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03-04-2013, 12:46 PM
| | Registered User | | Join Date: Sep 2008 Location: ct/ny border | | | when is a subwoofer needed? so my band is not entirely sold on the concept of getting a powered sub. i feel like i'm arguing with a brick wall. they all agree that improving the sound is important, but not at all sold on needing a sub.
our PA has done a spectacular job so far: 2x qsc hpr12s as mains, and k12/k10s as monitors. we have 2 drummers, bass, keys, 2 guitars, 3 singers.
we had 140+ people at our last gig, and our soundguy said our mains just couldn't handle it. that we need a sub. i immediately started shopping and trying to get band support to buy a ksub. i was immediately met w/ "do we really need it?"
to their defense, we've played this specific room before. we've played all our indoor gigs without a sub. this was the biggest in terms of # of ppl, but at the end of the day, we're still doing smallish bars.
they also argued that: isn't there enough bass coming out of my amp? to which i replied - my amp (dually/1500w power amp) has more than enough headroom. but we're supposed to keep a moderate stage volume. plus we need to get keys and kick lows out of the fullrange mains to let them do their job.
anyway - can you guys help me? tell me some rules of thumb (# of ppl) or something about when a sub is required. something i can point them to read. anything. or tell me i'm wrong so i'm not fighting this fight in vein.
greg
Last edited by hgregs : 03-04-2013 at 01:58 PM.
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03-04-2013, 12:54 PM
| | Registered User | | Join Date: Mar 2006 Location: East Central Wisconsin | | | My PA uses rather small cabinets...four single 10's and horn. They've performed well, even for outdoor gigs. I use two small subs, single 15's. I drove the subs from an Aux send, and only put bass and kick into them. It worked fine.
Then our guitar player bought some powered QSC's, a new mixer and one sub. The sub is a stand for one of the mains, and carries the kick. At outdoor gigs, we do put the bass and guitar into the mains, so the sub carries the low bass.
Most of the time, only vocals and kick are in the PA and the sub is only for kick. We trigger the kick and use a nice, consistent kick sample that sounds great in the PA without the feedback and instrument bleed problems with a kick mic. | 
03-04-2013, 12:56 PM
| | Registered User | | Join Date: Aug 2010 Location: los angeles | | | Kick and keys. That's all that needs to be said. It's not just for bass, as you say, your amp can handle that, but the kick shouldn't be wasting watts in the mains. Keys can destroy mains very easily. You sound guy was right. You may not need anything crazy, but a little sub can go a long way to clean up the mains by running them more efficiently. | 
03-04-2013, 01:36 PM
| | Registered User | | Join Date: Sep 2012 Location: Omaha, NE | | | I agree that it's mainly for the kick drum. Personally I'd use at least the one 15" powered sub I have for anything above a coffee-house gig.
We play a small bar near my house and I run kick, snare, bass, guitar and keys through the mains.
It really baffles me that many musicians seem to think it sounds OK without a sub. I've heard a few bands that can pull it off, but they are in the extreme minority.
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Mike
'12 Am Std Jazz, '93 Carvin BB-75, Squier VM 70's Jazz, Squier CV 50's Precision
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03-04-2013, 01:40 PM
|  | Registered User | | Join Date: Jul 2012 Location: NYC | | | Your Bass amp is meant for you and your band memebers to hear you, the PA Sub is meant for everyone else in the crowd to feel you. If you get a sub, your PA wont have to work its ass off so hard to support the Bass, leaving it running more efficiently and able get the crowd to hear the rest of the band without it being pushed to its limits. At some point and most likely soon as your gig sizes grow your PA will give out because its been working so hard and then you will sound like a Junior Varsity band that has a weak PA instead of a seasoned band of Pro's providing hours of solid entertainment worth every penny spent.
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03-04-2013, 01:48 PM
|  | Registered User | | Join Date: Jul 2009 Location: Columbia, Maryland | | Quote:
Originally Posted by lokikallas a little sub can go a long way to clean up the mains by running them more efficiently. | +1 on that
Sorry, I can't offer any source of info or rules of thumb you can point to and I'm not an expert by any means, but I can commiserate some.
Your situation is different, but it makes my laugh a little at my own band dynamics and the subwoofer battles I've been in. There is an aspect that feels familiar in that I was pushing for a sub in my old band, and the rest rest of the guys felt that it was would only be benefiting me. It sounds like you might have a little of that going on.
With my new band, they've always hired pa when no house sound was available. It looks like we're going to be getting some smaller bar gigs too, and it'll make sense to put together a band pa. The latest battle is trying to convince them that one 15" sub can handle anything up to the point that we're hiring pa. They're unfamiliar with the idea, so it seems wrong to them. I googled and search high and low but couldn't find anything to put in front of them.
Like lokikallas was saying, one benefit is to the mains, and so the overall sound. It doesn't have to be loud, nightclub thumping sub bass. A buddy of mine has a 3 piece band that always impresses me. They play a lot of small bars and do exceedingly well at playing at levels that allow conversation. I think a lot of people would say "What the hell are you doing micing drums in this small of a venue?" But they run guitar, bass and kick through the pa at very low levels. They have a single 12" sub, and they just get this killer, rich sound. It's not louder, just better. | 
03-04-2013, 01:56 PM
| | Registered User | | Join Date: Sep 2012 Location: Omaha, NE | | Quote:
Originally Posted by drpepper With my new band, they've always hired pa when no house sound was available. It looks like we're going to be getting some smaller bar gigs too, and it'll make sense to put together a band pa. The latest battle is trying to convince them that one 15" sub can handle anything up to the point that we're hiring pa. They're unfamiliar with the idea, so it seems wrong to them. I googled and search high and low but couldn't find anything to put in front of them.
Like lokikallas was saying, one benefit is to the mains, and so the overall sound. It doesn't have to be loud, nightclub thumping sub bass. A buddy of mine has a 3 piece band that always impresses me. They play a lot of small bars and do exceedingly well at playing at levels that allow conversation. I think a lot of people would say "What the hell are you doing micing drums in this small of a venue?" But they run guitar, bass and kick through the pa at very low levels. They have a single 12" sub, and they just get this killer, rich sound. It's not louder, just better. | You are right on the money with this
You can see the sub with one main on a pole next to me, other main is in the upper left on a stand. 
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Mike
'12 Am Std Jazz, '93 Carvin BB-75, Squier VM 70's Jazz, Squier CV 50's Precision
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03-04-2013, 02:19 PM
|  | Registered User | | Join Date: Feb 2009 Location: Southern California | | | The benefits of subs cannot be overstated. Here's the rule of thumb for your bandmates: every professional PA system has subs. Period.
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03-04-2013, 02:36 PM
| | Registered User | | Join Date: Aug 2007 Location: Waterford, MI | | | Subs are not a # of people issue, they're an amount of sound pressure issue. Any system regardless of crowd or venue size can benefit from a proportional sized/mixed sub. By dedicating an amp and driver(s) to handle the low frequencies (push air) you don't have to push the full range speakers as hard to move the same amount of sound pressure. The result is more control over the bottom end of the mix and cleaner, more efficient main speakers since you can set the level and eq of the subs and mains separately (if you set it up that way). Make sure you have a good crossover though because a full range speaker+full range sub or even a full range speaker with only a low pass on the sub can equal a lot of mud.
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Last edited by carvinbassplyr : 03-04-2013 at 03:18 PM.
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03-04-2013, 02:49 PM
| | Registered User | | Join Date: Aug 2007 Location: Waterford, MI | | Quote:
Originally Posted by lokikallas Kick and keys. That's all that needs to be said. | Quote:
Originally Posted by tbirdsp I agree that it's mainly for the kick drum. |
Yep! Honestly I don't like a ton of my bass coming from of the subs, it gets too boomy. Subs are to be felt not "heard" IMO. Mixes with subs crossed over @ 150hz and driving 80% of the bass player's tone through them sound like garbage IMO. Use the subs to give the kick a nice thump and maybe add a LITTLE bit of depth to your bass and keys. Careful though, the more bass (whether it be bass guitar, synth or keys) you pump through your subs the less clarity your kick will have because the driver is to busy moving to produce the constant bombardment from the other instruments.
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Last edited by carvinbassplyr : 03-04-2013 at 03:07 PM.
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03-04-2013, 04:22 PM
| | Registered User | | Join Date: Jan 2004 Location: montana | | | My band ALWAYS uses subs. If I was the OP I would get either a QSC KW 181 or if you can find some used QSC HPR 181 or 151. They are probably a better match for your tops.
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03-04-2013, 04:39 PM
| | Registered User | | Join Date: Nov 2009 Location: Northern MI | | | Not trying to hijack this thread, I just have one question since we're on the topic.
What frequency works best to run a sub?
I borrowed a pair of subs and a crossover from a dj friend and used them, but I thought they were too club sounding. Not wanting to mess with his stuff, I left it alone and turned down a bit.
Using mostly just kick (bass if needed) in a rock situation. | 
03-04-2013, 04:53 PM
| | Registered User | | Join Date: Aug 2007 Location: Waterford, MI | | Quote:
Originally Posted by jchrisk1 Not trying to hijack this thread, I just have one question since we're on the topic.
What frequency works best to run a sub?
I borrowed a pair of subs and a crossover from a dj friend and used them, but I thought they were too club sounding. Not wanting to mess with his stuff, I left it alone and turned down a bit.
Using mostly just kick (bass if needed) in a rock situation. | Somewhere around the 80-90hz area IME. It depends on how much "thump" the main speakers have. Mains with larger drivers produce more low mids and vice versa so that moves the ideal x-over point around a bit, but it should still fall within (or around) that frequency area.
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Last edited by carvinbassplyr : 03-04-2013 at 05:01 PM.
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03-04-2013, 05:01 PM
| | Registered User | | Join Date: Nov 2009 Location: Northern MI | | | Thanks. That will get me in the area. Then I can go from there. | 
03-04-2013, 05:10 PM
| | Registered User | | Join Date: Aug 2007 Location: Waterford, MI | | Quote:
Originally Posted by jchrisk1 Thanks. That will get me in the area. Then I can go from there. | You should be able to find a point where the subs seems to "overlap" the lows of the mains too much (will sound a little boxy/muddy), which means the x-over is set too high. Then you should find a point where there seems to be a "hole" between the response of the mains and the subs (sounds thin, without punch), which means the x-over is set too low. Once you're in the ballpark, then you just find the balance of filling in the sub without overlapping the mains too much.
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03-04-2013, 06:45 PM
| | Registered User | | Join Date: Aug 2006 Location: Austin, TX | | | A slightly different slant on things: buy it yourself. Band-owned equipment stories almost always end badly. The band should pay for damage to gear, should it occur in connection with a gig, but IMO equipment should be owned by individuals. | 
03-05-2013, 01:07 AM
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Originally Posted by drpepper It's not louder, just better. | all that needs to be said.
if this band wants a full, warm, ear-pleasing sound, they need to cover that missing bottom octave that speakers on sticks just won't get. anything less is garage band or "old folks home" band 
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03-05-2013, 01:20 AM
| | Registered User Endorsing Artist: Genz Benz Amplification | | Join Date: Jan 2010 Location: Nashville | | | You can get a passive sub for around $200, and a 2x300w amp (that you can bridge for usually 540w) for about $300. No reason not to at least have one sub. | 
03-05-2013, 02:43 PM
| | Registered User | | Join Date: May 2008 Location: Sioux Falls, SD | | | If you've got a kick drum and an electric bass in your band... and you want to sound professional... you need a subwoofer.
Nothing sends me out of the room faster than a midrange heavy band with no bottom end.
Last edited by jaywa : 03-05-2013 at 02:47 PM.
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03-05-2013, 03:50 PM
| | | | Sub every gig. We use a small PA - Yorkville powered mains with 12's, and one sub. Taking the lows out of the main speakers hugely increases your punch. Keys, kick, toms, and bass go to our sub. If I wanted to increase our overall volume level, I'd add another sub.
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