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  #1  
Old 06-18-2006, 10:18 AM
emblymouse's Avatar
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Question You Can Call Me Al solo break

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OK folks, here's one that's been puzzling me for decades now.
"You Can Call Me Al" on Paul Simon's Graceland and the the infamous bass break before the out section. Unplayable, right? Anybody ever nail that one?
I've always heard it as a bit of studio trickery. The first half is straight and the second half is the first part backwards. The only doubt I have is because on a Saturday Night Live appearance from the 80's I seem to remember that bass player doing it live just as on the record. Is this all a big inside joke?
  #2  
Old 06-18-2006, 11:32 AM
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maybe they were just "pulling an Ashlee Simpson" by just lip-sync'ing and music sync'ing

or maybe he played something similar to that second part, or maybe he even had a backwards delay running...

i'm going with the first one though...maybe he just sync'ed the bass solo, and the rest of it was live


it all reminds me of this deep purple clip...my favorite part is at the end...you'll know which part
http://www.youtube.com/watch?v=-uCczL2XzYI

Last edited by superbassman2000 : 06-18-2006 at 11:37 AM.
  #3  
Old 06-18-2006, 11:52 AM
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AHAHAHA!

Man, I love Deep Purple and that just proves that Richie Blackmore is truly magic - who else could possible play guitar like that?

When I was 16 (22 years ago... ugh...) and in my first band we used to do 'Highway Star' and that song alwasy brought down the house, er... garage...

Ian Gillan - If that voice is not the quintessential rock 'n' roll voice, I don't know what is.

As for the SNL performance - I did not see it but SNL performances are 'supposed' to be live. Now we know that this has not always been true, but if their performance was truly live, and being that it was Paul Simon who has alwasy surrounded himself with more-then-capable musicians, I see no reason why it was not done 'for real'. With reverse-gate delays or some other psychedelic effect, the second half of that funky riff could have easily been effected to sound similar to what they did in the studio.

--tz
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Last edited by tZer : 06-18-2006 at 12:05 PM.
  #4  
Old 06-18-2006, 07:53 PM
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i haven't heard the studio version..but i have the Graceland dvd, i'm gonna listen again to that solo. if there's a backward part, Bakithi nailed it live!
Bakithi Kumalo was great! i love his groove!!!

who was the studio bassist for the Graceland?
  #5  
Old 06-18-2006, 08:41 PM
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Quote:
Originally Posted by cofibreykisland
i haven't heard the studio version..but i have the Graceland dvd, i'm gonna listen again to that solo. if there's a backward part, Bakithi nailed it live!
Bakithi Kumalo was great! i love his groove!!!

who was the studio bassist for the Graceland?
Bakithi was the original studio bassist on Graceland however Armand Sabal Leco (sp) was the bassist Paul Simon used for most dates after that (and Armand whos a fantastic bassist plays his own version of the solo on any recordings I've heard...I know there's a live version of Bakithi floating round there but I havent heard it so I cant really comment on his live interpretation of it).

And yes the original bassline is a studio creation, Bakithi played the descending riff which was then copied, reversed and pasted back onto it.

Wish I'd known this at the time cos I spent bloody ages learning it

Generally on live gigs I play an "approximation" of the studio line and that seems to please the punters.
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  #6  
Old 06-18-2006, 09:15 PM
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i searched Armand Sabal Leco...only this thread came up.
any link to info or performances? tnx

Quote:
Bakithi was the original studio bassist on Graceland however Armand Sabal Leco (sp) was the bassist Paul Simon used for most dates after that (and Armand whos a fantastic bassist plays his own version of the solo on any recordings I've heard...I know there's a live version of Bakithi floating round there but I havent heard it so I cant really comment on his live interpretation of it).
  #7  
Old 06-18-2006, 09:41 PM
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Quote:
Originally Posted by cofibreykisland
i searched Armand Sabal Leco...only this thread came up.
any link to info or performances? tnx
Apologies, I spelt his name wrong its Armand Sabal Lecco

here are some quick google links

http://music.barnesandnoble.com/sear...z=y&ctr=143994

http://www.neuserbasses.com/sabal.html

http://www.smoothviews.com/archives/...esideJan04.htm

http://www.stanleyclarke.com/players/armand_pg.htm

http://www.youtube.com/watch?v=_oS34...central%20park
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Bob Ohlsson, former Motown 'super' engineer.....the man responsible for THAT sound.
  #8  
Old 06-18-2006, 09:43 PM
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didn't ASL also have a gig with stanley clarke?
  #9  
Old 06-19-2006, 09:20 PM
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Ok good, so I'm not loco. Good theories, bass detectives! If anybody comes across that SNL footage please post your findings!
  #10  
Old 06-20-2006, 02:57 AM
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Right - I've known this for years because basically Paul Simon explained what they did on the 'Calssic Albums' program that analysed how Graceland was put together.

This is the why, how and what they did - it was Bakithi's birthday the day they were laying down the bass parts for the song in question so Paul Simon thought they should do something special on the bass solo - so when it came to the bass break they came up with the idea of reversing it - simple as that. Of course it sounds fantastic but I still don;t know why people get so worked up over whether it was reversed or not - or how you can replicate it - the easiest way to that is just play first lick backwards notation-wise - the thing that you won't be able to do is get the reverse attack on the notes - unless you get a very fast sample pedal (like John Scofield uses) - anyway just my thoughts on the subject. I assure you it's a very simple lick if you can slap a little.

M


PS - here's the video - Paul Simon really nails the bass solo
http://www.youtube.com/watch?v=C0uYp...h=paul%20simon

Last edited by Mike Flynn : 06-20-2006 at 03:03 AM.
  #11  
Old 06-20-2006, 09:49 AM
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Just play it in reverse, that's as close as you'll get... don't worry about the reverse-tape effect. haha

Bakithi does it live straight.. it sounds great.
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  #12  
Old 06-20-2006, 10:12 PM
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My research into this said that it was Ray Phiri who was playing bass for Paul at the Live in Central Park gig, '91.

That little solo was one of the major drivers for me picking up the bass.
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  #13  
Old 06-21-2006, 04:16 PM
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I found the bass parts and time signature changes in Frank Zappa's "Keep It Greasy " far more tasking Arthur Barrow comes to mind.
  #14  
Old 06-22-2006, 07:39 PM
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Quote:
Originally Posted by klocwerk
My research into this said that it was Ray Phiri who was playing bass for Paul at the Live in Central Park gig, '91.

That little solo was one of the major drivers for me picking up the bass.
Wow thats very odd, on my version ASL is credited as bass and Ray Phiri is credited as guitar????? also ASL was the bassist with Paul Simon on the subsequent "unplugged" session as well.

Yep, Ray Phiri is the guitarist

http://www.music.org.za/artist.asp?id=138

http://people.africadatabase.org/en/person/11298.html

http://www.ckk.chalmers.se/guitar/graceland.html

cheers

Murf
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"A great bass player MAKES a great vocal happen while a mediocre one limits the singer. The bass player is like a pilot keeping the ship away from the rocks. It doesn't draw attention to its self but it's a great big pain when there's nothing wrong with a bass but nothing right about it either".

Bob Ohlsson, former Motown 'super' engineer.....the man responsible for THAT sound.
  #15  
Old 06-23-2006, 12:12 AM
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Ray Phiri is the guitarist and band leader of Stimelo
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