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11-13-2005, 09:39 AM
| | Registered User | | Join Date: Jun 2004 Location: Tampa, Florida | | | Blues shuffle - I need advice
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Hi Guys:
I'm a 20-year player and have played different genres, including a little bit of blues. But now I'm joining a band that does blues exclusively, and as I'm now working on a Johnny Lang song named Matchbox, I'm not sure just how the shuffle thing works.....is it entirely on the drummer to play behind the implied beat, and for the bass to play normally, or do the drums AND bass adjust to the different beat? Thanks for your anticipated advice. Tony Noriega, Tampa | 
11-13-2005, 10:37 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | There's as many different answers to that question as there are drummers and bassists. Personally, I like a shuffle where the bass holds the beat and the drummer plays behind it. Other times I like to have a contest with the drummer to see who can play the most behind the beat without slowing the song down. | 
11-18-2005, 03:28 PM
| | Registered User | | Join Date: Jul 2003 Location: NET | | | With shuffle, syncopated triplets are implied. Both the drummer and the bass player should be aware of this, and should develop a common sensitivity as to how the shuffle works. Tommy Shannon is a great bass player in the genre, so listen to how he does it.
In early rock'n'roll you can often hear a shuffle beat superimposed on a straight 2x4. It's a weird-sounding combination these days, but it's the key to a certain kind of swing that you cannot get any other way. Earl Palmer used to be the master drummer for that.
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Last edited by cdef : 11-18-2005 at 03:53 PM.
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11-19-2005, 12:52 AM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | Danny and the Juniors are like that, too. On "At The Hop" and "Rock And Roll Is Here To Stay," everyone else in the band is playing straight 4/4 except the drummer, who swings it. There's a lot of Huey Piano Smith stuff like that, too. Wouldn't surprise me if Earl Palmer played on that stuff, too. I know he played with him.
Don't know how much that will help you with a blues band, though. Get yourself a Muddy Waters album, an Albert Collins album, and a John Lee Hooker album. That's a good way to start learning how to play with the drums on different shuffles. | 
11-19-2005, 12:57 PM
| | Registered User | | Join Date: Jun 2005 Location: Kansas City | | Quote: |
Originally Posted by JimmyM Danny and the Juniors are like that, too. On "At The Hop" and "Rock And Roll Is Here To Stay," everyone else in the band is playing straight 4/4 except the drummer, who swings it. There's a lot of Huey Piano Smith stuff like that, too. Wouldn't surprise me if Earl Palmer played on that stuff, too. I know he played with him.
Don't know how much that will help you with a blues band, though. Get yourself a Muddy Waters album, an Albert Collins album, and a John Lee Hooker album. That's a good way to start learning how to play with the drums on different shuffles. | Might I add - early B.B. King, with Sonny Freeman on drums. What a great drummer! | 
11-20-2005, 08:46 PM
| | Registered User | | Join Date: Nov 2003 Location: central Texas | | | The bass and drums should lock in on one hell of a groove.
A good way to get started on a shuffle in an unfamiliar situation is to always come back to a straight quarter note on beat 1 of the bar. This helps to keep the groove established while you find what works with a particular drummer. Blues is all feel. Play each note like you really mean it.
My favorite shuffle is on top of the downbeat and behind the backbeat, but the drummer has to do it too. | 
11-20-2005, 08:47 PM
| | Registered User | | Join Date: Nov 2003 Location: central Texas | | Quote: |
Originally Posted by AGCurry Might I add - early B.B. King, with Sonny Freeman on drums. What a great drummer! | That's what I'm talkin' about! | 
11-25-2005, 05:29 PM
| | | | Laundromat blues... Check out Albert King's Laundromat blues...
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