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Originally Posted by jmjbassplayer For those who didn't see any of the recent tours, those are actually part of my instrument stable. |
Hi Justin, it's Patrick from Spector...
Speaking of your arsenal...
I caught the Lights in the Sky tour in Portland. I think it's notable as a bassist that you were playing some notoriously "hard" basslines with Fender Jaguars, etc...
I noted the Thunderbird on a couple of songs... but you were able to pull several sonic profiles out of the jaguars and "J" basses that typically are not what one thinks about when reaching for a Jag or J... i.e. jazz pups vs. humbuckers and/or a P/J setup.
Was most of that sound coming through/from the DI?
I also wanted to say that it was the first time I've seen you perform live and I was really impressed with what you brought to NIN's performance (I've seen NIN in concert numerous times the past two decades, and always by pure chance I might add). You brought something new to the mix and added a sort of balance I've sometimes missed in earlier NIN live performances.
How open was Trent to your input regarding new/augmented basslines for the songs? For instance the bassline that was added to "In This Twilight" during the verse, that's not in the original studio version.
It's very subtle, but very, very effective at highlighting the melody. 4 notes I believe. Was that you or him or both?
I know that NIN is his own tightly controlled kingdom, but Trent seems more open to collaboration with his other projects. I've enjoyed the little I've heard of "How to Destroy Angels". The basslines for this material are unlike any past NIN music, almost more funk-driven at times. "Parasite" and "Fur Lined" have great (fun) basslines.
Any chance you might get involved with one of these side projects with Trent?
Thanks!