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11-08-2010, 04:09 PM
| | | | Signal TOO Hot
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I play at church using a Behringer BXL 1800a as a monitor. Using the direct out on the amp to send signal to the Macke console for the house system. The sound man says the signal level at the console trim pot is too hot. The pot needs to be set at about 8 oclock and then the pot is real touchy. Very hard to set. Most all the controls on the amp are set at about 11 oclock. Will at ATT-448 XLR attenuator help the situation. It has 20db, 30db and 40db settings. Thanks, Bob | 
11-08-2010, 10:13 PM
| | | Quote:
Originally Posted by Bobster98 I play at church using a Behringer BXL 1800a as a monitor. Using the direct out on the amp to send signal to the Macke console for the house system. The sound man says the signal level at the console trim pot is too hot. The pot needs to be set at about 8 oclock and then the pot is real touchy. Very hard to set. Most all the controls on the amp are set at about 11 oclock. Will at ATT-448 XLR attenuator help the situation. It has 20db, 30db and 40db settings. Thanks, Bob | If the soundman can adjust the trim to acceptable level (be the pot touchy or not, it´s not like it has to be constantly tweaked, and the desk has faders anyways ), you´re good to go.
If not (i.e. signal level is too hot even with trim pot at minimum), some of the other measures will have to be taken.
Some amps have their XLR sends "post-gain". Check if amp´s gain setting affects the XLR output.
If dropping amp gain doesn´t make the situation better, you could insert an attenuator in line, and drop the level significantly. 20dB will be enough in most cases. | 
11-08-2010, 11:20 PM
| | Registered User | | Join Date: Jun 2009 Location: Toronto, Canada | | Quote:
Originally Posted by Bobster98 The sound man says the signal level at the console trim pot is too hot. The pot needs to be set at about 8 oclock... | May I ask why it needs to be set at 8? In my experience as a soundman, I often leave the trim pots - also known as channel gain - at zero. The trim is just another preamp on the line - if the signal is hot enough to not need it, turn it the hell off!
Now, if the signal coming into the board is so hot that it still clips, even with the trim at 0, then you have to look at alternatives. Generally, turning down the source is more than enough.
Is the line out of your amp a DI out - i.e. an XLR low-impedance balanced - or an actual 1/4" TS line-level out? If it's the latter, you have two options: either tell the soundguy to jack you into a line-level input, or stop using it and plug into the board through a DI. If the former, then you'll have to turn it down. If it doesn't have a dedicated level control, you'll just have to turn down your amp or bass.
...and yeah, an attenuator would do the trick, but is completely unneccessary.
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11-09-2010, 07:32 AM
| | | | Thanks for all the input. Even with the trim pot turned most of the way down, the gain seems to high. The green gain light is on all the time with audio present. If I turn down the amp, I dont get the level from the amp needed for monitoring. I will try to turn down the input of the amp which should lower the level coming out of the direct out of the amp. It is a balanced XLR out. I may be able to use the Master on the amp to recover the lost gain in the amp. Will try. Thanks again guys.
Bob | 
11-09-2010, 07:33 AM
| | Registered User | | Join Date: Oct 2004 Location: Katy, Texas | | Quote:
Originally Posted by Bobster98 I play at church using a Behringer BXL 1800a as a monitor. Using the direct out on the amp to send signal to the Macke console for the house system. The sound man says the signal level at the console trim pot is too hot. The pot needs to be set at about 8 oclock and then the pot is real touchy. Very hard to set. Most all the controls on the amp are set at about 11 oclock. Will at ATT-448 XLR attenuator help the situation. It has 20db, 30db and 40db settings. Thanks, Bob | Why not just use a direct box so you can send the bass guitar signal straight to the sound system? It would not only solve the hot signal problem, it would eliminate any noise to the PA that the BXL might be generating.
Regards,
Wayne A. Pflughaupt Pedulla Club #45
Administrator, Tobias Club Big Cabs Club #23 My Rig: Stage and FOH Friendly | 
11-09-2010, 08:14 AM
| | Registered User | | Join Date: Jun 2009 Location: Toronto, Canada | | Quote:
Originally Posted by Bobster98 I will try to turn down the input of the amp which should lower the level coming out of the direct out of the amp. I may be able to use the Master on the amp to recover the lost gain in the amp. Thanks again guys. | Yep, that really ought to do it. If it doesn't, do like Wayne suggests and jack a DI into the line between your bass and amp.
Good luck!
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Sing a song of six bars, turn the amps up high
four and twenty kilowatts, makes you wanna cry.
- Steven Howard
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11-09-2010, 09:59 AM
| | | | That would get the gain down a bunch but I would loose the compressor, phase and eq of the amp. I would rather keep those in the mix. I think. That's one of the problems with practicing one day and playing one day a week. Not a lot of time can be devoted to Fixing problems like this. I'll try turning the Preamp down and the master up. Thank Guys | 
11-09-2010, 03:34 PM
| | Registered User | | Join Date: Oct 2008 Location: Halifax, NS, Canada | | Quote:
Originally Posted by R. Laevinus ...and yeah, an attenuator would do the trick, but is completely unneccessary. | +1000, if we make that "an ADDITIONAL attenuator" (though I'd guess that's what R. Laevinus means). The channel 'trim pot' should serve as a sufficient attenuator; it's supposed to. | 
11-11-2010, 12:27 PM
|  | Registered User | | Join Date: Nov 2008 Location: Minnesota - Twin Cities | | | a rolls DB25 is about $30 has an attenuator trim on it...
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11-11-2010, 03:34 PM
| | | | well last night we practiced for Next Sunday. I turned all the preamp level controls down from about 1 o'clock to 11 o'clock. I then turned the master control up to get the volume I wanted on stage. Sound man was very pleased with the level at the console imput. The little BXL 1800a really sounds good as a monitor. Very happy. Also lowered the action on the Key Factor 5 a little. Very happy with the rig. Thanks All, Bob | 
11-13-2010, 10:46 AM
| | Registered User | | Join Date: Nov 2003 Location: Indianapolis, IN | | Quote:
Originally Posted by R. Laevinus May I ask why it needs to be set at 8? In my experience as a soundman, I often leave the trim pots - also known as channel gain - at zero. The trim is just another preamp on the line - if the signal is hot enough to not need it, turn it the hell off! | You misread - he said 8 o'clock, not 8 (which would be about 3 o'clock).
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11-13-2010, 09:53 PM
| | Registered User | | Join Date: Apr 2010 Location: Maine | | | Looks like your amp has a line out (TS phone jack)
and a DI XLR.
Read the manual and see if it gives specs on these
(signal chain that feeds them)
Most DI jacks are post pre amp and post EQ
This means turning down the pre amp some will
lower the level going to the mixer and the amp
Then turn your Master Vol up on the amp to desired
monitor level YOU need but it won't effect level going to the mixer.
You might be running the pre amp gain to high on the amp (is the bass you are playing Active also and are you cranking everything all the way up on the bass)
Also if the compressor and EQ in the amp are POST DI then using a DI box you are not losing anything anyway.
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Last edited by uhdinator : 11-13-2010 at 09:59 PM.
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11-17-2010, 09:26 AM
|  | Registered User | | Join Date: Jun 2009 Location: Washington, PA | | | Pad at the board.
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11-19-2010, 07:26 PM
| | | | Hey Bobster, I think I ran into the exact same problem. I see you found a solution that seems to work right now, but I would like to ad something that could also help. I play through a behringer rig myself. My soundman and me have wars sometimes because he was complaining that my signal was too hot coming from my amp when i ran direct. He wanted to mic the cab, something I do not like doing mainly because we dont have the right kinds of mics to get a good bass sound that way. Anyway, I was having to turn my amp down way too low to the point where I couldnt get the right sound out of my 8 X 10 and couldnt hear the sounds I was making over the drums. Long story short, just as a default I had been using the bass and treble boost buttons on my amp. I didnt realize that this dramatically boosts the signal. It doesnt seem to bother the speaker cabinet, but the board couldnt handle it. So I stopped using those buttons and actually turned the volume and gain on my amp way higher than before. Not only did my signal stop clipping at the board, but I can basically jack my amp so loud that I can feel it in my chest. Plus, my soundman is much much happier. If you have those treble and bass boost buttons on your amp, try turning them off and turning up your volume. Worked great for me. | 
11-19-2010, 08:02 PM
|  | http://greenboy.us/forum/ greenboy designs: fEARful, bassic, dually, crazy88 etc | | Join Date: Dec 2000 Location: remote mountain cabin Montana | | | I didn't read the thread, but if board padding is non-existent or not enough, get something to address that rather than changing the way you run your rig. | | Thread Tools | Search this Thread | | | |
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