|  | | 
04-11-2010, 01:30 AM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | Recording bass with guitar amps
Sign in to disble this ad
Hey bro, a while back you mentioned in passing you'd like to hear more bassists record with guitar amps. always meant to follow up on that but forgot to until now.
how do you like to use guitar amps in the studio? is it mostly for dirt? do you ever do clean tracks with guitar amps? do you ever just use a guitar amp and nothing else? do you ever buzzsaw through speakers because you used an open-backed combo and dimed it?
when you mentioned that, i thought about how carol kaye liked to record a precision through a fender concert with a mic on it, and how fat and rich it always sounded. but nowadays it seems anyone who uses guitar amps for bass blends them with a clean sound and uses them strictly for dirt. not as much need to mic a guitar amp for a clean sound as there used to be but i must say my super reverb does an excellent job of copping that carol kaye vibe, so i just wanted to see if you or folks you know still do it.
__________________
Ampeg Portaflex Club #1
| 
04-11-2010, 02:30 PM
| | | | I don't use a guitar amp necessarily for dirt, it's good for just general cool-sounding recording. My Traynor BassMaster II head or Marshall JTM-45 with a Fender Tone Master 2x12 with vintage 30's sounds great. As do Magnatone amps, all kinds of other small combos like old Ampeg guitar amps, whatever.
Fender Twin sounds great for bass. JC-120 sounds great for bass. Peavey Classic 50 4x10 is awesome. Fender Super, awesome.
Those are the only guitar amps I've used, but I'm sure there's many more that would impart an awesome character.
Best,
JMJ
__________________
Jerose: "Don't forget LEDs!...you need enough to effectively render an assailant blind...once he's defeated you can reward yourself with Pez".
| 
04-11-2010, 02:51 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | thx for naming off a few that have worked for you. i haven't done a whole lot of it myself, but what i have done recently i'm enjoying.
and vice versa as well...you can get some excellent jazzy guitar tones with a b-15. and of course the fender bassman is way more known as a guitar amp these days, though it's making a comeback for bass.
fun stuff, dude...thanks!
__________________
Ampeg Portaflex Club #1
| 
04-11-2010, 03:36 PM
| | | | I also came across JMJ's thread on trying guitar amps with bass. Since I am new to the bass and have no bass amp it was right on time. I was pretty surprised by the sound that came out of my Fender Acoustasonic Jr amp. It is an older 2 channel acoustic guitar amp with one 8 inch speaker per channel and a piezo tweeter. at low volume it puts out a full deep sound. The piezo kind of makes finger noise sound crazy loud but it is sort of good for practicing a smoother release. I did turn the bass tone down and turned of the chorus and reverb. | 
04-11-2010, 03:40 PM
| | Banned | | Join Date: Sep 2009 Location: New York, Home of the Yankees! | | | I have a Vox AC30 combo with a Vox 2-12" extension cab. (4-12" total). I occasionally play my Ric through it (at low volume) and think it sounds really good. | 
04-11-2010, 04:03 PM
|  | Always late to catch on | | Join Date: Aug 2007 Location: Croatia | | I was the one to start the first thread, not seeking to flaunt here, but I mentioned I loved doing gigs with an old Marshall JMP I loaned for a while - great on bass!
In the meantime I used an AC30 combo for an album now and it was awesome, although I used it for the aforementioned "dirt" portion of things, i.e. running effects through it!
cool stuff, nothings too weird to try!
unless you break it... 
__________________
Mesa Boogie club #19/Fender P bass club #751/ Rickenbacker club #372
Fan of LEDs, parametric EQs and Bubinga
Channel and other info http://www.youtube.com/user/mirdrin | 
04-11-2010, 04:44 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Quote:
Originally Posted by casio I was the one to start the first thread, not seeking to flaunt here, but I mentioned I loved doing gigs with an old Marshall JMP I loaned for a while - great on bass! | sorry dude...didn't mean to step on your gig...i thought j mentioned it in that thread he started about playing that got him in dutch with all the coffeetable bass players
btw, i can't believe how much i missed the boat on the marshall sound for bass. of course, i don't own one so my marshall tones come from my tech 21 british pedal with a mod to add more low end to it, but man, that pedal is so good it makes me want to buy a marshall. i actually like it better than the vt now. of course, i'm married, so doesn't look like i'll be getting one any time soon. and unlike our host here, can't justify it by saying i play with nine inch nails 
__________________
Ampeg Portaflex Club #1
| 
04-11-2010, 04:48 PM
| | Registered User | | Join Date: Aug 2005 Location: Winnipeg Manitoba, Canada | | | I did this for my bands demo. I used a Fender P with Seymour Duncan Quarter Pounders through a Peavey 6505 head and matching 4X12 cab.
I didn't use it for a whole song, just the bridge, but I'm really happy with the final product... I'll probably do it again. | 
04-11-2010, 04:58 PM
| | | I've mentioned this before as well. I often use an old Marshall, Fender Twin, Bassman, Supro, or something similar for tracks. The reason I do this is because typically I'm D.I.ing as well as miking - and since the D.I. gives the clean signal, I want a signal with more "character" for the miked channel. It gives me a bit more leeway and flexibility with the sound. Sometimes it is "all amp", sometimes "D.I.+amp" when mixed - but it definitely allows for more flexibility. The typical "bass amp" has a cleaner type sound, so it would be semi-redundant when combined with the D.I. IMO.
Cool to see other guys doing it as well.
__________________ “Don't trust anybody who'd rather be grammatically correct than have a good time.”
―Tom Robbins Quote: |
Originally Posted by kingbiscuitpant Dude, you are cooler than 2 Fonzis tied together with a snake. |
Last edited by Dark Horse : 04-11-2010 at 05:01 PM.
| 
04-11-2010, 05:07 PM
| | Registered User | | Join Date: Jan 2010 Location: vt | | My Carvin Vintage 33(1x12 open back, (5)12ax7's and (4)el84's)) records great "clean", with 4 string basses!! Not so much with a 5 string though....  | 
04-11-2010, 05:13 PM
|  | Registered User | | Join Date: Apr 2008 Location: NYC | | | I use an Epi valve Jr in the studio quite a bit. . . they are so cheap I was thinking of getting a second for modding! | 
04-11-2010, 05:35 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Quote:
Originally Posted by pasta4lnch I use an Epi valve Jr in the studio quite a bit. . . they are so cheap I was thinking of getting a second for modding! | how well does it really work for bass? the reason i ask is because i bought a little 15w airline guitar amp from 1962 thinking it would work for some dirt to mix in and it sounds like crap on bass. plenty of dirt, but none of the good kind. i blame it on the tiny transformers. never tried it, but can the valve jr actually sound good on bass?
__________________
Ampeg Portaflex Club #1
| 
04-12-2010, 08:02 AM
|  | Registered User | | Join Date: Apr 2008 Location: NYC | | michaelnappi.com (or the myspace in my sig) check out "Gone" was done w/ it and a U5 both through distressors (fender MIA p/j).
It is really nice! and in my home studio it doesn't knock the walls down either. Thing is, it's a really dark amp for guitar (which is great for pedals cuz they usually brighten up too much) but on bass it's a good thing too. . . usually just a single 57 up center on a cheapo 12 cab I have (or if I'm motivated to carry my gs112 up the 3 flights to my studio  )
are you running the airline through a bass cab?
Last edited by pasta4lnch : 04-12-2010 at 10:18 AM.
| 
04-12-2010, 02:11 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Quote:
Originally Posted by pasta4lnch michaelnappi.com (or the myspace in my sig) check out "Gone" was done w/ it and a U5 both through distressors (fender MIA p/j).
It is really nice! and in my home studio it doesn't knock the walls down either. Thing is, it's a really dark amp for guitar (which is great for pedals cuz they usually brighten up too much) but on bass it's a good thing too. . . usually just a single 57 up center on a cheapo 12 cab I have (or if I'm motivated to carry my gs112 up the 3 flights to my studio  )
are you running the airline through a bass cab? | nope, won't allow for it without lots of alligator clips and stuff. but i'm pretty sure it's not the speaker. might be worth a shot, though. thx!
__________________
Ampeg Portaflex Club #1
| 
04-13-2010, 10:24 AM
| | Registered User | | Join Date: Feb 2010 Location: Tampa, FL | | Quote:
Originally Posted by JimmyM how well does it really work for bass? the reason i ask is because i bought a little 15w airline guitar amp from 1962 thinking it would work for some dirt to mix in and it sounds like crap on bass. plenty of dirt, but none of the good kind. i blame it on the tiny transformers. never tried it, but can the valve jr actually sound good on bass? | I am using a modded superchamp xd just a tube swap and I put it in an old SS 2x12 chassis I haven't tried recording with it, but I use it for practicing at home.. not too shabby on bass when the volume is kept in control...
Last edited by duderasta : 03-27-2011 at 01:45 PM.
| 
04-13-2010, 09:04 PM
|  | Registered User | | Join Date: Dec 2008 Location: Los Angeles, CA | | | I am a big fan of a Twin mixed in with a B-15.
Also, if you want to get technical the V-4 is a guitar amp.....
__________________
Bassist for KITTEN
| 
04-13-2010, 09:19 PM
| | Registered User | | Join Date: Jan 2008 Location: Exit 4, NJ | | | Valve JR I played a P Bass through an Epi Valve Jr. It has some bottom end loss... I didn't like it. While it isn't my sound, there are plenty of bass players who do like that dirty mid rangy kind of sound.
I love it as a guitar amp. My strat sounded great on it. I would seriously consider one for both bass and guitar.
G | 
04-13-2010, 09:20 PM
| | Registered User | | Join Date: Aug 2009 Location: Jackson, TN | | | I used an Ampeg Superjet combo while practicing a while back because I didn't have my bass rig on hand. I didn't use it for dirt or effects or anything, but with my Jazz, I got the best slap tone I've ever heard with it. It sounded good fingerstyle as well, but I've never been much of a slapper until that week. I heard the sound and spent the whole week honing my slap skills. I regret selling that little amp now. It would have made a heck of a practice amp for me. I actually contemplated changing out the speaker so I could crank it a bit and keep from blowing a speaker, but my endless desire to have something else, something different got the best of me (I know you all know what I'm talking about).
__________________
Official Ampeg Club #677 | Official Fender Precision Club #463
| 
04-14-2010, 03:27 PM
| | Registered User | | Join Date: May 2006 Location: riverside, ca | | | a producer/engineer friend of mine once told me he uses a fender blues jr. for recording bass. don't know if it's for dirt or clean or what the specifics were exactly. when i said, "really?" he said, "yeah. it's tubes pushing a ten inch speaker. not like your miking the whole fridge right?" sorta made sense, but i've not heard the results
__________________
twitter.com/m_quillen
hollowbody bass+tube amp=yummy
| | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |