Quote:
Originally Posted by Steve I don't think that mix is about what frequencies of bass to boost.
I think it's about what low frequencies are cut from the guitar tone that makes room for the bass in the mix.
Sounds to me like there's about a 200hz high pass on the guitars. |
+1. Coheed has brighter guitars to start with, and they're pulled back and hi-passed on the Starland Ballroom mix. Mic's tone is pretty mid-heavy, too, especially in that video. Lots of low mids. If I was working with similar-minded guitarists, a wide bump centred anywhere from 300hz to 500hz would be just the ticket, depending on where the guitars are getting their body.