011, 12:40 PM
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Really sounds great. There truly is something special about a P with flats. Which flats are they?
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Louie Longoria & Cowboy Intervention
Quote:
Originally Posted by edfriedland View Post
I just want to blend into the rhythm section and play some roots and fifths.
  #5  
Old 11-14-2011, 12:49 PM
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Originally Posted by tekdiver500ft View Post
Really sounds great. There truly is something special about a P with flats. Which flats are they?
Labella 760FL. They're finally starting to get dead. And I'm using a foam mute as well.
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  #6  
Old 11-14-2011, 12:51 PM
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Here's one I just did with a 70 P with Hi-Beams:

Georgia Power Trio - Jaded by bassace on SoundCloud - Create, record and share your sounds for free

(Don't mean to hi-jack a fellow Atlantan).
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  #7  
Old 11-14-2011, 12:54 PM
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Nice P goings on!
  #8  
Old 11-14-2011, 01:17 PM
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Nice. Just got me a P Bass but not sure I'm gonna put flats on it. I'm inclined to slap too much! If I need that Motown sound, I'll just roll off the tone.
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  #9  
Old 11-14-2011, 01:29 PM
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Originally Posted by DWBass View Post
Nice. Just got me a P Bass but not sure I'm gonna put flats on it. I'm inclined to slap too much! If I need that Motown sound, I'll just roll off the tone.
That doesn't necessarily work. I've got a Highway One P with SPB-3s, strung with Rotosound SwingBass 66s, and I cannot get a good Motown out of it, even with reasonable EQ changes at the amp. I'm switching (back) to flats! I'll probably end up with the 760fl LaBellas that I started with, but I have a set of Rotosound 77s now, and am about to try some DR Hi-Beam flats and some Sadowsky Black Label flats. From what I'm hearing, though, the Sadowskys may be what you want, too. Flat with a bright edge, or some such. I'll try to remember to post here once I have them on.
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Quote:
Originally Posted by edfriedland View Post
I just want to blend into the rhythm section and play some roots and fifths.
  #10  
Old 11-14-2011, 01:36 PM
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Yes. You simply cannot get the proper Motown sound without the following:

Vintage-spec P pickup
Broken-in flats
Foam mute or palm mute
Hours and hours of practice
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I would certainly rank your bass with any of them."
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  #11  
Old 11-14-2011, 01:58 PM
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Quote:
Originally Posted by -=DanAtkinson=- View Post
Yes. You simply cannot get the proper Motown sound without the following:

Vintage-spec P pickup
Broken-in flats
Foam mute or palm mute
Hours and hours of practice
I do a fair amount of palm muting. I am very experienced playing the genre though. It's more so in your hands, IMO. And don't forget, recording techniques were so far off from todays techiniques and tools. Once I get this thing to my liking I'll post a clip.
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  #12  
Old 11-14-2011, 02:34 PM
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Sounds great Dan, I've listened to it 4 times now
  #13  
Old 11-14-2011, 03:12 PM
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Groovy and real funkified!
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  #14  
Old 11-14-2011, 03:50 PM
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I can't stop listening to these two clips.
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Quote:
Originally Posted by edfriedland View Post
I just want to blend into the rhythm section and play some roots and fifths.
  #15  
Old 11-14-2011, 03:55 PM
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Hmm, I'm half-tempted to put foam under my bridge for some motown jams. I bet I can get my Atkinson P-bass to sound like that.

Then again, my 760FL strings are still brand new.
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'm a VERRRRRRRrrrrry excited little knob twiddler.
  #16  
Old 11-14-2011, 04:03 PM
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Quote:
Originally Posted by tekdiver500ft View Post
Which flats are they?
The real question is. What kind of wood is you P-bass made of?
  #17  
Old 11-14-2011, 04:56 PM
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Nice jam and great tone! I don't know why I keep playing with so many different basses - in the end it is always my P with the flats.
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  #18  
Old 11-15-2011, 09:03 AM
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Quote:
Originally Posted by LegoBass View Post
The real question is. What kind of wood is you P-bass made of?
The pretty and lightweight kind!
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I would certainly rank your bass with any of them."
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  #19  
Old 11-15-2011, 09:08 AM
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Sexy! That jam makes you want to sit by a fire with a bottle of wine and your girl OOOOOHHHHHH..... P bass lovin
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  #20  
Old 11-15-2011, 04:44 PM
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Quote:
Originally Posted by tekdiver500ft View Post
That doesn't necessarily work. I've got a Highway One P with SPB-3s, strung with Rotosound SwingBass 66s, and I cannot get a good Motown out of it, even with reasonable EQ changes at the amp. I'm switching (back) to flats! I'll probably end up with the 760fl LaBellas that I started with, but I have a set of Rotosound 77s now, and am about to try some DR Hi-Beam flats and some Sadowsky Black Label flats. From what I'm hearing, though, the Sadowskys may be what you want, too. Flat with a bright edge, or some such. I'll try to remember to post here once I have them on.
Ditch the SPB-3. Its voiced nowhere near vintage that gives you that tone youre looking for. the SPB-1 or SPB-2 will be much friendlier.
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