Go Back   TalkBass Forums > Bass Guitar Forums > Bass Guitar Forums > Live Sound [BG]
Register Rules/FAQ/CUP Members List Search Today's Posts Mark Forums Read

Live Sound [BG] New! All issues related to live sound reinforcement & PA systems


Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 05-05-2008, 08:48 AM
Registered User

Endorsing Artist: Lakland Basses
 
Join Date: Aug 2006
Location: Charleston, South Carolina
Altering tone during a performance

Sign in to disble this ad
When playing a gig, do you find yourself changing up your tone depending on the song you're playing? Or do you try to keep a consistent sound throughout the night?

I keep finding myself torn on the issue. On the one hand, I like to have my tone fit the song (like blending all the way to the single-coil neck for that 50s p-bass kind of sound when we play some
heavy blues). But on the other hand, I like the thought of developing my own consistent tone.

Haha, I think my main problem is that I just love too many different tones.

Thoughts?
__________________
Funky since '81.
Give yourself an inch, it'll take you a mile.
  #2  
Old 05-05-2008, 09:27 AM
CincyBassMan's Avatar
Please?
 
Join Date: Oct 2007
Location: Cincinnati, OH
Supporting Member
I used to, but, I've found that more often than not, nobody cares as long as it sounds good. Now, if you are playing originals, I say experiment away and have fun with it. If you are playing covers, you may want to exercise caution or restraint in the experimental process...

Just my $0.02, YMMV, ect., ect., ect...

Russ
__________________
Ohio Bassist Club Member #13, SX Club Member In Good Standing
http://www.saffireexpress.com
  #3  
Old 05-05-2008, 09:36 AM
Phalex's Avatar
Yeah, I've got the moves like Jagger.
 
Join Date: Oct 2006
Location: G.R. MI
Supporting Member
The only tonal changes I make during a gig are either playing closer to the neck or closer to the bridge with my precision, or flipping the switch on my Ric from both PUP's to either the bridge or the neck PUP. Some songs call for thumpy neck position stuff, and I like to be a bit brighter when it's just me solo.
__________________
Quote:
Originally Posted by BassChalice View Post
Everybody pay attention to Phalex now!
Quote:
Originally Posted by champbassist View Post
My cat breath smelling a cat's odor is eating.
Quote:
Originally Posted by hover View Post
He's got the Moo OO OO OO OO OO OO OObs like Jagger....
  #4  
Old 05-05-2008, 09:55 AM
scootron's Avatar
Supporting Member
 
Join Date: Jul 2007
Location: Arkansas
Supporting Member
I'm pretty much with Phalex. I play a Jazz, and I change tones by changing right hand position and attack. On fairly rare occasion I will kick in the Fulltone Bass Drive when the bass is supposed to be very prominent.
__________________
Fender MIA Club Member #119
Bassists with Beards #24
  #5  
Old 05-05-2008, 09:56 AM
Registered User
 
Join Date: Feb 2007
Location: Finland
Ideally, I like to stick to one tone once I'm satisfied with it. If I want to alter the tone for a specific song, I roll back the volume on one of the pickups or the tone. But 95% of the time, everything is fully turned on on my jazz. I do minimal adjustments on the amp once I have it set as I like it.

Edit: I also change tone by playing in different ways - softer/harder and closer/farther away from the bridge. That's enough most of the times.
__________________
♪♫♫♪♫♫♫♪♫...

Finnish Bassists Club member #5 - Flatwound Club member #110 - Bacon Club member #24 - Lefty Playing Righty #21
  #6  
Old 05-05-2008, 10:06 AM
Registered User
 
Join Date: Oct 2006
Location: San Francisco Bay Area
Well I don't know if this applies, but I play two different basses live and they are setup to have different tones...
  #7  
Old 05-05-2008, 10:13 AM
Registered User
 
Join Date: Feb 2008
I have a cut through mid boost tone that i like set up on my bass eq for my streamer S1 and my amp eq for my streamer STD (which I bypass when I plug in the S1). However if the song needs alot of harmonics I will always blend in the bridge pup of my S1 (if im playing the S1) and boost the treble alittle so they cut through as much as the rest of the playing. arty harmonics are harder to deal with as they are by deffinition muted slightly so its harder to get them to cut through as much but i manage.
  #8  
Old 05-05-2008, 10:28 AM
UnRegistered User
 
Join Date: Apr 2006
I've got a couple of sounds set up - one clean and one dirty. I just pick the one that's most approiate for the moment. Some nights I'll stick on the dirty sound all night, as it sounds HUGE, other times I'll feel I need to use clean for more songs.

However I don't really chase the sound of the original version - more just avoiding anything drastically inappropriate. They're both "my" sounds, and I use the "my" sound that fits best.

Ian
  #9  
Old 05-05-2008, 10:38 AM
Registered User

President, HittStreet.com; Endorsing Artist, Schroeder Cabinets
 
Join Date: Jun 2004
Location: Missouri, USA
Send a message via AIM to Dave Muscato
Quote:
Originally Posted by 3toes View Post
When playing a gig, do you find yourself changing up your tone depending on the song you're playing? Or do you try to keep a consistent sound throughout the night?

I keep finding myself torn on the issue. On the one hand, I like to have my tone fit the song (like blending all the way to the single-coil neck for that 50s p-bass kind of sound when we play some
heavy blues). But on the other hand, I like the thought of developing my own consistent tone.

Haha, I think my main problem is that I just love too many different tones.

Thoughts?
Depends on the gig. During church gigs, we often go from very soft, acoustic/piano songs to full-out gospel & CCW. A Line6 Variax is great for going from a vintage Jazz with flats tone to an MTD 535 push of a button. When I'm using my MTD instead of the Variax, I often tweak the onboard preamp, often during songs... I'll boost the bass a bit and turn the treble all the way down during soft parts, and flatten it back out during loud parts. I often use my volume knob to control dynamics and fade ins/outs more easily, also.

During gigs with my funk band, it's pretty much set & forget - I have a setting on my Line6 preamp for my MTD into my Schroeder, and I just keep my onboard EQ flat, going into that setting, throughout the night.
__________________
"Mama" Dave Muscato
(www.MamaDave.com)

Ristola 6er/MTD Artist 5er/Ibanez 6er fretless/Line 6 Variax 5er
--> Line 6 POD XT Live
--> Markbass LMII/Crown K2
--> Schroeder 1210L/21012L

My band
  #10  
Old 05-05-2008, 01:15 PM
lunarpollen's Avatar
Evil Alien
 
Join Date: Aug 2007
Location: Sacramento, CA
Send a message via Yahoo to lunarpollen
Supporting Member
I think it will depend on the types of music the band is playing and the types of parts you've come up with for the songs. The band I'm with does post-punk influenced stuff, but the moods and textures vary wildly from song to song (and sometimes within songs). On my bass, I'll switch pickup configurations. On my amp, I'll boost the high mids for a couple of songs, and boost lows and overall volume on a couple of songs where I use a certain pickup combination that requires beefing up. And on my pedals, there's a number of things I may do...
__________________
Hollowbody Bass Club #121, Hondo Club #002, Official Short Scale Bass Club #018, Short-Scale Six-String Bass Club #001, Epiphone Club #010, can't recall what other clubs I'm a member of here...
  #11  
Old 05-05-2008, 02:39 PM
winstonthecat's Avatar
Registered User
 
Join Date: May 2007
Location: Bay Area, CA
Supporting Member
For my classic rock band, I make minor adjustments to the blend knob, using the neck p/u for slower songs that require a deeper tone, and blending in the neck p/u to help cut through the guitars for the more rocking songs.

That's about it. Everythings else, from amp EQ to Bass EQ is pretty much set and forget.
__________________
"I never made the 1st team, I just made the 1st team laugh"
Ibanez EDB600> Proud Member IOC
Fender MIJ '84 P-Bass>Fender MIJ Club #38 > P-Bass Club #11>Mediocre Bassist Club #102
  #12  
Old 05-05-2008, 03:48 PM
mambo4's Avatar
Registered User
 
Join Date: Jun 2006
Location: Seattle
Supporting Member
I leave my bass itself at one setting, but my amp is a Genz Benz GBE with all the optional footpedals. I use them to constantly change my tone in mid song, though not randomly. I have tones pre-planned/programmed depending on the needs of the material.

Before that I used my SansAmp PDDI for the same thing.

Nobody ever notices
__________________
Color Force by Sweet Secrets
  #13  
Old 05-05-2008, 03:53 PM
Thor's Avatar
Hard on Heels
Moderator
 
Join Date: Feb 2003
Location: Warwick, Rhode Island, USA
Supporting Member
I use a Geddy Lee jazz, and in the last few months I have found
myself wanting a deeper tone as the basic tone, with
almost no clank or finger noise. There are few songs I need
some high definition on, so I just roll the tone knob towards
treble a little with my pinky.

So yes, I do change on the fly, but I try to make it as simple
as possible.
__________________
Hardly Ever Sarcastic Moderator of
Amps:
Naked Engineer Mudwrestling.
Bass Humor: Low Loud Proud.
Band Management: Bandmate bash here.

Quote:
Originally Posted by john turner View Post
the only thing more w1n than ragequitting talkbass is rage p0sting in ot.
Thud of Gondor
  #14  
Old 05-05-2008, 05:58 PM
Banned
 
Join Date: Apr 2006
Location: chicago, IL.
Quote:
Originally Posted by 3toes View Post
When playing a gig, do you find yourself changing up your tone depending on the song you're playing? Or do you try to keep a consistent sound throughout the night?

I keep finding myself torn on the issue. On the one hand, I like to have my tone fit the song (like blending all the way to the single-coil neck for that 50s p-bass kind of sound when we play some
heavy blues). But on the other hand, I like the thought of developing my own consistent tone.

Haha, I think my main problem is that I just love too many different tones.

Thoughts?
The best thing to do is find one good tone, if you go overboard with patches or just knob twiddleing it will hurt your overall band sound and can cause sound problems.
  #15  
Old 05-06-2008, 12:44 AM
Registered User

Hi-fi into an old tube amp
 
Join Date: May 2005
Location: Albuquerque, NM
I used to alternate between two main tones- one warm midrangey tone dialed in on my head, and a cleaner more slap-oriented tone on my Sansamp BDDI. I'd also adjust the sweep on my pickups if I wanted a less aggressive tone.

These days I just use the Ultimate Tone which was created by running the Sansamp through my FX loop.
__________________
Cirrus 5 / Mesa Bass 400 KT-88 / BDDI / Megoliath
  #16  
Old 05-06-2008, 10:51 PM
Registered User
 
Join Date: Jul 2005
Location: Woodinville, WA
I do minor changes throughout the night, but that's probably my ears getting overloaded and not feeling like the sound is quite right. I'd say that if you have "covers", like mentioned before, that you're doing and the bass sound needs to change for the specific tune you're doing, then by all means change it! Otherwise, find the tone you like that's full, cuts through and is clean enough to not muddy up with the bass drum or guitars and go for it for the night!
__________________
Wick Club member #120! Seattle Bassists Club #11.
  #17  
Old 05-06-2008, 11:40 PM
Ric5's Avatar
Real Basses Have 5 Strings!
 
Join Date: Jan 2008
Location: Colorado
Supporting Member
I usually have 2 or more basses and a bass pod with different patches. Then there is the pick vs fingers approach, and I can get a flatwound sound with palm muting. So I can get several different sounds from my equipment.
__________________
Clubs - 5 String, Black and Maple, Rickenbacker
Jeff Rath's web site http://www.3dentourage.com/425
  #18  
Old 05-07-2008, 01:39 AM
kesslari's Avatar
Groovin' Eskrimador

Lark in the Morning Instructional Videos; Audix Microphones
 
Join Date: Dec 2007
Location: Santa Cruz Mtns, California
Supporting Member
I play gigs that go from a more midrangey modern tone to a very old-school phat tone. I just dial in more or less neck pickup, and move my right hand to get what I want.
__________________
Quote:
Originally Posted by KillianRussell View Post
The best hat for metal, is the hat the dude, Kesslari wore the other day to open for The Ohio Players.
Funkranomicon

Fretless Instrumentals: Folk in A

Zon, Genz Benz, BFM and LDS
  #19  
Old 05-07-2008, 03:42 AM
Temp Banned (TOS Violation)

Endorsing: Ampeg
 
Join Date: Apr 2005
Location: Apopka, FL
Supporting Member
I switch back and forth from P to PJ sometimes. That's about it.
  #20  
Old 05-07-2008, 04:36 AM
Registered User
 
Join Date: Jun 2005
I modify my tone and technique (including right hand position on the instrument) and my fx (compression/overdrive/chorus and very occasionally some env filter) all the way through a set to match the song/performance.

But at the center of all of this is a really good starting point generic tone from my hands and instrument, amplified by a great amp etc...

The rest is just color.

I dont care if the punters arent aware that the bass has changed much, they will enjoy the sound if I do it right - before now I've over heard people talking to guitarists in bands I have been in asking how the guitarist got 'that great effect thing' and the guitarist has hd to point them in my direction on more than oine occasion - which is fine!

Its all about the whole band sound anyway.
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Follow TalkBass on Twitter   Visit TalkBass on Facebook  

All times are GMT -6. The time now is 12:20 AM.




Copyright ©2011 Talk Music Group Inc. All right reserved.
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.