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  #1  
Old 05-20-2004, 02:19 PM
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Question [B]Great R&B Sound?[/B]

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Hey, I’m hoping a few of you could help me out. I’ve been listening to a lot of R&B lately esp. D’Angelo’s “Voodoo” (a classic modern r&b album) and was wondering if anyone has had experience getting that really compressed, horn like mid’s sound with lots of dynamics and how they achieved it? Generally is it your bass, compressor, your rig? I play a G&L L-2500 through an Acme B-2 and Carvin R600. I realize being an experienced bass player makes the greatest difference but I’d like to start down that path with some good advice. Thanks.
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Old 05-26-2004, 08:48 AM
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Location: San Antone
Pino Palladino played bass on that album. There was an article him in Bass Player a couple months ago and he talked a bit about the recording. I believe he used a vintage P with flatwounds. And I know he is an Ashdown endorser. Are you trying to get that sound in the studio, live, or both? Your rig may be a little "clean", but flatwounds and tube effects/preamps would probably help you. Maybe something as simple as an Aguilar outboard pre- feeding your amp.

Technique wise, I know a lot of players doing the hip-hop, r&b thing these days talk a lot about thumb plucking (not sure if Pino does that). An old school technique that seems to be resurfacing.

Also, check out Roy Hargrove's "Hard Groove". Pino played on that one as well as Reggie Washington (this cat is unreal).

Last edited by bino : 05-26-2004 at 08:57 AM.
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Old 05-26-2004, 10:08 AM
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This is more a question of tone then technique.


Pino is the man. IMO best fretless player ever.
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  #4  
Old 10-24-2004, 01:30 AM
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Quote:
Originally Posted by Matt Till
This is more a question of tone then technique.


Pino is the man. IMO best fretless player ever.
Pino does kick, but yeah, that tone is soo nice on that album. And D'Angelo's live stuff is great...its really awesome soul and funk stuff! The Soultronix are the ****, and D'Angelo let em do quite a bit, reminds me of Prince's shows, except with less prince. um...Yeah, 63 P, flatwounds, downtuned to either D or C#. I dont know, he gets a lot of punch in the mids and with no string noise, just pure tone that makes you wanna...well...just great stuff.
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