|  | 
06-07-2008, 06:13 PM
| | Registered User | | Join Date: Feb 2008 Location: Sacramento,CA | | | Wall of Sound?
Sign in to disble this ad
How beneficial or un-beneficial is a so-called "Wall of Sound"? Basically where the band puts ALL the amps etc..behind everyone on stage? with just PA's and subs out front?
__________________
SX SJB-57 5-String Sunburst EMG LJ5's w/Audere Preamp
Ampeg BA210SP Combo Amp
1966 Original Fender Bass Case
SX Bass Club Member in Good Standing
| 
06-07-2008, 10:59 PM
| | Registered User | | Join Date: Apr 2007 Location: Finland (Northern Europe) | | Hi.
As I understand it, what You described is the "normal", usual way and in the wall of sound also the PA cabs are behind the band. At least that's how I've done it  .
Small places, wall of sound for me. Larger places, usually a normal setup.
The benefits, well it's easier to mix from the stage and helps You with balance, everything sounds more natural (to me at least) and the band takes up less space.
Th main reason not to do it, would be the going deaf part. On a loud gig, the stage sound level can rise rather quickly, and the vocals are a bit tricky to control. Another reason is the vocal mic feedback, along with the feedback from every other open mic on stage.
Regards
Sam | 
06-08-2008, 08:52 AM
| | Registered User | | Join Date: Mar 2005 Location: Brisbane | | | 1974-like?
Ah, The Dead. Glory days.
__________________ www.slowreview.com ~ No guff. No rush.
~~ Warwick [the Ducati of Bass] Club member #27 ~~
| 
06-09-2008, 09:57 AM
|  | Registered User | | | | | Yeah, the birth of the line array
__________________ Quote:
Originally Posted by Bardley Does this mean if I think your tone sucks @$$ and you are ruining my mix I can come smash your bass on the floor? | Fretless member#31
| 
06-09-2008, 10:17 AM
| | Registered User | | Join Date: Jan 2005 Location: New Haven | | | I'm not sure that the GD wall of sound was "the birth" of the line array.
My band has 2 SRM 450's and in certain venues when we have not run our hot spot vocal monitors, I have placed one as a monitor right underneath the other as a main. The idea was to minimize phase issues by having both speakers right above and below one another.
The challenge is to get my band memebers to understand that there is no need for "stereo" placement of the speakers with our mono mix.
Line arrays are pretty much the way to go at concerts now-- it's what you see above the stage in the center, the cruving array of trapezoidal speakers.
__________________
egad, a base tone denotes a bad age!
| 
06-10-2008, 01:07 PM
| | | | That picture is amazing, so was the Wall of Sound... | 
06-16-2008, 05:51 PM
|  | Registered User | | | | | One of the advantages the Dead claimed from the Wall of Sound was that they could maintain reasonable stage volumes. So many of the drivers projected over their heads and past the band, that the volume from the drivers that actually washed the band was not excessive.
__________________
Member #26 - Short Scale Club
Member #9 - Official Medium Scale Club
Member #5 - The (un)Official 18"+ club
"...history doesn't repeat itself, but it rhymes." Mark Twain
| 
06-17-2008, 12:23 AM
| | Temp Banned (TOS Violation) Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | I think the Wall of Sound was a neat curiosity in its day, but I see so many acoustic nightmares in it that it couldn't have been easy to control. I'll take the modern line array/sub arrangement any day. | 
06-17-2008, 01:10 AM
| | Registered User | | Join Date: May 2008 Location: A Cartoon Graveyard | | Here's a wall of sound for ya!!!
This Is from a Who concert in 1975, at the Pontiac Silverdome
Man, no wonder Pete's half deaf!  | 
06-19-2008, 06:46 AM
|  | Registered User | | | | Quote: |
I think the Wall of Sound was a neat curiosity in its day, but I see so many acoustic nightmares in it that it couldn't have been easy to control. I'll take the modern line array/sub arrangement any day.
| No doubt the Dead would agree (they've come light years in their live set up since then, too). The WOS was an attempt to accomplish things that modern technology would have made much easier. It was more than a curiosity, though. When it worked well, it was head and shoulders above anyone else's sound - in or outdoor. Experiments like that raise the bar, if nothing else.
__________________
Member #26 - Short Scale Club
Member #9 - Official Medium Scale Club
Member #5 - The (un)Official 18"+ club
"...history doesn't repeat itself, but it rhymes." Mark Twain
| 
06-19-2008, 06:58 AM
|  | bassist for staind | | | | | birth of the line array ? lol, you gotta go read some audio books from the 1920's-40;s. the line array was around way before the gratefull dead were alive. be carefull of the info on here,,,,,, johnny a | 
06-19-2008, 07:06 AM
|  | bassist for staind | | | | Quote:
Originally Posted by fokof | owsley designed the sound system, not the line array. | 
06-19-2008, 07:09 AM
|  | bassist for staind | | | | Quote:
Originally Posted by The_Ox Here's a wall of sound for ya!!!
This Is from a Who concert in 1975, at the Pontiac Silverdome
Man, no wonder Pete's half deaf!  | once you play big shows, you will realise its quieter onstage than in the crowd  thank heavens,lol. johnny a | 
06-19-2008, 06:08 PM
| | Registered User | | Join Date: May 2008 Location: SoCal | | | Never cared much for concerts that were Wall of Sound. Wall of Noise, more like. But man, do you start to realize what a wide range of (very loud) sounds can be emitted by musical instruments.
And it's so different behind the stage or onstage, I always wondered what the musicians thought we were listening to, out in the audience - often, the audience made so much of its own noise, it was its own wall.
__________________
Darryl Jones, John Paul Jones, Paul Denman, Berry Oakley, Tom Barney, Freddie Washington
Fender Jazz Bass Club Member #188, Fender MIA Club Member #195
| 
06-21-2008, 10:59 AM
|  | Registered User | | | | Quote:
Originally Posted by staindbass owsley designed the sound system, not the line array. | Can't beleive how we have to be precise on what we say on forums sometimes.......
What I was trying to say when I said "birth of the line array" is;
This concept of putting alot of same sized speaker on top of each other , wich was named "line array" long after , was first applied in "live" PA reinforcement by Owsley.
People picked up on this idea later to develop the Line array we know today. Quote:
Originally Posted by staindbass birth of the line array ? lol, you gotta go read some audio books from the 1920's-40;s. the line array was around way before the gratefull dead were alive. be carefull of the info on here,,,,,, johnny a | Please post the link where I can see PA reinforcement in Live situation of a "line array" in the 20-40's. I'm very curious to see that....
__________________ Quote:
Originally Posted by Bardley Does this mean if I think your tone sucks @$$ and you are ruining my mix I can come smash your bass on the floor? | Fretless member#31
| 
06-21-2008, 11:41 AM
| | Temp Banned (TOS Violation) Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | Actually, Johnny A is right. They didn't call them "line arrays," but stacking same-sized speakers vertically has been around for ages. Ever see those Shure Vocal master PA's from the 60's? Same concept. According to Bill Fitzmaurice, stacking has been touted as the way to set up a PA pretty much since PA's existed, but people didn't use them once the big PA systems came out because of the mistaken belief that PA's worked like light shows. | 
06-21-2008, 01:35 PM
|  | Registered User | | | | OK
I'm very curious to see a 20's PA 
__________________ Quote:
Originally Posted by Bardley Does this mean if I think your tone sucks @$$ and you are ruining my mix I can come smash your bass on the floor? | Fretless member#31
| | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |