|  | | 
02-09-2009, 05:18 PM
| | Registered User | | Join Date: Sep 2008 Location: WI | | | Rookie Sound Guys I doubt this thread will get much interest.
I just have a question.
Are there many people out there running sound that don't know what there doing?
I have noticed a lot of bands with crappy sound in some smaller rooms lately.
blue | 
02-09-2009, 05:25 PM
|  | Supporting Member | | Join Date: Jun 2005 Location: Oslo, Norway | | | Unfortunately, yes...
__________________ "The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs.
There's also a negative side."
- Hunter S. Thompson | 
02-09-2009, 05:48 PM
| | Registered User | | Join Date: Jan 2004 Location: montana | | | Probably because they are working with crappy bands. | 
02-09-2009, 06:01 PM
|  | Supporting Member | | Join Date: Jun 2005 Location: Oslo, Norway | | Quote:
Originally Posted by modulusman Probably because they are working with crappy bands. | Well there is the "$%!T in $%!T out" side of things as well.
But unfortunately there are people out there claiming to know what they are doing, who doesn't have a clue.
But everybody have to start somewhere.
Becoming a good sound guy takes experience.
Calling yourself a sound guy takes none.
__________________ "The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs.
There's also a negative side."
- Hunter S. Thompson | 
02-09-2009, 06:33 PM
| | Registered User | | Join Date: Mar 2004 Location: Western Canada | | | Gotta love those self taught 'soundmen', for example....
1) Him: "we've been having trouble with that speaker for a few weeks now-keeps cutting in & out. Wiggling the wire near the amp output seems to help sometimes..." Me, (after spending 2 minutes cutting back the wire & reconnecting the leads): "all good now."
2) Me: " why is the sound so shrill out of this side?" Him: " the tweeter's blown on the other side and I'm trying to compensate for it"
3) Me: " can I get some more vocal in the monitor, a bit less guitar, and a touch of bass?" Him: " Don't say that out loud! Everybody can hear you! Just whisper in my ear next time I come up!"
And yet, god forbid anybody run sound but him, the house sound guy... | 
02-09-2009, 07:07 PM
| | Registered User | | Join Date: Aug 2008 Location: Oregon | | Worst I ever had was way beyond "rookie".
I'm still disappointed but no longer surprised when it takes an hour and a half to do a simple line check and requested changes in the monitor mix never materialize, probably because they're turning the wrong knob.
I'd almost think this was supposed to be the norm. But then you work with someone who really knows their system and, lo and behold, things go smooth & quick and you actually get what you ask for! Happens just often enough to remind me I'm in purgatory, the rest of the time.
I know it's not an easy gig and they probably have at least as many horror stories about us as we do them. 
__________________ "My kids never had the advantage I had. I was born poor." - Kirk Douglas | 
02-09-2009, 07:59 PM
| | Registered User | | Join Date: Dec 2008 Location: Long Island, NY | | Quote:
Originally Posted by modulusman Probably because they are working with crappy bands. | ive seen some great bands with an awful guy in the sound booth, it doesn't sound good..
a good portion of the sound guys in my area are pretty good at what they do. but, theres definitely that few that dont have a clue what theyre doing. unfortunately we all have to deal with them once in a while.. | 
02-10-2009, 08:19 AM
| | Registered User | | Join Date: Mar 2006 Location: DFW, TX | | | My experience is that a lot of sound guys in smaller clubs know just enough to know how to plug things in, turn on all the PA gear, and set the levels so they don't clip.
And that's it.
That's why I've given up going to a lot of places to check out live music. You can tell all they're doing is making sure nothing clips. The mix is horrible, and it's turned up as loud as the PA gear will go. | 
02-10-2009, 08:23 AM
| | Registered User | | Join Date: Feb 2005 Location: Yuma, Az | | | Yes, just like there are lots of people in bands that don't know what they're doing. Everyone starts somewhere, and some people don't go any farther than that.
Other soundguys are just deaf, stubborn, drunk, possibly stupid. I even had one warn me that he was deaf, drunk, and stupid once. I thought he had some bad self-esteem problems until downbeat, and then I realized he was just being honest.
There are plenty of great soundguys, too, but they're rarely found working in small or even medium clubs, at least not for long.
__________________
CP&W Bassist Club Member #371, Ibanez BTB Club #16, Headless Club #11, Fretworks! employee
| 
02-10-2009, 08:30 AM
| | Registered User | | Join Date: Aug 2004 Location: Pacific Northwet, USA | | | it's more then worth the price of another cut of the take to hire your own sound person.
I wouldn't go out without our FOH guy. I just came home from a small run of shows on the road and our soundguy was the most valuable person on the tour.
I would pay him twice what he asks for. | 
02-10-2009, 08:46 AM
| | Registered User | | Join Date: Sep 2000 Location: Des Moines, IA, USA | | | I've been pretty lucky with most of the soundmen that I've dealt with around Des Moines and the few other places I've gone on tour. Most of them have been pretty understanding and easy to work with.
I've never seen a crappy band sound good just because of a good soundman.
I have, however, seen really good bands sound like absolute trash because the soundman isn't doing his job. I have also seen talented bands sound "just ok" even with a good soundman because they don't have good gear to work with. I'm talking cheap Crate, Peavey and GK Backline amps, low-end Sonor drums, etc. I've also heard pretty mediocre bands sound awesome when they play through good equipment.
That's why I'm so glad that everyone in my band has good gear. Even if the house sound isn't awesome, we can still sound pretty good because. | 
02-10-2009, 09:00 AM
|  | Supporting Member | | Join Date: Jan 2002 Location: 3rd stone from the sun | | | Yes, and I've hired a couple in desperation. Never again...I'll run sound from the stage instead if I have to.
__________________
Yay
| 
02-10-2009, 09:02 AM
| | Registered User | | Join Date: May 2008 Location: Sioux Falls, SD | | | Then of course you have the standard time allocation per instrument (i.e., amount of time spent getting proper levels and EQ), which goes something like:
Drums - 50% (of which 90% of that time is spent on the kick)
Guitars - 25%
Vocals - 20%
Keys - 4%
Bass - 1% (plug in, play two notes, "OK, you're good") - this is why bassists absolutely must take responsibility for their own sound, i.e., good bass, good amp, good direct box. | 
02-10-2009, 09:44 AM
|  | Registered User | | | | | If you are in a soundcheck , and the kick takes more than 3 minutes , start worrying !
I've done sound at festival , we have 20 minutes to setup AND soundcheck !
__________________ Quote:
Originally Posted by Bardley Does this mean if I think your tone sucks @$$ and you are ruining my mix I can come smash your bass on the floor? | Fretless member#31
| 
02-10-2009, 09:47 AM
| | Registered User | | Join Date: Sep 2000 Location: Des Moines, IA, USA | | Quote:
Originally Posted by fokof If you are in a soundcheck , and the kick takes more than 3 minutes , start worrying !
I've done sound at festival , we have 20 minutes to setup AND soundcheck ! | Most of the shows my band plays, the band before you gets about 5 minutes to tear their gear down, you have 5-8 minutes to set up, and the sound check generally doesn't last much more than 5 minutes. | 
02-10-2009, 09:58 AM
|  | Supporting Member | | Join Date: Jan 2002 Location: 3rd stone from the sun | | Quote:
Originally Posted by jaywa Then of course you have the standard time allocation per instrument (i.e., amount of time spent getting proper levels and EQ), which goes something like:
Drums - 50% (of which 90% of that time is spent on the kick)
Guitars - 25%
Vocals - 20%
Keys - 4%
Bass - 1% (plug in, play two notes, "OK, you're good") - this is why bassists absolutely must take responsibility for their own sound, i.e., good bass, good amp, good direct box. | LOL. Sad but true. 
__________________
Yay
| 
02-10-2009, 10:11 AM
| | Registered User | | Join Date: Aug 2004 Location: Pacific Northwet, USA | | Quote:
Originally Posted by baba Yes, and I've hired a couple in desperation. Never again...I'll run sound from the stage instead if I have to. |
bro..
if you bring the frenchbread to eugene oregon, I'll mix you. You won't be disappointed.  | 
02-10-2009, 10:49 AM
|  | I'm with Franklin. | | Join Date: Aug 2005 Location: College Station, Texas | | Quote:
Originally Posted by jaywa Then of course you have the standard time allocation per instrument (i.e., amount of time spent getting proper levels and EQ), which goes something like:
Drums - 50% (of which 90% of that time is spent on the kick)
Guitars - 25%
Vocals - 20%
Keys - 4%
Bass - 1% (plug in, play two notes, "OK, you're good") - this is why bassists absolutely must take responsibility for their own sound, i.e., good bass, good amp, good direct box. | amen | 
02-10-2009, 10:56 AM
|  | Supporting Member | | Join Date: Jan 2002 Location: 3rd stone from the sun | | Quote:
Originally Posted by AlembicPlayer bro..
if you bring the frenchbread to eugene oregon, I'll mix you. You won't be disappointed.  | Thanks! 
__________________
Yay
| 
02-10-2009, 10:58 AM
| | Registered User | | Join Date: Oct 2007 Location: Michigan | | | My experience has been that rookie soundmen are like rookie musicians - they run too loud. | | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |