Go Back   TalkBass Forums > Bass Guitar Forums > Bass Guitar Forums > Live Sound [BG]
Register Rules/FAQ/CUP Members List Search Today's Posts Mark Forums Read

Live Sound [BG] New! All issues related to live sound reinforcement & PA systems


Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 05-02-2011, 02:06 PM
Stinsok's Avatar
Registered User
 
Join Date: Dec 2002
Location: Central Alabama
Supporting Member
Help me diagnose a problem!

Sign in to disble this ad
I have been considering buying a speaker managment system like a driveRack or BBE, etc., because I may be having an issue with my dbx 234xl crossover.

Recently I pulled my PA out and tested each individual piece. Each amp, each speaker, etc. Everything checked out. I hooked everything up, cranked it and was satisfied with what I could get out of it.

I have been having a problem of late where recorded music (more noticeable with recorded stuff) is just about all lows and brittle highs. I run a 2-way mono system, crossed over around 90hz. The subs are 18''s and the highs are JBL SR4722's (12/horn.) I hear no mids coming through (on either top.) So, I am asking you-without seeing or hearing any part of my problem to help me! Crazy, I know.

Last edited by Stinsok : 05-02-2011 at 02:12 PM.
  #2  
Old 05-02-2011, 02:10 PM
Registered User
 
Join Date: May 2008
Location: Sioux Falls, SD
What is your source of the recorded music? If you are playing MP3s that may be at least part of the problem. Although generally those files are midrange-heavy which is exactly the opposite of what you're experiencing.

I just know in my old band we used to run our break music off an iPod and even though the P.A. was dialed in nicely for live music, when we put the break music on it sounded like garbage.
  #3  
Old 05-02-2011, 02:11 PM
Stinsok's Avatar
Registered User
 
Join Date: Dec 2002
Location: Central Alabama
Supporting Member
I use an iPod. I have some crappy files on there, but most are good.
  #4  
Old 05-02-2011, 02:41 PM
Stinsok's Avatar
Registered User
 
Join Date: Dec 2002
Location: Central Alabama
Supporting Member
The XLR cables used to connect the eq/crossover, etc. are good.
  #5  
Old 05-02-2011, 03:40 PM
Registered User
 
Join Date: Feb 2009
Location: Southern California
GOLD Supporting Member
On the SR4722s, are you plugging into the full range inputs or the HF Bi-amp inputs? You should be plugging into the full range inputs.
__________________
Quote:
Originally Posted by bradjonesbass View Post
Study what Pino does and do that! WWPD?
  #6  
Old 05-02-2011, 05:46 PM
Zooberwerx's Avatar
Registered User
 
Join Date: Dec 2002
Location: Virginia Beach, VA
GOLD Supporting Member
I used and just sold the dbx 234xl and bought the DriveRack PA+ so I have some experience with both. I'll review the manual on the 234 and get back to you. It's easy to screw things up (I wear it like a badge of honor) as the in / out buttons are placed a little too closely to the XLR inputs & outputs. I accidentally depressed the "X 10" button which kicked the crossover freq. to 950 hz. Tim wanted to know why were getting vocal content through the subs.

If at all possible, hook up a CD player to your mixer for test / diagnosis projects.

Edit: what you're after is actually "Stereo 2-way"...anything else will essentially split your mixer signal into either bass / mid / high or bass / low-mid / high-mid / high. It's quite easy to inadvertantly configure a tri-amp or quad-amp output which may explain the loss of mids.

Riis
__________________
"20% of the money will buy you 90% of the sound..another 30% of the money will buy you another 5% of the sound..you can't buy the remaining 5% of the sound because nobody can agree about what it is."

Last edited by Zooberwerx : 05-03-2011 at 05:49 AM.
  #7  
Old 05-03-2011, 02:27 PM
Stinsok's Avatar
Registered User
 
Join Date: Dec 2002
Location: Central Alabama
Supporting Member
I use the full range inputs only on the JBL's.
  #8  
Old 05-03-2011, 02:55 PM
Registered User
 
Join Date: Sep 2006
Location: Birmingham, UK
+1, try a CD player into two mono channels. I don't know which desk you're using, but some have really a naff sounding two track return (or 'tape in'); I'd eliminate that first before you look for potential crossover issues.
__________________
Every ding has a story. Team Trace Elliot #3 Christian P&W bassist #97 EHX club #23 Boss rocks! club #17 British bassist #68

Quote:
Originally Posted by Relic View Post
That's your masterly-bated fish hook.
  #9  
Old 05-03-2011, 05:15 PM
fokof's Avatar
Registered User
 
Join Date: Mar 2007
Supporting Member
My guess: the 12" is fried or damaged

Easy way to check if your mid is working OK

-Unplug the sub ,
-put your 4722 at "Bi-amp"
-put what's normally in "full range" to "LF bi-amp"
(there is no potential danger since it's after X-over and top end to a 12" won't do no harm)
-put some normal/full range music , not too loud !!!!!

Check both boxes to see if it is constant.
__________________
Quote:
Originally Posted by Bardley View Post
Does this mean if I think your tone sucks @$$ and you are ruining my mix I can come smash your bass on the floor?
Fretless member#31
  #10  
Old 05-03-2011, 06:19 PM
Zooberwerx's Avatar
Registered User
 
Join Date: Dec 2002
Location: Virginia Beach, VA
GOLD Supporting Member
Quote:
Originally Posted by Stinsok View Post
I use the full range inputs only on the JBL's.
Great...that simplifies matters. Before we jump on the "it's broken" bandwagon, let's make sure we eliminate the stupid stuff first:

*Check your 12" drivers with a speaker cable and 9 v battery. If they're jumpin', you at least know they're working!

*Bypass your crossover completely. Run a CD player to your mixer (flat EQ / no peripherals) straight to a power amp with a full-range signal feeding the JBL's. Are the mids now present? If so, the crossover is more than likely the culprit. If the mids continue to be absent, the problem resides with the aforementioned components.

Riis
__________________
"20% of the money will buy you 90% of the sound..another 30% of the money will buy you another 5% of the sound..you can't buy the remaining 5% of the sound because nobody can agree about what it is."
  #11  
Old 05-03-2011, 06:22 PM
Registered User
 
Join Date: Feb 2009
Location: Southern California
GOLD Supporting Member
Quote:
Originally Posted by Zooberwerx View Post
Great...that simplifies matters. Before we jump on the "it's broken" bandwagon, let's make sure we eliminate the stupid stuff first:

*Check your 12" drivers with a speaker cable and 9 v battery. If they're jumpin', you at least know they're working!

*Bypass your crossover completely. Run a CD player to your mixer (flat EQ / no peripherals) straight to a power amp with a full-range signal feeding the JBL's. Are the mids now present? If so, the crossover is more than likely the culprit. If the mids continue to be absent, the problem resides with the aforementioned components.

Riis
bingo
__________________
Quote:
Originally Posted by bradjonesbass View Post
Study what Pino does and do that! WWPD?
  #12  
Old 05-03-2011, 06:36 PM
Zooberwerx's Avatar
Registered User
 
Join Date: Dec 2002
Location: Virginia Beach, VA
GOLD Supporting Member
Quote:
Originally Posted by testing1two View Post
bingo
Thanks for the vote of confidence. I'm trying to read the JBL manual on-line but Susan is calling me for dinner, so let me add one more thing...

If there's a passive / bi-amp switch, make sure you've selected the passive setting for full-range operation even though, technically, you're aiming for a true bi-amped configuration (mains & subwoofers) as the end result. You want the JBL's to "see" 100% of the full signal provided by the mixer or 100% of the >90 hz signal when the crossover is placed in line.

Riis
__________________
"20% of the money will buy you 90% of the sound..another 30% of the money will buy you another 5% of the sound..you can't buy the remaining 5% of the sound because nobody can agree about what it is."

Last edited by Zooberwerx : 05-03-2011 at 07:25 PM.
  #13  
Old 05-04-2011, 04:08 PM
Stinsok's Avatar
Registered User
 
Join Date: Dec 2002
Location: Central Alabama
Supporting Member
Quote:
Originally Posted by testing1two View Post
bingo
When I tested all my gear, I hooked those tops up by themselves(full range.) They sounded great!
  #14  
Old 05-04-2011, 05:03 PM
Registered User
 
Join Date: Feb 2009
Location: Southern California
GOLD Supporting Member
So it looks like the problem lies with the x-over setup or the mono summing in your mixer. Double check all the settings & connections on your x-over and if you haven't tried this already, reverse the polarity of either the lows or the highs and see if the response improves.
__________________
Quote:
Originally Posted by bradjonesbass View Post
Study what Pino does and do that! WWPD?
  #15  
Old 05-04-2011, 05:49 PM
Zooberwerx's Avatar
Registered User
 
Join Date: Dec 2002
Location: Virginia Beach, VA
GOLD Supporting Member
Quote:
Originally Posted by Stinsok View Post
When I tested all my gear, I hooked those tops up by themselves(full range.) They sounded great!
Agreed...sounds like a dbx crossover setting problem.

The 234 is capable of bi-amping, tri-amping, and...yes...quad-amping although the quad can only be pulled off in mono as (IIRC) channel A "borrows" a freq. band from channel B. "...rob Peter to pay Paul." A few suggestions:

*Unless you're absolutely convinced you need a true stereo config. (for full-blown effects, etc.), I strongly suggest you use a single channel feed from your mixer to channel A of the dbx 234.

*Set your dbx 40 hz filters to "on".

*Set your phase inverts to "off"

*On the back, set the xover freq button to "X 1" (out).

*Set the LF Sum button to "normal" (out) unless you've decided to used both dbx channel A & B in which case you would depress the button for "summed".

*Under Mode, depress the button to "in" but leave the right button in the "out" position. This is stereo 2-way or bi-amped which means it's capable of handling two independent / L & R signals but is still appropriate for handling mono feeds / output. Confusing, isn't it?

*Unless you're feeding a signal to channel B (or Channel 2 as they call it), don't mess with it as it is not a part of the equation. If you insist on feeding a second signal (perhaps right or second ouput from the mixer), duplicate the settings as prescribed on channel A.

*If you haven't figured it yet, run your mixer to channel A input, High XLR output to your mains amplifer, and Low / LF Sum XLR output to your subwoofer amplifier.

*Let's swing back to the front of the console working left to right using the bottom-most labels for guidance:

Input - 0

Low / Mid - ~100 hz (this is your xover freq.)

Mid / High - inactive, ignore

Low Output - 0, controls subwoofer feed / level

Mid Output - inactive, ignore

High Output - 0, controls mains feed / level


Hope that helps! Get back to us with results. BTW, how far are you from the nearest fire station?

Riis
__________________
"20% of the money will buy you 90% of the sound..another 30% of the money will buy you another 5% of the sound..you can't buy the remaining 5% of the sound because nobody can agree about what it is."

Last edited by Zooberwerx : 05-04-2011 at 05:56 PM.
  #16  
Old 05-05-2011, 02:32 PM
Registered User
 
Join Date: May 2009
Location: San Antonio Texas
What does it sound like with a band?

Tell us about the cable you're using to connect your mp3 player.
There are some that look correct and will pass some music, but aren't actually designed for the job.
If it has a 1/8" (or 1/4") stereo plug on one end, and a single XLR male on the other, that will NOT work correctly, and will in fact cancel-out many frequencies.
__________________
Ibanez #588--8 String (Octaves) #43
  #17  
Old 07-02-2011, 01:29 PM
Stinsok's Avatar
Registered User
 
Join Date: Dec 2002
Location: Central Alabama
Supporting Member
Old stuff..I use one of those 1/8'' to dual 1/4'' cables (uses 2 channels on the board.)
  #18  
Old 12-31-2011, 02:10 PM
Stinsok's Avatar
Registered User
 
Join Date: Dec 2002
Location: Central Alabama
Supporting Member
This is old, but I recently bought two Crown 2000 XLS amps and never got around to testing them till today (it's 70 degrees and sunny!) Anyway, Zooberwerx's post really helped. I had the stereo two setting bypassed and it sucked. That is what the problem was all along.
  #19  
Old 01-01-2012, 02:00 AM
Zooberwerx's Avatar
Registered User
 
Join Date: Dec 2002
Location: Virginia Beach, VA
GOLD Supporting Member
Quote:
Originally Posted by Stinsok View Post
This is old, but I recently bought two Crown 2000 XLS amps and never got around to testing them till today (it's 70 degrees and sunny!) Anyway, Zooberwerx's post really helped. I had the stereo two setting bypassed and it sucked. That is what the problem was all along.
Glad things worked out for the better. Hey...I get it right once in a while!

ROTSS: "Rule out the stupid / simple stuff".

Riis
__________________
"20% of the money will buy you 90% of the sound..another 30% of the money will buy you another 5% of the sound..you can't buy the remaining 5% of the sound because nobody can agree about what it is."
  #20  
Old 01-01-2012, 07:18 AM
Stinsok's Avatar
Registered User
 
Join Date: Dec 2002
Location: Central Alabama
Supporting Member
The setup actually sounds pretty good. With these new amps there is NO hiss like before. The downside to the new XLS amps is no dual mono operation (using only one input.)
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Follow TalkBass on Twitter   Visit TalkBass on Facebook  

All times are GMT -6. The time now is 11:35 AM.




Copyright 2011 Talk Music Group Inc. All rights reserved.
Play guitar? Visit our new sister site TalkGuitar.com [beta]
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.