| All the time & I love it! It sure makes my rig a lot smaller, lighter, easier to deal with, etc. If the PA can support it (including monitors, which is where problems most often happen) then I can't come up with any reasonable reason not to let the PA do everything.
I figure it this way: On stage, I'm in no position to tell what sounds good or bad out in the house. Whatever I might dial up to sound some particular way through my rig onstage is going to be changed both FOH & in the monitors anyway, so what's the point of getting all obsessive/compulsive about it? I try to give the cleanest sound I can to the PA, which means nothing but tuner ahead of the DI.
Live music is a team sport, & like any team sport you have to have communication & trust among players. That includes those who operate sound, lights, etc. When you do it right it's a lot easier because everybody only has one job to worry about. Full attention can be paid to doing that one job well.
JM
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"I spent ten years starving to death playing great music. I write a one-chord song about poontang and make a million dollars. What would YOU do?" - Ted Nugent
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