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12-31-2006, 11:00 AM
| | | | 4 string arpeggios
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The scale charts are everywhere but is there anyone on the net who could be bother to write down the common arpeggios for 4 STRING and ALL over the fretboard. Not just tiny box shape.  | 
12-31-2006, 09:32 PM
| | Registered User | | Join Date: Dec 2006 Location: CT | | | It is a tiny box shape though, just move it around, the root (1st note you play) note is the arpeggio you are playing. the shape stays the same no matter where you are on the neck...Look for the finger pattern they are describing with the "tiny box" | 
12-31-2006, 11:00 PM
| | Registered User | | Join Date: May 2006 Location: Somers, New York | | | Actually, I would like to know some as well, I'll keep an eye on this thread
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01-01-2007, 12:57 AM
| | Registered User | | Join Date: Apr 2004 Location: New Zealand | | First I would identify where all the notes of the Major Diatonic Scale (key of C perhaps), between the nut and fret 12. From there you can easierly find where the broken chords occur. Code: C Major
Scale C Dm Em F G Am Bo
0000 |||| |||| 0||0 |||| |||| |||| ||||
0||| |||| |||| |||| 0||| |||| |||| ||||
|000 |||| |||| |00| |||0 |||| |||| ||||
000| |||| |||| |||| |00| 0||| |||| ||||
|||0 |||| |||| |||| |||| |||0 |||| ||||
0000 |||| |||| |||| |||| |00| 0||0 ||||
|||| |||| |||| |||| |||| |||| |||| ||||
0000 |||| |||| |||| |||| |||| |00| 0||0
00|| 0||| |||| |||| |||| |||| |||| |0||
||00 |||0 |||| |||| |||| |||| |||| ||0|
0000 |00| 0||0 |||| |||| |||| |||| ||||
|||| |||| |||| |||| |||| |||| |||| ||||
0000 |||| |00| |||| |||| |||| |||| ||||
Last edited by Correlli : 01-01-2007 at 01:02 AM.
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01-18-2007, 02:59 AM
|  | Registered User Endorsing Artist: Spector, Aguilar, EMG, Coffin Case, Maxon | | Join Date: Jun 2005 Location: las vegas/maui, nevada/hawaii | | Quote:
Originally Posted by Kiwi Kid First I would identify where all the notes of the Major Diatonic Scale (key of C perhaps), between the nut and fret 12. From there you can easierly find where the broken chords occur. Code: C Major
Scale C Dm Em F G Am Bo
0000 |||| |||| 0||0 |||| |||| |||| ||||
0||| |||| |||| |||| 0||| |||| |||| ||||
|000 |||| |||| |00| |||0 |||| |||| ||||
000| |||| |||| |||| |00| 0||| |||| ||||
|||0 |||| |||| |||| |||| |||0 |||| ||||
0000 |||| |||| |||| |||| |00| 0||0 ||||
|||| |||| |||| |||| |||| |||| |||| ||||
0000 |||| |||| |||| |||| |||| |00| 0||0
00|| 0||| |||| |||| |||| |||| |||| |0||
||00 |||0 |||| |||| |||| |||| |||| ||0|
0000 |00| 0||0 |||| |||| |||| |||| ||||
|||| |||| |||| |||| |||| |||| |||| ||||
0000 |||| |00| |||| |||| |||| |||| |||| | sorry for sounding n00b.. but whats "Bo" no puns please  | 
01-18-2007, 06:58 AM
| | | Quote:
Originally Posted by diechris sorry for sounding n00b.. but whats "Bo" no puns please  | B Diminished | 
01-18-2007, 03:16 PM
|  | Registered User Endorsing Artist: Spector, Aguilar, EMG, Coffin Case, Maxon | | Join Date: Jun 2005 Location: las vegas/maui, nevada/hawaii | | Quote:
Originally Posted by BlimpPilot B Diminished |
thanks!  | 
01-18-2007, 08:49 PM
| | Registered User | | Join Date: Mar 2006 Location: Central Minnesota | | | in my thinking and extending this a bit further, the graph is depicting the triad, where no matter what key/chord, the I,IV,V are using a major third, the rest are using flatted third, except the vii which is diminished? ... and then you are able to move the pattern wherever on the neck you have sufficient strings to complete the pattern ... ?? ... please correct me if I am missing something ?? | 
01-18-2007, 08:57 PM
| | Registered User | | Join Date: Jul 2006 Location: Seattle, WA | | | I think you've pretty much got it. But I would suggest just concentrating on intervals, and how intervals are combined to make chords rather than memorizing the patterns above. Soounds like you already have a fair understanding of the basic concepts anyway. Once you are proficient at that, you can construct any chord in any key in any position easily (no need for patern diagrams). | 
01-19-2007, 01:09 AM
| | Registered User | | Join Date: Apr 2004 Location: New Zealand | | ^^I don't think it a good idea to try and tell people what they should and shouldn't be doing. for example "no need for patern diagrams"  Standard music notation is a type of diagram that shows various patterns of melody, rhythm, and harmony, is it not?
Everyone develop's there own way of doing things i.e. experience. people "see" music in many different ways, whether it's patterns, numbers, letters, graphs, notation, tab etc. My example is just one of many ways of illustrating a harmony (chord).
Dis some else's diagram 
Last edited by Correlli : 01-19-2007 at 01:20 AM.
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01-19-2007, 01:27 AM
| | Registered User | | Join Date: Jul 2006 Location: Chicago | | Quote:
Originally Posted by Kiwi Kid ^^I don't think it a good idea to try and tell people what they should and shouldn't be doing. for example "no need for patern diagrams"  Standard music notation is a type of diagram that shows various patterns of melody, rhythm, and harmony, is it not?
Everyone develop's there own way of doing things i.e. experience. people "see" music in many different ways, whether it's patterns, numbers, letters, graphs, notation, tab etc. My example is just one of many ways of illustrating a harmony (chord).
Dis some else's diagram  | I think the intent was to tell him to learn chord construction so he doesn't have to rely on someone else's diagram. Not "dissin" the diagram as you say  . | 
01-19-2007, 01:49 AM
| | Registered User | | Join Date: Apr 2004 Location: New Zealand | | Quote:
Originally Posted by 69nites I think the intent was to tell him to learn chord construction so he doesn't have to rely on someone else's diagram. Not "dissin" the diagram as you say  . |
the member diss'd my chart. 
Last edited by Correlli : 01-19-2007 at 01:53 AM.
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01-19-2007, 02:38 AM
| | zzzzzzzzzzzzzzz | | Join Date: Apr 2004 Location: Scotland | | Quote:
Originally Posted by AcidShred The scale charts are everywhere but is there anyone on the net who could be bother to write down the common arpeggios for 4 STRING and ALL over the fretboard. Not just tiny box shape.  | The best idea would be for you to do it for yourself. That way you've got a better chance of learning them. | 
01-19-2007, 04:54 PM
| | Registered User | | Join Date: Jul 2006 Location: Seattle, WA | | Quote:
Originally Posted by 69nites I think the intent was to tell him to learn chord construction so he doesn't have to rely on someone else's diagram. Not "dissin" the diagram as you say  . | thanks 69nites...  | 
01-19-2007, 05:09 PM
| | Registered User | | Join Date: Apr 2004 Location: New Zealand | | Quote:
Originally Posted by bburk thanks 69nites...  | You are right, diagrams, charts, etc are a complete waste of time. Four String Broken Chords  | 
01-19-2007, 06:07 PM
| | Registered User | | Join Date: Jul 2006 Location: Seattle, WA | | Quote:
Originally Posted by Kiwi Kid You are right, diagrams, charts, etc are a complete waste of time. Four String Broken Chords  |
Is there another side of the argument you are having that I am not privy to? | | Thread Tools | Search this Thread | | | |
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