Go Back   TalkBass Forums > Bass Guitar Forums > Bass Guitar Forums > Live Sound [BG]
Register Rules/FAQ/CUP Members List Search Today's Posts Mark Forums Read

Live Sound [BG] New! All issues related to live sound reinforcement & PA systems


Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 03-04-2013, 12:46 PM
Registered User
 
Join Date: Sep 2008
Location: ct/ny border
Supporting Member
when is a subwoofer needed?

so my band is not entirely sold on the concept of getting a powered sub. i feel like i'm arguing with a brick wall. they all agree that improving the sound is important, but not at all sold on needing a sub.

our PA has done a spectacular job so far: 2x qsc hpr12s as mains, and k12/k10s as monitors. we have 2 drummers, bass, keys, 2 guitars, 3 singers.

we had 140+ people at our last gig, and our soundguy said our mains just couldn't handle it. that we need a sub. i immediately started shopping and trying to get band support to buy a ksub. i was immediately met w/ "do we really need it?"

to their defense, we've played this specific room before. we've played all our indoor gigs without a sub. this was the biggest in terms of # of ppl, but at the end of the day, we're still doing smallish bars.

they also argued that: isn't there enough bass coming out of my amp? to which i replied - my amp (dually/1500w power amp) has more than enough headroom. but we're supposed to keep a moderate stage volume. plus we need to get keys and kick lows out of the fullrange mains to let them do their job.

anyway - can you guys help me? tell me some rules of thumb (# of ppl) or something about when a sub is required. something i can point them to read. anything. or tell me i'm wrong so i'm not fighting this fight in vein.

greg

Last edited by hgregs : 03-04-2013 at 01:58 PM.
  #2  
Old 03-04-2013, 12:54 PM
Registered User
 
Join Date: Mar 2006
Location: East Central Wisconsin
My PA uses rather small cabinets...four single 10's and horn. They've performed well, even for outdoor gigs. I use two small subs, single 15's. I drove the subs from an Aux send, and only put bass and kick into them. It worked fine.

Then our guitar player bought some powered QSC's, a new mixer and one sub. The sub is a stand for one of the mains, and carries the kick. At outdoor gigs, we do put the bass and guitar into the mains, so the sub carries the low bass.

Most of the time, only vocals and kick are in the PA and the sub is only for kick. We trigger the kick and use a nice, consistent kick sample that sounds great in the PA without the feedback and instrument bleed problems with a kick mic.
  #3  
Old 03-04-2013, 12:56 PM
Registered User
 
Join Date: Aug 2010
Location: los angeles
Kick and keys. That's all that needs to be said. It's not just for bass, as you say, your amp can handle that, but the kick shouldn't be wasting watts in the mains. Keys can destroy mains very easily. You sound guy was right. You may not need anything crazy, but a little sub can go a long way to clean up the mains by running them more efficiently.
  #4  
Old 03-04-2013, 01:36 PM
Registered User
 
Join Date: Sep 2012
Location: Omaha, NE
I agree that it's mainly for the kick drum. Personally I'd use at least the one 15" powered sub I have for anything above a coffee-house gig.

We play a small bar near my house and I run kick, snare, bass, guitar and keys through the mains.

It really baffles me that many musicians seem to think it sounds OK without a sub. I've heard a few bands that can pull it off, but they are in the extreme minority.
__________________
Mike
'12 Am Std Jazz, '93 Carvin BB-75, Squier VM 70's Jazz, Squier CV 50's Precision
  #5  
Old 03-04-2013, 01:40 PM
RedMoses's Avatar
Registered User
 
Join Date: Jul 2012
Location: NYC
Supporting Member
Your Bass amp is meant for you and your band memebers to hear you, the PA Sub is meant for everyone else in the crowd to feel you. If you get a sub, your PA wont have to work its ass off so hard to support the Bass, leaving it running more efficiently and able get the crowd to hear the rest of the band without it being pushed to its limits. At some point and most likely soon as your gig sizes grow your PA will give out because its been working so hard and then you will sound like a Junior Varsity band that has a weak PA instead of a seasoned band of Pro's providing hours of solid entertainment worth every penny spent.
__________________
Marco Bass P/J 4 || 87' Thumb Bass 5 || 03' Thumb Bass LTD Bleached Blonde || Tomkins Australia P/J 4 || GenzBenz GBE750 || Aguilar DB212 || Radial Tone Bone || Aguilar TLC & Octomizer ||
  #6  
Old 03-04-2013, 01:48 PM
drpepper's Avatar
Registered User
 
Join Date: Jul 2009
Location: Columbia, Maryland
Supporting Member
Quote:
Originally Posted by lokikallas View Post
a little sub can go a long way to clean up the mains by running them more efficiently.
+1 on that

Sorry, I can't offer any source of info or rules of thumb you can point to and I'm not an expert by any means, but I can commiserate some.

Your situation is different, but it makes my laugh a little at my own band dynamics and the subwoofer battles I've been in. There is an aspect that feels familiar in that I was pushing for a sub in my old band, and the rest rest of the guys felt that it was would only be benefiting me. It sounds like you might have a little of that going on.

With my new band, they've always hired pa when no house sound was available. It looks like we're going to be getting some smaller bar gigs too, and it'll make sense to put together a band pa. The latest battle is trying to convince them that one 15" sub can handle anything up to the point that we're hiring pa. They're unfamiliar with the idea, so it seems wrong to them. I googled and search high and low but couldn't find anything to put in front of them.

Like lokikallas was saying, one benefit is to the mains, and so the overall sound. It doesn't have to be loud, nightclub thumping sub bass. A buddy of mine has a 3 piece band that always impresses me. They play a lot of small bars and do exceedingly well at playing at levels that allow conversation. I think a lot of people would say "What the hell are you doing micing drums in this small of a venue?" But they run guitar, bass and kick through the pa at very low levels. They have a single 12" sub, and they just get this killer, rich sound. It's not louder, just better.
__________________
Brubaker Brute JJX5 • LĀKLAND 5501 • TCE RH750/BG250 • Genz Benz Uber410

Smash Factory | Facebook

Any The Wiser | Facebook

Red Shift | Facebook
  #7  
Old 03-04-2013, 01:56 PM
Registered User
 
Join Date: Sep 2012
Location: Omaha, NE
Quote:
Originally Posted by drpepper View Post
With my new band, they've always hired pa when no house sound was available. It looks like we're going to be getting some smaller bar gigs too, and it'll make sense to put together a band pa. The latest battle is trying to convince them that one 15" sub can handle anything up to the point that we're hiring pa. They're unfamiliar with the idea, so it seems wrong to them. I googled and search high and low but couldn't find anything to put in front of them.

Like lokikallas was saying, one benefit is to the mains, and so the overall sound. It doesn't have to be loud, nightclub thumping sub bass. A buddy of mine has a 3 piece band that always impresses me. They play a lot of small bars and do exceedingly well at playing at levels that allow conversation. I think a lot of people would say "What the hell are you doing micing drums in this small of a venue?" But they run guitar, bass and kick through the pa at very low levels. They have a single 12" sub, and they just get this killer, rich sound. It's not louder, just better.
You are right on the money with this



You can see the sub with one main on a pole next to me, other main is in the upper left on a stand.

__________________
Mike
'12 Am Std Jazz, '93 Carvin BB-75, Squier VM 70's Jazz, Squier CV 50's Precision
  #8  
Old 03-04-2013, 02:19 PM
testing1two's Avatar
Registered User
 
Join Date: Feb 2009
Location: Southern California
GOLD Supporting Member
The benefits of subs cannot be overstated. Here's the rule of thumb for your bandmates: every professional PA system has subs. Period.
__________________
Quote:
Originally Posted by bradjonesbass View Post
Study what Pino does and do that! WWPD?
Quote:
"Bob Babbitt changed the world with 4 strings and a groove." -Dave Pomeroy
  #9  
Old 03-04-2013, 02:36 PM
Registered User
 
Join Date: Aug 2007
Location: Waterford, MI
Subs are not a # of people issue, they're an amount of sound pressure issue. Any system regardless of crowd or venue size can benefit from a proportional sized/mixed sub. By dedicating an amp and driver(s) to handle the low frequencies (push air) you don't have to push the full range speakers as hard to move the same amount of sound pressure. The result is more control over the bottom end of the mix and cleaner, more efficient main speakers since you can set the level and eq of the subs and mains separately (if you set it up that way). Make sure you have a good crossover though because a full range speaker+full range sub or even a full range speaker with only a low pass on the sub can equal a lot of mud.
__________________
P&W Bassists Club member #1212

Last edited by carvinbassplyr : 03-04-2013 at 03:18 PM.
  #10  
Old 03-04-2013, 02:49 PM
Registered User
 
Join Date: Aug 2007
Location: Waterford, MI
Quote:
Originally Posted by lokikallas View Post
Kick and keys. That's all that needs to be said.
Quote:
Originally Posted by tbirdsp View Post
I agree that it's mainly for the kick drum.

Yep! Honestly I don't like a ton of my bass coming from of the subs, it gets too boomy. Subs are to be felt not "heard" IMO. Mixes with subs crossed over @ 150hz and driving 80% of the bass player's tone through them sound like garbage IMO. Use the subs to give the kick a nice thump and maybe add a LITTLE bit of depth to your bass and keys. Careful though, the more bass (whether it be bass guitar, synth or keys) you pump through your subs the less clarity your kick will have because the driver is to busy moving to produce the constant bombardment from the other instruments.
__________________
P&W Bassists Club member #1212

Last edited by carvinbassplyr : 03-04-2013 at 03:07 PM.
  #11  
Old 03-04-2013, 04:22 PM
Registered User
 
Join Date: Jan 2004
Location: montana
My band ALWAYS uses subs. If I was the OP I would get either a QSC KW 181 or if you can find some used QSC HPR 181 or 151. They are probably a better match for your tops.
__________________
Modulus quantum 5, Modulus vj, Lakland 55-02, Spector Euro4LX. Genz Benz shuttlemax 12.0, Genz Benz Uber 212, Uber 410, Shuttle 6.0 -12T combo, Shuttle 3.0-10t.
  #12  
Old 03-04-2013, 04:39 PM
Registered User
 
Join Date: Nov 2009
Location: Northern MI
Not trying to hijack this thread, I just have one question since we're on the topic.

What frequency works best to run a sub?

I borrowed a pair of subs and a crossover from a dj friend and used them, but I thought they were too club sounding. Not wanting to mess with his stuff, I left it alone and turned down a bit.
Using mostly just kick (bass if needed) in a rock situation.
  #13  
Old 03-04-2013, 04:53 PM
Registered User
 
Join Date: Aug 2007
Location: Waterford, MI
Quote:
Originally Posted by jchrisk1 View Post
Not trying to hijack this thread, I just have one question since we're on the topic.

What frequency works best to run a sub?

I borrowed a pair of subs and a crossover from a dj friend and used them, but I thought they were too club sounding. Not wanting to mess with his stuff, I left it alone and turned down a bit.
Using mostly just kick (bass if needed) in a rock situation.
Somewhere around the 80-90hz area IME. It depends on how much "thump" the main speakers have. Mains with larger drivers produce more low mids and vice versa so that moves the ideal x-over point around a bit, but it should still fall within (or around) that frequency area.
__________________
P&W Bassists Club member #1212

Last edited by carvinbassplyr : 03-04-2013 at 05:01 PM.
  #14  
Old 03-04-2013, 05:01 PM
Registered User
 
Join Date: Nov 2009
Location: Northern MI
Thanks. That will get me in the area. Then I can go from there.
  #15  
Old 03-04-2013, 05:10 PM
Registered User
 
Join Date: Aug 2007
Location: Waterford, MI
Quote:
Originally Posted by jchrisk1 View Post
Thanks. That will get me in the area. Then I can go from there.
You should be able to find a point where the subs seems to "overlap" the lows of the mains too much (will sound a little boxy/muddy), which means the x-over is set too high. Then you should find a point where there seems to be a "hole" between the response of the mains and the subs (sounds thin, without punch), which means the x-over is set too low. Once you're in the ballpark, then you just find the balance of filling in the sub without overlapping the mains too much.
__________________
P&W Bassists Club member #1212
  #16  
Old 03-04-2013, 06:45 PM
Registered User
 
Join Date: Aug 2006
Location: Austin, TX
A slightly different slant on things: buy it yourself. Band-owned equipment stories almost always end badly. The band should pay for damage to gear, should it occur in connection with a gig, but IMO equipment should be owned by individuals.
__________________
Gordon in Austin
http://www.crystalflavola.com
  #17  
Old 03-05-2013, 01:07 AM
Supportive Fender
 
Join Date: Feb 2009
GOLD Supporting Member
Quote:
Originally Posted by drpepper View Post
It's not louder, just better.
all that needs to be said.

if this band wants a full, warm, ear-pleasing sound, they need to cover that missing bottom octave that speakers on sticks just won't get. anything less is garage band or "old folks home" band
__________________
Walter Wright
Guitar Repair Gnome
Alpha Music, VA Beach
  #18  
Old 03-05-2013, 01:20 AM
Registered User

Endorsing Artist: Genz Benz Amplification
 
Join Date: Jan 2010
Location: Nashville
You can get a passive sub for around $200, and a 2x300w amp (that you can bridge for usually 540w) for about $300. No reason not to at least have one sub.
  #19  
Old 03-05-2013, 02:43 PM
Registered User
 
Join Date: May 2008
Location: Sioux Falls, SD
If you've got a kick drum and an electric bass in your band... and you want to sound professional... you need a subwoofer.

Nothing sends me out of the room faster than a midrange heavy band with no bottom end.

Last edited by jaywa : 03-05-2013 at 02:47 PM.
  #20  
Old 03-05-2013, 03:50 PM
Registered User
 
Join Date: Dec 2008
Sub every gig. We use a small PA - Yorkville powered mains with 12's, and one sub. Taking the lows out of the main speakers hugely increases your punch. Keys, kick, toms, and bass go to our sub. If I wanted to increase our overall volume level, I'd add another sub.
__________________
Rob...
Aguilar DB750...Aguilar TH500...Eden 210XST...Eden 210XST...Eden WT-550...AER Amp Three
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Visit TalkBass on Facebook   Download our iOS app   Download our Android app

All times are GMT -6. The time now is 02:35 PM.




© 2012 Talk Music Group Inc. All rights reserved.
Play guitar too? Visit TalkGuitar.com
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2013, Jelsoft Enterprises Ltd.