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  #1  
Old 03-27-2008, 05:17 AM
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Justin's Gear

I Compiled this from various threads and things and figured it would be useful and save people asking question that might be answered.

I've written it as if Justin said it which for the most part is true as it just various quotes and things.

Quote:
Originally Posted by JMJbassplayer

In terms of gear I have loads(45 + basses, 8 + amp rigs, mountains of pedals) my favourite basses are:

'66 Fender P & Starfire Reissue tied



But I also hold very dear:

beat-up customized T-Bird
Gibson RD Artist
Geddy Lee modded Jazz
Wal Mark I
Vox Cougar
Eko
'66 Jazz
Harmony solidbody shortscale

List of most of the basses - From Bass Player Magazine

Engelhardt ES-1 Supreme upright, with K& Bass Master Pro pickup system
’78 Electra MPC Outlaw, brown sunburst (“A ridiculous bass for the cybernetic Southern rocker in everyone, complete with modular, onboard effects.”)
’67 Fender Coronado, wildwood green
Fender 1975 Jazz Bass Reissue, black/maple
Fender 1964 Jazz Bass Custom Shop Reissue Closet Classic, sunburst/rosewood (“My main live bass with Beck for years. Those Fender Custom Shop boys do amazing things.”)
Fender Mustang, Olympic white/rosewood
Fender American Standard Precision, black/maple (“My favorite P-Bass—a pure, lovely rock tone.”)
’75 Fender Precision, root beer brown/maple (“Sounds like a funky cardboard box. Not much sustain and a classic, old tone.”)
Fender 50th Anniversary Precision Reissue, blond/maple
Fender 1951 Precision Reissue, natural/maple
’74 Gibson Ripper, natural/maple
Gibson Thunderbird, natural (“My main live bass with Ima Robot. It’s got a nice growl and it’s very loud. T-birds have thin necks that are a lot of fun.”)
Gibson Thunderbird, pelham blue
Gibson Thunderbird, natural sunburst
’79 Gibson RD Artist, natural/maple
’86 Gibson 20/20, silver
Guild Ashbory
Guild B30E acoustic bass guitar, natural
Guild Starfire, transparent red (“This one is beat to ****, but it just records and plays wonderfully. Palm-mute with a pick and you’re done.”)
Guild Starfire, natural
’71 Guild JS100, transparent brown (“Endless booty—got airtime on Macy’s record. Plays badly, but I don’t mind.”)
’73 Guild M-85, transparent brown
Hofner Club hollowbody, sunburst (“Good for a deep fundamental with a pseudo-upright flavor; has the classic Hofner tone.”)
Lakland Duck Dunn Signature, three-tone sunburst/maple
Lakland Hollowbody, sherwood green (“The best-playing hollowbody I’ve ever met, with a flexible sound. Lakland has something special going on.”)
’77 Ovation Magnum II, transparent brown
Rickenbacker 4003, fireglo
Two Roland G-77 Synth Basses, white (“A Beck live staple, mainly for the silly look. Luckily it sounds okay. I’ve got a Guyatone MD-2 delay pedal taped onto one.”)
Fretless Schecter Traditional J-style, black/rosewood
Schecter Hellcat 8-string, black
Schecter Hellcat 4-string, metallic blue
’83 Steinberger L2, black (“I bought this on a lark, but it turned out to be a cool-sounding bass that simply cannot break, even when thrown at the drummer.”)
’79 Wal Pro IIE, natural
Wal Mark 1 Custom, African shedua (“This is my favorite bass overall. It’s hard to put down, because it has an undeniable magic. I’m scared to tour with it!”)
Wal Mark I Custom, olive ash
Yamaha BB3000, wine red burst

Justin uses D’Addario chrome flatwounds on the Fender Coronado and 50th Anniversary Precision, Gibson RD Artist, the Lakland Duck Dunn Signature and Hollowbody, the Ovation Magnum, and the Guild Starfires and M-85; he strings the ’75 Fender Precision, Fender Mustang, and Guild Jazz 100 with D’Addario Half Rounds, and uses D’Addario XL 160 .050–.105 nickel roundwounds on everything else except for the Hofner, which has its original Pyramid flatwounds.

Beck Rig

Pedalboard



Back Row: Black Box is an A/B box to switch between Bass and Synths, Mxr Micro Amp, MXR Micro Amp, Xotic RC Booster, Chunk Systems Brown Dog, Boss SYB-3 Bass Synth, Line 6 DL-4, EHX Holy Grail, Ibanez Modulation Delay.

Front Row: Boss TU-2, Guyatone MD-2, Guyatone PS-2, Boss OC-2, Boss HM-2, Sansamp GT2, Crowther Prunes and Custard Mk1, EHX LBM, MXR M-80, Silver Box is a splitter to send to 2 preamps a Sansamp RBI and a Ampeg SVPCL

Then the big thing at the front is individual loop switcher for most of the pedals.

Amp





This has changed as I was experimenting with the compressors they aren’t there now and I’m mainly using my Mesa Boogie Titan V12 and the preamps mentioned above.

Studio Rig



Furthest away board

Back Row: Line 6 Expression Pedal - Line 6 DL-4 - Roger Linn Adrenelinn 2 - Zvex Fuzz Factory - EHX English Muff'in

Front Row: EHX Holy Grail - EHX Small Stone - Pefftronics Rand-o-matic - EHX Bass Micro Synth - Moog Ring Modulator - Moog Low Pass Filter - Moog Murf

Kinda off and inbetween the 2 boards with loads of cables: TC Electronics SCF - Ibanez DML10 Modulation Delay II

Closest Board

Back Row: EHX USA Bassballs - Guyatone MD-3 - Jacques Tubeblower - Ibanez BC-9 BI Mode Chorus - Boss TU-2 - Zvex Woolly Mammoth - Radial Tonebone JXL-2PRO Switchbone

Front Row: MXR Bass Auto Q M-188 - Crowther Prunes and Custard (Older single switch version) - Tech 21 Sansamp GT2 - Boss HM-2 Hyper Metal - Boss OC-2 Octaver - Guyatone PS-3 - Guyatone MD-2

Amps Top to bottom: Mesa Boogie Walkabout - Traynor YBA200 - Aguilar DB750 - Ampeg V4

DI: Closest to use is the Radial JDI

Cables: The pedalboards are done in George L's, there is one Planet waves one going into the JDI.

Dixie Chicks



Fender P Bass, Guild Starfire, Mesa rig (Mesa Titan V12 and 8x10), and a Boss Tuner with my tech Donny.

IMA Robot Rig

One of my favorites. Studio: T-Bird through B-15R, Marshall JTM-45 with Tube Screamer always on into Fender ToneMaster cab, and Evil Twin DI.

Live, T-Bird and Ripper through pedalboard into Radial DI into two SVT 4 Pros, both bridged, one driving SVT410-HLF, one driving 810AV



Pedals just lying around



Back Row: EHX Q-Tron, Guyatone MT-2, MXR Carbon Copy Delay, Ibanez Dual Chorus, Pigtronix EP-1, Pigtronix Disnortion

2nd to Back Row: EHX Steel Leather, Switchbox, Guyatone TZ-2, Boss SYB-3, B K Butler Real Tube Blue Tube, Dwarfcraft Stopping Double Square Snakes, Malekko B:Assmaster, EHX Frequency Analyzer

2nd to Front Row: Guyatone FL-3, CAE/MXR Boost/Overdrive, USA EHX Bassballs, Dwarfcraft The Great Destroyer, Boss OD-1, EHX Russian Sovtek Big Muff, EHX POG

Front Row: EHX Deluxe Memory Man, Maxon AD999 Analog Delay, Sansamp Programmable Bass Di, EHX Octave Multiplexer, EHX Stereo Polyphase, Chunk Systems Agent OOFunk

Other board



Back Row: Boss TU-2, Boss OC-3, MXR M-188 Bass Auto Q, Empress Tremelo, Sansamp Para Driver Di

Front Row: Xotic BB Bass Preamp, Guyatone MD-2, MXR EVH Phase 90, Maxon Overdrive OD808, Zvex Woolly Mammoth, Tech 21 Boost D.L.A, Line 6 Verbzilla

Synths and Circuit Bent

Octave Cat



Casio SK-1
Glitchmachines SK-1
Glitchmachines Syntax Cataract



Prophet '08
Alesis Ion (my biggest not-so-secret weapon)



SH-101



Not pictured: Korg MS-2000, MicroKorg
Lists of other gear used - From Bass Player Magazine

Amps & Cabinets
Ampeg B-15R flip-top tube combo
Ampeg B100R solid-state combo
Ampeg SVT tube head
Ampeg SVT-810 cabinet
Aguilar GS 112 cabinet
Mesa/Boogie Walkabout amplifier
Mesa/Boogie 1x15 cabinet
SWR Redhead combo

Studio Rack
API 560 graphic EQ
API 525 compressor
API 312 mic preamp/DI
Empirical Labs Distressor compressor
Line 6 Bass PODxt Pro
Moog Three-Band Parametric EQ
MXR M-80 Bass DI+
Tech 21 SansAmp Bass RBI

Enjoy
__________________
Quote:
Originally Posted by Toasted
It's really easy to post quickly up here from my pedestal.

Last edited by TaySte_2000 : 03-28-2008 at 07:12 AM.
  #2  
Old 03-27-2008, 09:53 AM
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Holy pedals Batman!
  #3  
Old 03-28-2008, 04:43 AM
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Added a new pic with the Starfire and moved some things around so the match the pictures better
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Quote:
Originally Posted by Toasted
It's really easy to post quickly up here from my pedestal.
  #4  
Old 03-28-2008, 07:13 AM
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Added some info on "Other basses" that I found over at Bass Player
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Quote:
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It's really easy to post quickly up here from my pedestal.
  #5  
Old 03-28-2008, 12:17 PM
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Here's a few more gear pics I found from http://www.gibsonbass.com:




Gibson RD Artist, Guild B301, Starfire, Fender Jazz and 1979 Wal Pro IIE





Ebony Ripper and late 90s natural Thunderbird





1969 and 1974 Ampeg B-15's





Wal, Fender, Guild, Gibson, Rickenbacker, Hofner, etc, etc
  #6  
Old 03-28-2008, 02:55 PM
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That's the hottest picture of the bunch! I WILL have one of those 70's B-15N's by the end of next month! My wife went way over-budget on our new house, so I no longer feel bad when I buy new gear that I don't really need
  #7  
Old 03-31-2008, 03:52 PM
jro jro is offline
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No Fano?

Justin, Do you still have a Fano Rhythmstar bass? I'm a big XTC fan, especially Colin Moulding's bass playing. He played a Fano and a Vox Apollo on their last albums and read your review of a Fano also. Figuring out what Colin played caused me to buy a Wal long before they became unobtainable.
  #8  
Old 03-31-2008, 07:53 PM
Justin Meldal-Johnsen
 
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Quote:
Originally Posted by jro View Post
Justin, Do you still have a Fano Rhythmstar bass? I'm a big XTC fan, especially Colin Moulding's bass playing. He played a Fano and a Vox Apollo on their last albums and read your review of a Fano also. Figuring out what Colin played caused me to buy a Wal long before they became unobtainable.
I have a Fano Rhythmstar, yes. It's pretty damn cool, I don't play it enough. Sounds great, plays so easy. Great midrange voice.

JMJ
  #9  
Old 03-31-2008, 09:05 PM
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with the amount of gear you have, im sure lots of basses dont get enough attention =p
man i wish i had that life
  #10  
Old 04-01-2008, 12:09 AM
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Quote:
Originally Posted by irvinz View Post
with the amount of gear you have, im sure lots of basses dont get enough attention =p
man i wish i had that life
Dude, I went over 15 years playing professionally with only one bass because it was all I could afford. You can only play one at a time. Yeah, it's fun now to own a few basses for variety, but owning a buttload of basses won't make or break you. People hire Justin for his playing first.
  #11  
Old 04-01-2008, 12:54 AM
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has too much gas
 
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oh yes. by life i mean the talent as well =p
  #12  
Old 04-01-2008, 09:46 AM
Justin Meldal-Johnsen
 
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Quote:
Originally Posted by JimmyM View Post
Dude, I went over 15 years playing professionally with only one bass because it was all I could afford. You can only play one at a time. Yeah, it's fun now to own a few basses for variety, but owning a buttload of basses won't make or break you. People hire Justin for his playing first.
+1. No one cares about my bass collection but me. Rick Rubin or the Dust Brothers or Butch Vig don't bat an eye when they see cartage rolling in with three giant trunks. It's actually pretty standard for myself and my peers. I do have too many basses, and mostly, let's get real, they are not really that important. I could get by with two or three if needed, butthat'snevergonnahappensogivememylaptopbacktoIca ngolookonebay!!!!!!!!!!


Seriously though, there are some clients who hire me because I HAVE specific basses. One guy loves my Ricky, another T-Birds, another wants my whole collection of hollow bodies and junkers over there when I do a session.

JMJ
  #13  
Old 04-01-2008, 10:21 AM
jro jro is offline
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Well at least you can justify them because its your living. I have no reason to have more than one (ok, two) other than my ocd-ish short attention span, crow like tendencies. Look! Something Shiny!

Hopefully my wife will believe they are a good investment a while longer.
  #14  
Old 04-01-2008, 10:31 AM
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Quote:
Originally Posted by jmjbassplayer View Post
butthat'snevergonnahappensogivememylaptopbacktoIca ngolookonebay

This is the best word ever made up
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  #15  
Old 04-01-2008, 10:40 AM
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Quote:
Originally Posted by jmjbassplayer View Post
Rick Rubin or the Dust Brothers or Butch Vig don't bat an eye when they see cartage rolling in with three giant trunks. It's actually pretty standard for myself and my peers.
What do you do, bring a cargo-van to recording sessions? (This is a serious question. )
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  #16  
Old 04-01-2008, 11:33 AM
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Quote:
Originally Posted by TaySte_2000 View Post
This is the best word ever made up
It's so good that I'm going to steal it and use it when he's not looking
  #17  
Old 04-01-2008, 12:28 PM
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Quote:
Originally Posted by JimmyM View Post
It's so good that I'm going to steal it and use it when he's not looking
Really? Of all the things you could steal from JMJ when he's not looking you're going to take a word?






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Quote:
Originally Posted by Toasted
It's really easy to post quickly up here from my pedestal.
  #18  
Old 04-01-2008, 01:43 PM
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yeah. now if i lived around him =p...
  #19  
Old 04-01-2008, 05:06 PM
Justin Meldal-Johnsen
 
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Quote:
Originally Posted by Jazzman View Post
What do you do, bring a cargo-van to recording sessions? (This is a serious question. )
I use a cartage company. Most of my gear is stored there, too.

http://loncohen.com/storageframe.html
  #20  
Old 04-01-2008, 05:21 PM
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I was wondering whether you do all maintenance on your basses yourself. That's that question answered - thanks.

Wish I had a bass butler. Or the need for a bass butler.
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