Quote:
Originally Posted by Jazz Ad Michael Manring does awesome things with them.
I used one for a while to get cello-like tones. It's pretty tricky on bass because strings take a while to start moving and you can't rest the device on adjacent strings.
I got pretty good with it and developped a strategy of hammering the notes I wanted. |
+1
I also had fun experimenting with harmonics and feedback with it too. Drove the sound guy nuts. lol I stopped using mine when my fretless got stolen from my church.

It's still cool on a fretted bass, but it just doesn't sound the same / as good.
5sg.