A Perfect Circle's
Mer de Noms is one of my favorite albums of that era. Billy Howerdel really knocked it out of the park, and the line-up was great.
Something has always bugged me about track 5,
Orestes, though.
What the heck is Paz playing from 2:55-3:31? It's like every note is a half step in either direction of the implied tonality. The weirdest part is that, somehow, the implied tonality is retained.

It's like you can tell something is amiss, but your brain just can't process that what you're hearing is a departure.
Has anyone else ever noticed it? Do you think it was intentional and she's a genius, or do you think it was a mistake and the band liked the sound or just didn't have the heart to correct her? From what I hear, she's an amazing musician so it's gotta be that she did it on purpose to give it an unsettling feel. If that is the case, I have to give her an assortment of props, because that's pretty darn intelligent writing.