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10-04-2010, 07:18 AM
| | Registered User | | Join Date: Sep 2009 Location: Castleford, United Kingdom | | | Bass Amp Mics
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What are the best mics for:
1. High End Bass
2. Low End Bass
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10-04-2010, 07:23 AM
| | Registered User | | Join Date: Sep 2009 Location: Madrid | | | 1. the one that sound good
2. ....the one that sounds good too
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still learning...
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10-04-2010, 07:24 AM
|  | Registered User | | | | | Shure SM-57, maybe not best out there but great for micing amps and vocals too!
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Turris Fortis Mihi Securis(a mighty Fortress is my axe) Bongomania
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10-04-2010, 08:19 AM
| | Registered User | | Join Date: Jun 2006 Location: Olney, Maryland | | | 1. Sennheiser e914
2. Sennheiser e902
MM | 
10-04-2010, 09:39 AM
| | Registered User | | Join Date: Nov 2009 Location: South Florida | | | Shure Beta 52A | 
10-04-2010, 11:19 AM
| | Registered User | | Join Date: May 2008 Location: triad, nc | | Quote:
Originally Posted by Mo' Bass 00 Shure SM-57, maybe not best out there but great for micing amps and vocals too! | ugh... i cringe when i see that about to happen to my cab, especially if there isnt a DI going on too.
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Originally Posted by blipndub Who cares what sticker he puts on his pos bass. He could put an STP sticker on it and some nascar fan would get all bent out of shape. | | 
10-04-2010, 11:25 AM
| | Registered User | | Join Date: Apr 2007 Location: Finland (Northern Europe) | | | Hi.
The ones I like regardless of the frequency range:
Sennheiser MD421
AKG D12
My sound doesn't require miking though, DI works better for me.
Regards
Sam | 
10-05-2010, 12:50 PM
|  | Banned Endorsing Artist: HCAF | | Join Date: Apr 2002 Location: The Woodlands, TX | | | | 
10-05-2010, 09:45 PM
| | Registered User | | Join Date: Nov 2003 Location: Indianapolis, IN | | | Nothing ever sounds as good mic'd as it does to the ear.
Bass cabinets don't go down nearly as low as the instrument (or the PA subs) (neither do a lot of mics).
As such, I prefer to use a DI. I've never found a mic to add anything useful live (in the studio it can be a different story).
However if I had to mic, I'd hope to have a PR40, RE20, or D4 on hand.
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10-06-2010, 02:18 AM
| | Registered User | | Join Date: Nov 2007 Location: Birmingham, UK | | | AUDIX D6! | 
10-07-2010, 09:59 AM
|  | Banned Endorsing Artist: HCAF | | Join Date: Apr 2002 Location: The Woodlands, TX | | Quote:
Originally Posted by TimmyP Nothing ever sounds as good mic'd as it does to the ear.
Bass cabinets don't go down nearly as low as the instrument (or the PA subs) (neither do a lot of mics).
As such, I prefer to use a DI. I've never found a mic to add anything useful live (in the studio it can be a different story).
However if I had to mic, I'd hope to have a PR40, RE20, or D4 on hand. | Thanks for the relevant post. Your input on this thread has been beyond invaluable. | 
10-07-2010, 10:07 AM
|  | Livin' it up at the Hotel California | | Join Date: Jul 2009 Location: Sacramento California | | Quote:
Originally Posted by rockstarbassist I have a Heil PR40. After playing almost 13 years it's my first mic. Abso-friggin-lutely love it. | +1
OP: you have received quite a few recommendations. After you spend some time researching each mic like I did a few months ago, you will likely come to the same conclusion I did, which is, the Heil PR40 is the one. Pay close attention to frequency response and high SPL capability. Some people incorrectly believe that a good bass drum mic also makes a good bass cab mic. It doesn't!! IMO, the Heil PR40 is the only mic to use for bass cabs.
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10-08-2010, 12:53 PM
| | | Quote:
Originally Posted by EskimoBassist AUDIX D6! | +1
Also RE20 (Sennheiser?)
421 and D112 are also good.
BnB
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10-08-2010, 10:24 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | best bass mics i've used:
heil pr 40
ev re 20
sennheiser 421 or 421a (sorry, 421 fans, but i like the 421a too)
beyer m88
but for my money the re 20 and the pr 40 are the ones. i have one of each, although my re 20 needs fixed. they can be made to sound very similar. but the pr 40 is $75 less and smaller, so...
and ignore these di noodniks. di is fine, but if you like a mic'ed amp sound, you need a mic'ed amp. believe me, i've tried to make peace with a di and will use one when i have to. but i greatly prefer a mic.
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10-09-2010, 01:21 AM
| | | | from what i've gathered, kick mics are not so good due to typically having a pre-set "scooped" tone. maybe a "floor tom mic" like the audix D4, something that has reasonable low end extension but not the mid-scoop.
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Walter Wright
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Alpha Music, VA Beach
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10-09-2010, 04:18 PM
| | Registered User | | Join Date: Sep 2010 Location: Germany | | | i've made some very good Experience with an Audix D6 on my 2-Way Cabinet, placed between the 15" Woofer an the 8" Midrange-Driver. On a recent Recording-Session we got best Results with this Setup. Changing the Position of the Mic towards one of the Speakers was like using a Tilt-EQ. We've been able to find a sweet Spot where the recorded Sound was nearly like the Sound we heard in the Room. For Backup we also captured the Line-Signal but we hardly used it. I will give it a try for some of the next Live-Shows.
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